River of No Return

I just love this movie, except for that one scene (everybody knows which one). It's a very good venue for Mitchum and perhaps the best Monroe ever had. Really great actors make you forget that they are either actors or stars. These two do that quite well in spite of a loosely written script and a bit too much sweetness in the person of the boy. I think I love this movie as much for the fact that someone finally let Monroe act as I do for the fun of watching it. She did a good job of bringing her character, rather than Marilyn, to the screen. I enjoyed the scenes between her and the boy. She was very believable as a nurturing, protective figure. She would have done well as an actress. This movie is just a small sample.. Lonestar

Nine-year old boy is reunited with his estranged father in a northwest boom town in the midst of Gold Fever; they take off for a life of fishing and hunting but are soon railroaded by a crooked gambler and his gal, a saloon singer who gets a pang of conscience and stays with dad and the kid. Soon, all three are on the run from Injuns, on a raft down a treacherous river. Lackadaisical western puts action on the back-burner to focus on character interaction, which in this case isn't such a bad thing. Robert Mitchum never puts on a big show: tough and steely, but paternal towards the kid and easy with the lady, he's gruffly polite--and unapologetic about his behavior. Marilyn Monroe is such a drama queen, she can't deliver a simple monologue without twitching something (her eyes, her lips, her nostrils); she is lovely (and, in a singing scene outdoors with the boy, very natural), but one warms to her because she's Marilyn (her legend exceeds the worn material and her over-emphatic delivery). Otto Preminger directed, but this doesn't feel like a Preminger movie. There are no tart or prodding scenes, and the dangerous rapids excursions--and Indian rampages--are not staged for maximum impact. The Indians, armed with arrows, simply seem like bad shots, and the close-up sequences on the raft were obviously achieved in the studio. Still, the occasional on-location photography is breath-taking, and the three principles grow steadily on the audience as well as towards each other. Beautiful theme song is sung in versions by both Mitchum and Monroe. **1/2 from ****

Otto Preminger's "River of No Return" is set in Northwest Canada, in savage Indian territory, in the gold rush days... The plot is weak but the scenery is spectacular and the action of the river dramatically powerful... Otto Preminger knew how to create tension and threat in the grandeur and menace of the Canadian Rockies…

The film opens in the 1875 with widower Matt Calder (Mitchum), coming to town, where his ten-year-old son Mark (Tommy Rettig) is waiting for him... He has served a term in prison for shooting a man in the back, even though he shot the man only to keep him from murdering a friend... Mark has now been sent to join his father, who has bought a farm for them...

Mark has made the acquaintance of Kay (Marilyn Monroe), a saloon singer, while waiting for his father.... Calder thanks Kay for her kindness to his boy, and father and son depart for their farm...

One day, Calder sees Kay and gambler Harry Weston (Rory Calhoun) in trouble on a raft in the river near his home... He helps them ashore and learns that Watson is in a hurry to get to town to register a gold claim... So eager is he that he steals his rescuer's only horse, and leaving his girl behind as well, rides away...

The predicament of those left is deepened by the fact that Indians are on a rampage and are due to attack the farm at any moment... The only way left to get to town is by a wild river...

Photographed in Technicolor and CinemaScope, the film is designed to exploit the splendors of the mountains, trees and rapid rivers plus the magnetic pleasant figure of Marilyn who is the only charming woman surrounded by two handsome men and a charming kid...

Marilyn sings 4 numbers in the film: "One Silver Dollar," "I'm Gonna File My Claim," "Down in the Meadow," and "The River of No Return." The little boy, Tommy Rettig, played another big-scale Western, Delmer Daves' "The Last Wagon," with Richard Widmark, Felicia Farr, and Susan Kohner...

Love is a rider on the rider on the river of no return.

This was an interesting film, a western that covers a very short period of time about a man released from prison to pick up his son and start a farm in gold mining country. Marilyn Monroe, who is gorgeous as ever in this film, is a saloon singer in the closest town. Her and her gambler boyfriend are headed to a larger city to make a claim on some land that he won gambling. On the way down the river on a raft they get themselves in trouble and our farmer along with his son save them...only to have their kindness repaid by the gambler stealing their only horse and only gun...leaving them at the mercy of the natives who seem to be on a war path of destruction. This leaves the farmer, played by Robert Mitchum, Marilyn and the farmer's son defenseless and on the run from the natives. Down the river they head...

This film was filled with action...including a mountain lion attack! There is also a moral story about leaving people, especially children defenseless.

The end is pretty fun and makes this film worth it. If you are a western fan or a fan of either Marilyn Monroe or Robert Mitchum, I recommend giving it a watch.

Life is like this river,sometimes peaceful,sometimes wild.A "river" movie,before the "road movie" genre was invented,Otto Preminger's work remains extremely beautiful:an unusually inventive cinemascope which enhances the scenery :the raft tossed by the tides of misfortune,seems like a grain of sand in these deep valleys,these ancestral forests.

A story as linear as the river,which focuses on one of Preminger's favorite subjects:redemption (see "where the sidewalk ends","forever Amber").If someone does something wrong,Kay says ,it's because he's often compelled to do so.Mark,the young boy ,will understand ,and little did he know it would not be long !

The songs (the title track and "one silver dollar" ) are sumptuous,and add magic to this odyssey of redemption.And when Kay throws her high-heeled shoes in the dust,what a nice way to pick up the pieces!