An American carnival in Germany sets the scene for sin, sex and melodrama.An American carnival in Germany sets the scene for sin, sex and melodrama.An American carnival in Germany sets the scene for sin, sex and melodrama.
Ady Berber
- Groppo the Wildman
- (as Adi Berber)
Amalie Lindinger
- The Fat Lady
- (uncredited)
Ly Maria
- The Snake Lady
- (uncredited)
Jacob Möslacher
- Self - Interpreter
- (uncredited)
Josef Schneider
- The Sword-swallower
- (uncredited)
Anni Trautner
- The Bearded Lady
- (uncredited)
Jadin Wong
- The Chinese Dancer
- (uncredited)
Featured reviews
In many ways this is a strange film with Anne Baxter being the black widow of sorts. The screen seems to come alive only when she is on screen with Cochran.
The plot is very simplistic and the characters not well developed and are even contradictory.
However, any film with them in it is worthy of viewing. Maybe a better script would have enhanced this film.
The plot is very simplistic and the characters not well developed and are even contradictory.
However, any film with them in it is worthy of viewing. Maybe a better script would have enhanced this film.
The believable atmosphere and some moments of real tension, along with Anne Baxter's starring performance, make "Carnival Story" worth watching despite its somewhat uneven quality overall. It has some strengths, but it leaves you feeling that it could have been improved without too much difficulty.
The story has an interesting setting, with the drama and romance taking place in an American traveling show that is touring Germany, having attracted little interest in the US. Although the portrayal of the show and its players uses a number of clichés, in general the atmosphere is believable, and it supplies an effective background to the story. The world of the carnival is self-contained to begin with, and their presence in a foreign country emphasizes their isolation from the 'real world'. Jay C. Flippen plays the show's manager, and his character adds an appropriate air of run-down authority.
Anne Baxter stars as the only German native among the main characters, an intense young woman who becomes involved romantically with more than one of the show's employees. In itself, the plot is the same as that in many other movies about romantic rivalry, with Baxter's character torn between the 'good' lover and the 'bad' lover. Baxter herself works well enough in the role, since her restless style fits in with her character here.
Most of the other characters, though, remain one-dimensional, and some of the confrontations and tense moments lose something as a result. When the dramatic turns work, it is usually because they take place in an interesting setting, rather than because they have been filmed with any particular skill. The pacing likewise is inconsistent. There are a number of slow stretches that do little of note, but then it does make good use of the recurring high dive scenes, with the pageantry, danger, and tension that they bring.
Overall, it has some definite strengths and some obvious weaknesses. It is essentially a formulaic drama about romantic rivalries, with a relatively interesting setting that hides enough of the weaknesses to make it worth seeing.
The story has an interesting setting, with the drama and romance taking place in an American traveling show that is touring Germany, having attracted little interest in the US. Although the portrayal of the show and its players uses a number of clichés, in general the atmosphere is believable, and it supplies an effective background to the story. The world of the carnival is self-contained to begin with, and their presence in a foreign country emphasizes their isolation from the 'real world'. Jay C. Flippen plays the show's manager, and his character adds an appropriate air of run-down authority.
Anne Baxter stars as the only German native among the main characters, an intense young woman who becomes involved romantically with more than one of the show's employees. In itself, the plot is the same as that in many other movies about romantic rivalry, with Baxter's character torn between the 'good' lover and the 'bad' lover. Baxter herself works well enough in the role, since her restless style fits in with her character here.
Most of the other characters, though, remain one-dimensional, and some of the confrontations and tense moments lose something as a result. When the dramatic turns work, it is usually because they take place in an interesting setting, rather than because they have been filmed with any particular skill. The pacing likewise is inconsistent. There are a number of slow stretches that do little of note, but then it does make good use of the recurring high dive scenes, with the pageantry, danger, and tension that they bring.
Overall, it has some definite strengths and some obvious weaknesses. It is essentially a formulaic drama about romantic rivalries, with a relatively interesting setting that hides enough of the weaknesses to make it worth seeing.
Anne Baxter is channeling her 'inner Joan Crawford' at every key scene of this lively B-Movie time waster. Carnival Girl Joan was a natural for this - a shame she was too old. Those looks of blazing hatred and the words Baxter spits out at Steve Cochran (when she's not grinding all over him) need some serious eyebrows and shoulder pads. To be honest I watched this from start to finish and never felt the urge to turn it off. Many a 'great' movie I've left half finished. This is pure B movie and certainly not great but the story hooks keep it moving from scene to scene. I should have seen the ending a mile away but didn't bother to look for it.
That male high diving husband wore the CREEPIEST bathing suit I have ever seen on a man. I never saw the actor before but he was oddly sexless, effeminate and unsettling. There is one scene when he is having his blond locks lovingly styled by a midget that belongs in a Bunuel movie.
That male high diving husband wore the CREEPIEST bathing suit I have ever seen on a man. I never saw the actor before but he was oddly sexless, effeminate and unsettling. There is one scene when he is having his blond locks lovingly styled by a midget that belongs in a Bunuel movie.
A young girl (Anne Baxter) runs away and joins a traveling carnival troupe in Colonia (Germany), an American-owned circus in all its beautiful and sadness in the setting . She falls in love with her employer (Steve Cochran) and is hired by the ringmaster (J.C. Flippen). Later on , she is contracted by a somersault artist (Lyle Bettger), who teaches her the leap routine and soon becomes the main attraction but he has a fatal accident . Anne Baxter as an aerial acrobat dropping to swimming pool is interested in both men.
The film is a melodramatic and romantic tale with the classic triangular love story through an European tour and meshing drama with events offstage . It deals with an U.S. carnival in Colonia sets the scene for sin , sex , passion and melodrama . The movie is wrought with romance and glamour but is a simple and tragic story about a scheming young girl and the men of whom she takes advantage . This dramatic flick packs an exciting final adding the beauty-beast myth . Extraordinary cast and good performances , especially from Anne Baxter and George Nader as a journalist , both of whom are top-notch under Kurt Neumann's correct direction . Furthermore , some scenes the actors perform their own stunts . After that , George Nader stayed in Germany where had success playing Jerry Cotton , a solid entry in German crime series . Fine camera work with exquisite images in Agfacolor and superb European location by cameraman Ernest Haller . The motion picture was well directed by Kurt Neumann , known director of classic Sci-Fi (The fly , Rocketship X-M , Kronos) , besides he realized at the same time the German version titled ¨Circus of love¨ with Curt Jurgens and Eva Bartok in similar roles .
The film is a melodramatic and romantic tale with the classic triangular love story through an European tour and meshing drama with events offstage . It deals with an U.S. carnival in Colonia sets the scene for sin , sex , passion and melodrama . The movie is wrought with romance and glamour but is a simple and tragic story about a scheming young girl and the men of whom she takes advantage . This dramatic flick packs an exciting final adding the beauty-beast myth . Extraordinary cast and good performances , especially from Anne Baxter and George Nader as a journalist , both of whom are top-notch under Kurt Neumann's correct direction . Furthermore , some scenes the actors perform their own stunts . After that , George Nader stayed in Germany where had success playing Jerry Cotton , a solid entry in German crime series . Fine camera work with exquisite images in Agfacolor and superb European location by cameraman Ernest Haller . The motion picture was well directed by Kurt Neumann , known director of classic Sci-Fi (The fly , Rocketship X-M , Kronos) , besides he realized at the same time the German version titled ¨Circus of love¨ with Curt Jurgens and Eva Bartok in similar roles .
As I remember it, this was an exciting movie of the day and it still stands up to the test in my opinion. Steve Cochran was still the right age to look good and so was Anne Baxter. His character has caught up with her again, and they have some history together. She has got a job in a circus with a high diving swimmer. I remember the diver for his unique soft voice. He was the "goody" in the film. Anne Baxters character doesn't want to take up with him again and Steve Cochran sort of become a stalker, hanging around the tent at night and giving a low whistle. The dim witted strong man of the circus is a little in love with her himself and will do anything to protect her. The three main characters are all good looking people which puts this film at it best. There is also the technical and interesting stuff of climbing a high ladder and looking down at a drum of water that looks like you are going to dive into just a teacupful of water for you are seemingly so high. Anne Baxter is also expected to learn how to do this. Steve Cochran is bothering her... And watch out for the Big Wheel. A wonderful film.
Did you know
- TriviaThis was filmed simultaneously in a German-language version, Circus of Love (1954). The cast of the German version can be seen in uncredited cameo appearances in the English-language version and vice versa.
- GoofsJoe didn't realize until shortly after Willie picked his pocket that his wallet was missing so would have not known it was Willie who stole it and therefore would not be able to pick her out in the crowd. Also when he confronts her, he would not have known where she hid his wallet.
- Alternate versionsSimultaneously shot in two versions; the German language version, Circus of Love (1954), stars Curd Jürgens, Eva Bartok and Bernhard Wicki.
- ConnectionsAlternate-language version of Circus of Love (1954)
- SoundtracksRing Down the Curtain
Written by Willy Schmidt-Gentner, Pony Sherrell, Philip Moody
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- Backfire
- Filming locations
- Munich Railway Station, Munich, Bavaria, Germany(train station dock in the opening scene; exterior later, as the loudspeaker announces a departure to Frankfurt)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 35m(95 min)
- Aspect ratio
- 1.85 : 1
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