In Texas, drifter Cruze becomes the marshal of the town of Marlpine but he must face the murderous Moran brothers alone when the scared town refuses to back him up.In Texas, drifter Cruze becomes the marshal of the town of Marlpine but he must face the murderous Moran brothers alone when the scared town refuses to back him up.In Texas, drifter Cruze becomes the marshal of the town of Marlpine but he must face the murderous Moran brothers alone when the scared town refuses to back him up.
- Director
- Writers
- Stars
Robert J. Wilke
- Hort Moran
- (as Robert Wilke)
Arthur Berkeley
- Townsman
- (uncredited)
Wheaton Chambers
- Deputy Tuttle
- (uncredited)
Cecil Combs
- Townsman
- (uncredited)
Bill Coontz
- Townsman
- (uncredited)
Jerado Decordovier
- Juan
- (uncredited)
Joe Dominguez
- Alfredo
- (uncredited)
Herman Hack
- Townsman
- (uncredited)
Al Haskell
- Townsman
- (uncredited)
Jack Kenney
- Townsman
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Ray Nazzaro directs THE LONE GUN. Not too memorably, though I can sympathize with the fact that his budget cannot have allowed him room for more inventiveness and better production values.
The really interesting and eye-catching detail here is the appearance of a very young Dorothy Malone who would soon rise to stardom with the film WRITTEN IN THE WIND. Here, however, she plays a minor part, though the absence of female competition signals from the outset that she will ride off into the sunset with George Montgomery in the end.
There is an evil brotherly trio headed by the nefarious looking Neville Brand, and that trio is running the town ragged with its crimes, especially cattle rustling and, of course, some homicide for credible measure.
A couple of noteworthy details: 1. A fight on horseback among rocks, in which neither Montgomery nor the dastardly bros seem to care if they get into the line of fire; 2. Homeier as a kind of humorous Doc Holliday to sheriff Montgomery.
Forgettable cinematography and turgid dialogue. 6/10.
The really interesting and eye-catching detail here is the appearance of a very young Dorothy Malone who would soon rise to stardom with the film WRITTEN IN THE WIND. Here, however, she plays a minor part, though the absence of female competition signals from the outset that she will ride off into the sunset with George Montgomery in the end.
There is an evil brotherly trio headed by the nefarious looking Neville Brand, and that trio is running the town ragged with its crimes, especially cattle rustling and, of course, some homicide for credible measure.
A couple of noteworthy details: 1. A fight on horseback among rocks, in which neither Montgomery nor the dastardly bros seem to care if they get into the line of fire; 2. Homeier as a kind of humorous Doc Holliday to sheriff Montgomery.
Forgettable cinematography and turgid dialogue. 6/10.
Better than average b-western from 1954 which sees surly loner George Montgomery hired as the sheriff of a town as he is the only man prepared to stand up to a trio of bad-guy brothers led by a chunky Neville Brand. A brisk pace and competent performances. Frank Faylen stands out as an amiable gambler who befriends Montgomery, and Dorothy Malone provides the obligatory love interest.
One of the other reviews here summed this up very well: "routine but entertaining B-western with few surprises". It's not going to linger in the mind very long after it's over, but it's pleasant enough to watch while it lasts. It's got a clearly delineated hero and villain and entertaining supporting characters, with the expected brawls and gunfire and impressive rural scenery to take in.
The very stolid George Montgomery plays Cruze, our good guy, who makes the acquaintance of outgoing gambler Fairweather (Frank Faylen, who delivers a nuanced performance, easily the movies' best) while travelling. They arrive in the small town of Marlpine where the mayor (Fay Roope) makes note of Cruzes' fighting abilities and hires Cruze as the towns' marshal. Cruze soon has his hands full dealing with the thuggish Moran gang, a bunch of cattle rustlers led by beefy Tray Moran (Neville Brand, a good antagonist). Cruze falls for local cattle rancher Charlotte Downing (pretty Dorothy Malone) while the amiable Fairweather ends up accused of murder.
As directed by Ray Nazarro, a Western veteran whose career dated back to the silent era, "The Lone Gun" is really no great shakes but its story is easy enough to follow and reasonably enjoyable. Watching some of the actors at work is really the main attraction; also appearing are Skip Homeier as Cass, Charlottes' morally compromised but not really bad brother, Douglas Kennedy and Robert J. Wilke as members of the Moran gang, and Douglas Fowley as the sleazy bartender.
One good thing about these older movies is their often brief running times; for example, this only runs 75 minutes. They very much get to the point and don't waste time. The wrap up is quick and satisfying.
Overall, a fine diversion.
Six out of 10.
The very stolid George Montgomery plays Cruze, our good guy, who makes the acquaintance of outgoing gambler Fairweather (Frank Faylen, who delivers a nuanced performance, easily the movies' best) while travelling. They arrive in the small town of Marlpine where the mayor (Fay Roope) makes note of Cruzes' fighting abilities and hires Cruze as the towns' marshal. Cruze soon has his hands full dealing with the thuggish Moran gang, a bunch of cattle rustlers led by beefy Tray Moran (Neville Brand, a good antagonist). Cruze falls for local cattle rancher Charlotte Downing (pretty Dorothy Malone) while the amiable Fairweather ends up accused of murder.
As directed by Ray Nazarro, a Western veteran whose career dated back to the silent era, "The Lone Gun" is really no great shakes but its story is easy enough to follow and reasonably enjoyable. Watching some of the actors at work is really the main attraction; also appearing are Skip Homeier as Cass, Charlottes' morally compromised but not really bad brother, Douglas Kennedy and Robert J. Wilke as members of the Moran gang, and Douglas Fowley as the sleazy bartender.
One good thing about these older movies is their often brief running times; for example, this only runs 75 minutes. They very much get to the point and don't waste time. The wrap up is quick and satisfying.
Overall, a fine diversion.
Six out of 10.
George Montgomery is an ex-marshal when he rides into town and soon he puts on the badge and is seen tackling the villains played by Douglas Kennedy , neville Brand and Robert wilke.
An efficient western, the lone gun progresses with tautness and ends with a well-done action finale.
The Lone Gun is directed by Ray Nazarro and written by Don Martin, Richard Schayer and L. L. Freeman. It stars George Montgomery, Dorothy Malone, Neville Brand, Frank Faylen, Skip Homeier, Robert Wilke, Douglas Kennedy and Fay Roope. Music is by Irving Getz and cinematography by Lester White (color by Color Corporation of America).
"The history of any frontier region . . . such as the great expanses of the new State of Texas . . . offered many examples of the strange way in which a few men of great evil could dominate whole communities of well meaning, but passive citizens...
...And examples, too, of men who rode out alone for law and order, with badges on their vests and handcuffs in their pockets . . . playing a lone gun against great odds"
It is pretty much as one would expect for a 50s "B" Western, there's nothing remotely new here, it's a good old honest Oater where a good man takes up a law badge in a town that doesn't deserve him, he takes on the bad guys and there's a pretty lady on his mind. Cue fisticuffs and shootings (including a particularly cold blooded murder), some nifty ambush sequences, a tension packed poker game and some neat dialogue - "one yell and you'll be waking up in a devil's cookhouse".
Cast are fine, with Montgomery doing his usual reliable and likable guy act, Brand doing another in his line of scumbags - backed by Kennedy and Wilke, and even though she's saddled with the token lady role that's sparsely written, Malone leaves a nice impression regardless. Bonus is Faylen, who as card conman Fairweather, shines in a cheeky chappie role, with quips and a glint in his eye even when he's in danger, Faylen enjoys himself in creating this fun character. Some good stunt work rounds it out as a safe and enjoyable Oater for fans of such. 6.5/10
Tidbib: Bizarrely the end credits have Wilke and Kennedy listed as playing each others roles?!
"The history of any frontier region . . . such as the great expanses of the new State of Texas . . . offered many examples of the strange way in which a few men of great evil could dominate whole communities of well meaning, but passive citizens...
...And examples, too, of men who rode out alone for law and order, with badges on their vests and handcuffs in their pockets . . . playing a lone gun against great odds"
It is pretty much as one would expect for a 50s "B" Western, there's nothing remotely new here, it's a good old honest Oater where a good man takes up a law badge in a town that doesn't deserve him, he takes on the bad guys and there's a pretty lady on his mind. Cue fisticuffs and shootings (including a particularly cold blooded murder), some nifty ambush sequences, a tension packed poker game and some neat dialogue - "one yell and you'll be waking up in a devil's cookhouse".
Cast are fine, with Montgomery doing his usual reliable and likable guy act, Brand doing another in his line of scumbags - backed by Kennedy and Wilke, and even though she's saddled with the token lady role that's sparsely written, Malone leaves a nice impression regardless. Bonus is Faylen, who as card conman Fairweather, shines in a cheeky chappie role, with quips and a glint in his eye even when he's in danger, Faylen enjoys himself in creating this fun character. Some good stunt work rounds it out as a safe and enjoyable Oater for fans of such. 6.5/10
Tidbib: Bizarrely the end credits have Wilke and Kennedy listed as playing each others roles?!
Did you know
- TriviaIn Uruguay, as other countries in Latin America, this film was released in black and white.
- GoofsAs Cruze is riding back with one of the outlaws, he's arrested; tracks of a large earth-moving vehicle are visible at the bottom of the frame in one shot. Such vehicles didn't exist in the days of the Old West.
- Crazy creditsOpening credits: The history of any frontier region . . . such as the great expanses of the new State of Texas . . . . offered many examples of the strange way in which a few men of great evil could dominate whole communities of well-meaning, but passive citizens . . .
. . . And examples, too, of men of a different breed . . . men who rode out alone for law and order, with badges on their vests and handcuffs in their pockets . . . playing a lone gun against great odds.
- ConnectionsFeatured in Frances Farmer Presents: The Lone Gun (1959)
- How long is The Lone Gun?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Adios, My Texas
- Filming locations
- North Ranch, Ventura County, California, USA(Downing Ranch)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 16m(76 min)
- Color
- Aspect ratio
- 1.66 : 1
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