Taza, Son of Cochise

Not all 3d movies are filmed having in mind that 3d technique requires specific camera movements and well adjusted settings to shine. But Douglas Sirk, a consumated director did not make that mistake. Just watch the opening sequence with an indian on a horse standing in front of the deep immensity of the canyon at Arches National Monument Park in 3d and glorious technicolor. Breathtaking. The story -almost totally fictionized- turns pale before it but still is a nice entertainment. Jeff Chandler, who played Cochise in Broken Arrow and The battle at apache pass reprise the role uncredited at the beginning of the film, passing the leadership to his older son Taza. The story runs along to explain how indians are put aside in a reservation with many discontent trying to sublevate and others -guided by Taza- trying to preserve a peace difficult to mantain due to white man's rigid mentality. Imperative to watch it in 3d to enjoy the visual values of this film.

Taza, Son of Cochise is directed by Douglas Sirk and written by Gerald Drayson Adams and George Zuckerman. It stars Rock Hudson, Barbara Rush, Gregg Palmer, Rex Reason and Morris Ankrum. A Technicolor production with the Music scored by Frank Skinner and cinematography by Russell Metty.

In 1872 the long bitter war fought between the United States Cavalry troops and Apache bands led by Cochise came to an end. The peace treaty signed by Cochise and General Howard brought peace to the Arizona Territory. But three years later the mighty leader of the Chiricahua Apaches grew ill and come to the end of his days....

....the torch was passed to his first born son, Taza, who wants to follows his father's ideals and peace brokering ways. His second born son, Naiche, however, has different ideas, as does the mighty Geronimo.....

Douglas Sirk's only venture into the Western realm was originally shot in 3D around the gorgeous Arches National Monument Park. Following the pro-Indian theme that was becoming a feature of 1950s Westerns, it's a film that suffers primarily because of the casting of none Native Americans in the important character roles. Which is a shame because it's a gorgeous production that features action scenes full of vim and vigour. Story isn't out of the ordinary and the dialogue is often clunky as the Indian chatter is of the Hollywoodisation kind. Yet picture is never dull, the interest is always held as Taza attempts to hold on to peace for his people, whilst simultaneously he's trying to court the hand of Oona (Rush) against the wishes of her father, the war mongering Grey Eagle (Ankrum).

Hudson, badly cast as he is, can't be faulted for commitment in the title role. He clearly feels at ease working for Sirk (it was a coupling that would work together on a total of 9 movies), and at least he has the physicality for such a character. Unlike Ian MacDonald as Geronimo, who looks too old, is too staid and sticks out like a sore thumb. Russell Metty's photography is top draw, both in capturing gorgeous frames of the locale and in choice of colour lenses. Skinner provides a breezy, if standard Indian tinted Western musical score, and Sirk's direction is simple and effective with only minimal 3D moments part of the action. It's hardly an essential picture in the pantheon of pro-Indian Westerns, but it's better than it has a right to be, and with Pegasus' DVD release providing a lovely print, this is worth seeking out if only for Russell Metty's fine work. 6.5/10

Rock Hudson, Jeff Chandler, Rex Reason, Ian MacDonald, Barbara Rush...all not exactly American-Indian sounding names! Yet, all these folks are all painted up in "Taza, Son of Cochise" to play just such roles--which represents the single biggest problem with this movie. Not only aren't they Indians, they hardly look like them and give the film a certain silliness you can't get past. And, even if the actors had done great jobs in their parts (which they hadn't), this isn't enough to overcome this problem. However, for me this is EXACTLY why I watched the film--because it was so unbelievably cast! Yes folks, I AM a glutton for punishment. And, is there something worth watching here?

The film begins with Chief Cochise's death. His son, Taza (Hudson), vows to keep the peace--whereas his hot-headed son, Naiche (Reason), is determined to destroy the white folks. However, after their big showdown in which Taza kicks the snot out of him, some other renegades sneak in and set Naiche free. So, it's up to our hero, Taza, to find his wicked brother and maintain the peace. But even when he does, it might be too late for him and his people--especially when Geronimo is sent to live on Taza's reservation.

As for the rest of the film, it's a real mixed bag. On one hand, the film is gorgeous--with a fantastic location shoot in Utah as well as terrific music. So the film clearly had a nice budget and it's obvious the studio gave director Douglas Sirk the go ahead to make a quality film. However, the film also suffers from some downright awful dialog--dialog that often makes the 'Indians' sound like idiots. The worst of this often occurred with love scenes--which were among the least romantic in film history. Overall, the film is watchable but silly--and certainly not among the best or worst of the genre.

By the way, I wonder if this film was originally planned as a 3-D movie. This is because often punches, spears, giant rocks and whips are tossed directly AT the camera--like you'd see in a 3-D picture. Considering it came out in 1954, this is awfully likely. Also, historically speaking the movie is a mish-mash of facts and pure bunk.

Jeff Chandler reprises his role as Cochise (in "Broken Arrow") and, in the first ten minutes, dies after instructing his youngest son, Hudson's Taza, to keep the Apaches on the path of peace. Taza's half brother Nache (Rex Reason), however, wants to slaughter all white eyes. Barbara Rush is the Apache princess torn between the two brothers. On location, brutal desert sun, despite body make up, severely burned Hudson, mostly shirtless to exhibit his physique. Film was shot and released in 3-D with expected effects of rocks, spears, and arrows flying from the screen. As a churning Western, the Apache POV places "Taza" in a group of early 50s Westerns, such as "Broken Arrow" (James Stewart) and "The Savage" (Charlton Heston), that sided with Indians and culminated in "Apache" (Burt Lancaster). Moral score card is reckoned by pairing white and Apache villains. With brisk direction, handsome cast (notably Rush and Reason), and Technicolor capturing expanses of red-orange desert, "Taza" is respectably good of its kind. In dealing with Indians vs. whites, "Taza" may be a bit cavalier, but tongue-in-cheek? No. Hudson here was only one stair tread away from achieving major stardom in "Magnificent Obsession"--and looks it.

One might have expected a lot more from Douglas Sirk in this, his single Western. Beautifully shot by Russell Metty who worked extensively with Sirk, it's a very routine Western of no great interest.

Before Sirk hit his stride with the great melodramas he tried his hand at light romantic comedy and costume drama with pleasing if not spectacular results. He brought little if anything at all to the Western.

Perhaps more than anything it's an important rung in the ladder of elevating Rock Hudson towards stardom which would come with Sirk's next film "Magnificent Obsession".

Hudson is adequate in the role, but that's hardly difficult amongst some truly wooden performances. All in all something of a low point in the amazing 50's career of Douglas Sirk.