Godzilla

First we had King Kong (1933), one of the most important and first large monster films, than we had giant insects... the point in which you thought that all large monster films are gonna die... but, no worries, Japanese are always there to save the day. Godzilla (1954), is bigger, badder, better, meaner, faster, and more artistic than any other monster films. It's the movie that sets some new standards.

The film was based upon the story of Shigeru Kayama "Gojira" from the words "gorilla" and "kujira" (whale). It's without any doubt one of the most significant SF films in Japanese cinema, and we have a proved fact that this movie has a large number of sequels, a US remake, an animated series and we are expecting something new. This movie of Inoshiro Honda is based upon foundation of already tried stories: A large monster suddenly comes alive, and it's growing in catastrophe for human civilization. You can easily say that the story motives are the same just like in the Frankenstein (1932), for example... But Japanese view of these thing is different. Godzilla is not appearing for some purpose, he is there only for the plot, he is an unstoppable, blind force ready for destruction, and there's also a human's error of his interfere in nature, so by the looks of things, the large monster is some kind of "payback" from mother nature.

The movie has good acting crew, excellent direction, an inspiring and brilliant music score by Akira Ifukube, who also made Godzilla roars, the special effects were also great, done by Eiiji Tsuburaya. And from this moment, this movie is a great inspiration to many more monster films... we are expecting more today.

For those who are mildly interested in this movie, you must understand the seriousness of this movie. More than a movie about a guy in a rubber suit breaking toy buildings, Gojira is a very serious consideration about the horrors of nuclear war.

A few items to watch for include:

The first scenes of Tokyo after having been leveled by Gojira (Godzilla) almost mirror the photographs of Hiroshima and Nagasaki after the bombings.

The images of the injured people in the hospitals again, mirror the photographs of "survivors" of the Hiroshima and Nagasaki bombings.

Look for references to the American nuclear tests on the Bikini atolls (they are abundant).

Finally, keep in mind that Gojira is a symbol of nuclear war. The reason that tanks, planes and heavy artillery don't stop it is because once a nuclear bomb is dropped, nothing can stop the devastation. The only way to avoid it is to not be there in the first place.

Gojira (Godzilla, King of the Monsters) is a definite must-see for anyone interested in film-making at its best.

A film that works because of its campy monster and its budget-limited special effects (they couldn't afford stop motion so it's all a dude wearing a rubber suit tromping on miniatures), but is made special because of its deep meaning and the warnings and questions it has for the nuclear age.

It's telling that it was the most advanced scientific breakthrough made by the most brilliant minds on the planet, the harnessing of the atom, that led to the bombing of Hiroshima and Nagasaki, and in turn, in this movie, to the unleashing of a two million year old monster. It warns humanity that in stepping forward in its understanding of the universe, it was also taking a step backwards, and unleashing irrational, destructive violence upon the world. That's all pretty obvious I guess, but the scenes of fleeing people being incinerated by Godzilla, women and children huddling together in fear, and the destruction of Tokyo looking like an atomic bomb had gone off must have reverberated especially with the original audiences of the time. It certainly did for me. There is something deeply painful about this film.

In a fascinating development, it's a Japanese scientist who has to wrestle with the morality of having developed a weapon of mass destruction called the 'Oxygen Destroyer', knowing that its use to stop Godzilla in the short term may lead to its use to further horrific destruction in the long term. It seems to put the Japanese in the same position as the Americans in 1945, one where there are no easy answers. How does one put the lid back on the box of an arms race, where one technology or act of violence leads to another in a crazy, unending spiral? The solution offered may or may not be all that realistic, but I thought just raising the question in the way the film did - and so soon after the war - was incredibly thought-provoking and brave. The film thus works on emotional and philosophical levels that one normally wouldn't get in a monster film, or at least, with this level of meaning and intensity. Definitely recommended.

Finally, I had the pleasure of finally seeing the original Japanese version of this classic and I have to say that it is much better than the "Raymond Burr" version. This film pretty much makes one think about what we are doing to mother Earth with all the pollution and war going on. Perhaps the thing that made this film great was that not only did it have great effects, but it also had a great story that made a great social commentary on what could have happened if the arms race continued to go unchecked. Besides the story about Gojira, you also had a pretty decent love story. Akihiko Hirata, does a good job of playing Serizawa, who is really the tragic figure in this film who must decide whether or not to use his weapon, which potentially was more dangerous than the monster itself. This film is definitely one of the all time classics and fortunately the original version will be released on DVD in September 2006.

When seventeen vessels blow-up and sink nearby Odo Island, Professor Kyohei Yamane (Takashi Shimura), his daughter Emiko Yamane (Momoko Kôchi), and the marine officer Hideto Ogata (Akira Takarada) head to the island to investigate. Soon they witness a giant monster called Gojira by the locals destroying the spot. Meanwhile Emiko meets her boyfriend, the secluded scientist Serizawa (Akihiko Hirata), and he makes she promise to keep a secret about his research with oxygen. She agrees and he discloses the lethal weapon Oxygen Destroyer that he had developed. When Gojira threatens Tokyo and other Japanese cities and the army and the navy are incapable to stop the monster, Emiko discloses Serizawa´s secret to her lover Ogata. Now they want to convince Serizawa to use the Oxygen Destroyer to stop Gojira.

"Gojira" (1954) is a surprisingly good Godzilla film, with well-developed story, screenplay and characters. Despite the dated effects and the behavior of Emiko, the plot is engaging and holds the attention of the viewer to the last scene. My vote is eight.

Title (Brazil): "Godzilla"