She Couldn't Say No

This whimsical movie is set in a fictitious town in Arkansas called Progress. Places such as Little Rock and Pine Bluff are mentioned. Then in one part one of the locals talks about the location being a few miles northwest of Little Rock which would place it somewhere around Mayflower or Conway, Arkansas. The countryside depicted in the movie looks a whole lot like southern California. Possibly one reason the name Progress was chosen was not only to cater to the stereotype at the time of Arkansas as a backward hillbilly state but also because the "Natural State's" slogan in those days was "Land of Opportunity." Being a native Arkansawer (Arkansan), I was pleased to see a fellow Arkansan, Arthur Hunnicutt, and someone from Missouri, Edgar Buchanan, in the cast. Hunnicutt is buried in Greenwood, Arkansas, near Fort Smith. He was a wonderful character actor and added authenticity to the film.

"She Couldn't Say No" teamed Jean Simmons and Robert Mitchum once more and the pairing works fairly well, not as good as Robert Mitchum and Jane Greer but better than some of the other female partners assigned him over the years. Both Simmons and Mitchum were top of the line Thespians and much under appreciated, even today. The title is weak and keeps many from watching a somewhat clever and entertaining flick.

I agree with one of the IMDb reviewers that not enough time is spent by director Lloyd Bacon developing the theme of media sensationalism once the press gets word that an anonymous donor has given the 200 residents of Progress money (the exact amount is not revealed but it was obviously a large sum). There's an old W.C. Fields movie "If I Had A Million" and an early TV series "The Millionaire" that dealt with how a million dollars given to strangers would change their lives and rather than making their dreams come true would usually alter their dreams in negative ways. So there was much potential in the basic theme of "She Couldn't Say No" that was never realized.

The idyllic sporting life lived by the country doctor is exploited in interesting ways, especially when trying to hook the big fish in the creek. It blends well with the romantic attachment between the country physician, Dr. Robert Sellers (Mitchum), and the high society lady with a British accent,Corby Lane (Simmons). The repartee between the two is at times humorous, especially in the beginning when Dr. Sellers thinks she's a crazy patient who may have escaped from a mental ward. Digger, a forerunner of Opie, adds a little depth to Dr. Sellers' character and tends to be an asset. All in all this Howard Hughes throwaway is a good one to catch.

Some published reviews of this picture roast it as an inane waste of time, but having seen the film prior to reading those reviews, I was quite surprised. Although there is nothing magnificent about the movie, and it has its far-fetched quotient, it is nonetheless quite a lovely little picture. The awkwardness of the set-up is almost completely outweighed by the believability and lovability of most of the characters. I'm generally of the opinion that Robert Mitchum can do no wrong, but I was unprepared for the calm and masculine sweetness of his performance in a role that might normally have gone to Robert Young or Robert Cummings. Jean Simmons is much more interesting in roles where she can smolder a little, but she's almost adorable here. And the supporting cast, especially Arthur Hunnicutt, is both true to small-town life and quite excellent at depicting well-drawn and individual characters. And my goodness, whatever happened to Eleanor Todd, the cutie who yearns for Mitchum's affections? She apparently appeared in one other film, also with Mitchum. She's really attractive and interesting in what might otherwise have been a cardboard role. Nice little surprise, this picture.

She Couldn't Say No terminated the tempestuous relationship of Jean Simmons with RKO Studios and her most eccentric boss Howard Hughes. It was shot in 1953 and released in 1954. Being that it was held up for a year also made it the farewell film for Robert Mitchum on his RKO contract. Soon Hughes would unload the studio itself and before the decade was over, RKO would be out of business.

The film casts Jean Simmons as a rich heiress to an oil fortune who back when she passed through the town as a child she was the daughter of an oil wildcatter, ill and in need of an operation. The town raised the money for her and she's appreciative.

Jean should have taken her lawyer's advice and just given the town a new school or library. But she goes to town incognito to determine the individual needs and wants of everybody. That gets her in trouble, but does provide a few chuckles, no real belly laughs.

Simmons figures to make contact with the doctor who did the operation back then, but he's died and the practice has passed on to his son who is played by Robert Mitchum. He practices medicine as long as it doesn't interfere with his fishing with Jimmy Hunt.

She Couldn't Say No is set in rural Arkansas and the biggest thing the film has going for it is the casting of such people as Raymond Walburn, Wallace Ford, Edgar Buchanan, Arthur Hunnicutt, Gus Schilling, etc. You see all those in the cast and you know the film is not going to be sophisticated comedy. They are as interesting a set of rustics you will ever find in any movie and they more than the disinterested stars make She Couldn't Say No entertaining.

Mitchum and Simmons both thought lowly of this film and I'm inclined to agree.

Plot— Wow! The people of small town Progress, Arkansas, are getting free money in the mail. So where's it coming from since the mail doesn't say. Is it greenbacks from heaven. No, it's from wealthy New Yorker, Simmons. Seems she wants to thank the town for saving her life as an infant. Now in town anonymously, Simmons meets the local characters, including straitlaced, hunky doctor, Mitchum. Trouble is, the sudden money may not be really helping this rural community with its traditional ways.

I'm not sure what the producers were reaching for. But, what they got is a rather flat result with a few lame stabs at comedy. Director Bacon makes no effort to liven up either the narrative or the acting. It's like he's just transferring script to screen. At the same time, Mitchum walks glumly through his doctor's role, never changing his one expression. Likely he's thinking about that obstacle course he has to run, while we get our ears blasted by moviedom's most infernal sounding horn. To say he's miscast is an understatement. Then too, Simmons seems unsure what to do, and since her scenes are ill-defined by the script or director, that's understandable. What's surprising is that such colorful hayseeds as Hunnicutt and Buchanan have little chance to practice their brand of hayseed humor. At least that would have lifted the lackluster results.

Nonetheless, the movie does remind us that the money economy is not the only basis of productive exchange. Instead of money, the small town residents use barter—an aspirin bottle may cost one chicken, for example. Of course, barter doesn't work in a complex economy. Still, I think it's well to be reminded that money (in whatever variety) is not the only possible means of meeting needs.

Anyway, after the Simmons-Mitchum triumph in the drama Angel Face (1952), this venture proves a disappointment, despite the titillating title. For sure, it's not a highlight of Mitchum's storied career, or Simmons's, for that matter.

Jean Simmons and Robert Mitchum both lend star quality to this unassuming endeavor. It doesn't seem that they're lending it together. Mitchum was still playing characters, albeit here a country doctor, who'd have sex with anything in a skirt. Simmons seems less interested.

It's a sweet story. She seeks out a small town whose citizens had helped her when she was a sick child. Now, therein lies the single greatest flaw of this movie: Maybe the print I saw had been cut. However, exactly what this little town did to help a child of privilege is never made clear. And that kinds of eats away at the ore of the movie.

Still, her well meaning but ill thought-out good deeds make for a touching little story.

And the sequence in which people from all over the country drive up, trailers pulled behind their cars, hoping to benefit from her largess, sure is reminiscent of "Ace In The Hole"! That's an infinitely more cynical movie but these scenes have a dark quality too.

The other mystery is Simmons's clothes, especially in the first half. I am not one to pay much attention to ladies' fashions but she sure does appear to be pregnant hen she arrives in town.

She did have a baby not long after this. Maybe the movie was shot completely out of sequence; because in later scenes, she seems trim and chic. (She is chic in the maternity-style clothes, too, but they are hardly flattering to her.)