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Out of the Clouds

  • 1955
  • 1h 28m
IMDb RATING
5.7/10
207
YOUR RATING
Out of the Clouds (1955)
Drama

A busy day at London Airport. Follow the lives and loves of the crew and passengers.A busy day at London Airport. Follow the lives and loves of the crew and passengers.A busy day at London Airport. Follow the lives and loves of the crew and passengers.

  • Director
    • Basil Dearden
  • Writers
    • John Fores
    • John Eldridge
    • Michael Relph
  • Stars
    • Anthony Steel
    • Robert Beatty
    • David Knight
  • See production info at IMDbPro
  • IMDb RATING
    5.7/10
    207
    YOUR RATING
    • Director
      • Basil Dearden
    • Writers
      • John Fores
      • John Eldridge
      • Michael Relph
    • Stars
      • Anthony Steel
      • Robert Beatty
      • David Knight
    • 15User reviews
    • 5Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos4

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    Top cast57

    Edit
    Anthony Steel
    Anthony Steel
    • Gus Randall
    Robert Beatty
    Robert Beatty
    • Nick Millbourne
    David Knight
    David Knight
    • Bill
    Margo Lorenz
    • Leah
    James Robertson Justice
    James Robertson Justice
    • Captain Brent
    Eunice Gayson
    Eunice Gayson
    • Penny Henson
    Isabel Dean
    Isabel Dean
    • Mrs Malcolm
    Gordon Harker
    Gordon Harker
    • The Taxi Driver
    Bernard Lee
    Bernard Lee
    • Customs Officer
    Michael Howard
    • Purvis
    Marie Lohr
    Marie Lohr
    • Rich Woman
    Esma Cannon
    Esma Cannon
    • Rich Woman's Companion
    Abraham Sofaer
    Abraham Sofaer
    • The Indian
    Melissa Stribling
    Melissa Stribling
    • Jean Osmond
    Sidney James
    Sidney James
    • The Gambler
    Barbara Leake
    Barbara Leake
    • The Gambler's Wife
    Megs Jenkins
    Megs Jenkins
    • The Landlady
    Harold Kasket
    • Hafadi
    • Director
      • Basil Dearden
    • Writers
      • John Fores
      • John Eldridge
      • Michael Relph
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews15

    5.7207
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    Featured reviews

    9peedee100

    Connie and Strat are the stars

    An amusing and quaint period piece with a couple of interesting parallels with life today (holocaust references and international drug smuggling). A good cast but the true stars are BOAC's Lockheed Super Constellation and the transatlantic Boeing Stratocruiser. Objects of beauty confined to museums these days.
    6richardchatten

    Gordon Harker's Only Colour Film

    Later dismissed by producer Michael Relph as "a real potboiler!" Now that Ealing Studios were releasing through Rank their product was becoming far more mainstream. So top billing goes to bland fifties heartthrob Anthony Steel, flanked by a romantic piano score by Richard Addinsell and a glossy depiction in colour of activity centred on Heathrow when air travel was considered incredibly glamorous.

    Strongly anticipating 'The VIPs' a few years later (in which delays caused by fog also facilitated the various plot developments concerning its large cast). Harsher recent global events are however evoked by unusually making the two young lovers played by David Knight and Margo Lorenz Jewish; him on stopover to Israel, she left alone in the world having been orphaned by the Holocaust. (While the makers quietly remind us of life's seamier side by including a fleeting subplot about drug smuggling.)
    7Buzzaki

    What a hoot!

    I stumbled across this gem of a period piece recently, and the airline enthusiast in me couldn't pass it up. I wasn't disappointed. Heathrow (pardon me.... London Airport) is bustling with efficient airline personnel, sharply dressed and not at all worked up over the 12-hour delay caused by a thick London fog. Passengers all receive individualized attention, and are guided through their layover by attendants who address them each by name. These are innocent times for air travel. The airport restaurant divides those who have been through customs from those who haven't by simply hanging a red cordon across the middle of the room. No metal detectors or baggage scanners here. My favorite scene is the final one, an over-the-top display of the many different ethnicities in the terminal lobby, all in pairs, all wearing native dress. It's a contrived and forced attempt to create an environment which is natural today. Oh yes.... the love story? Of course it's there, along with all of the expected trappings of a 1955 B&W drama. But don't watch this film for the love story. Watch it for a loving recollection of the early days of air travel in all its naive glamour.
    5malcolmgsw

    Its not only Robert Beatty thats grounded

    Ealing loved its portmanteau films.If the stories are good enough eg Dead of Night then the film becomes a classic.If they are as bad as these then the film becomes instantly forgettable.None of the stories in this film is of much interest,and the love story is badly written and acted.Having seen this film before I decided to fast forward through the sequences featuring this laboured tale of romance.Therefore the only real interest is in watching a film set in an airport at the beginning of the jet age and comparing the differences to the current age of jet travel.Everything seems so stress free and controlled unlike today's environment.By the way this was definitely not a B feature.Colour was too expensive for B features in the fifties,it just feels like a B Feature.
    8peachymead-1

    Watched as thick fog really did cover the airports

    I watched this on December 21st of December 2006, and it's really a thick fog covering most of the country, including of course London airports. The t.v. was full of pictures of massive crowds trying to get away. This film took you back to the same airport that is fog bound today. In those days it looked almost an enjoyment to be fog bound. It's a great old film full of atmosphere of the times. No drunken swearing passengers dressed as if they had come straight from work, all well behaved passengers who spoke very well and behaved admirably. None of the passengers complained it was the airports fault like today, all agreed it was the terrible weather. Good old fashion British black and white film, with stars of the day. Watch it again and again and you will find its different every time, its almost as if you were there It does what 'Oh Mr. Porter' and the 'Ghost train' did for rail travel fans, pure yester year atmosphere. Peachy Mead

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    Related interests

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    Drama

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The modern phonetic alphabet for aircrew was set by NATO in 1956. The film uses older ones - George, Sugar, Fox, Oboe.
    • Goofs
      Ealing built one of its largest ever sets to represent the interior of the newly built Europa Building in the central area of what was then known as London Airport. However, this terminal, as its name implies, served only short haul airlines, long haul services used the temporary structures alongside the A4 Bath Road (known as "North Side") until the Oceanic terminal (later renamed Terminal 3) opened in 1961. Thus there would have been no BOAC personnel (or passengers) in the Europa building, as portrayed in the film.
    • Quotes

      Nick Millbourne: What's the trouble, Captain?

      Captain Brent: I'm not happy about the port outer - she sounds a bit rough to me.

      Nick Millbourne: Instruments check all right?

      Captain Brent: Yes.

      Nick Millbourne: The instrument say she's okay, the chief mechanic says she's okay...?

      Captain Brent: Young man, let me tell you something. In the air, I am responsible for this aircraft and the lives of all on board her, and neither you nor anyone else - *including* the chairman of the corporation - is going to induce me to take her one inch off the ground until I am absolutely satisfied that she is in perfect order. Do I make myself clear?

      Nick Millbourne: You make yourself clear.

      Captain Brent: I'm right and you *know* I am. That's why I've flown more miles than anyone else on this airfield.

      Nick Millbourne: [through gritted teeth] Of *course* you're right, Captain.

    • Soundtracks
      Flame
      (uncredited)

      Music by Richard Addinsell

      Lyrics by Jack Fishman

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    Details

    Edit
    • Release date
      • May 2, 1955 (Sweden)
    • Country of origin
      • United Kingdom
    • Language
      • English
    • Also known as
      • Vingar ovan molnen
    • Filming locations
      • Heathrow Airport, The Compass Centre, Nelson Road, Hounslow, Greater London, England, UK
    • Production companies
      • Ealing Studios
      • Michael Balcon Productions
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 28m(88 min)
    • Aspect ratio
      • 1.66 : 1

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