Three Hours to Kill

Three Hours To Kill casts Dana Andrews as a man on the run for the murder of Richard Webb which he did not do, but for which he was nearly lynched. Andrews has the rope burn scar to prove it.

Four old friends of his who also knew the victim were the ones yelling loudest for the lynching. Andrews zeroes in on them for the answers. There's also saloon girl Dianne Foster who has a thing for Dana and the sister of Richard Webb who was violently opposed to her marrying Andrews who is played by Donna Reed fresh from her Oscar win for From Here To Eternity.

This western plays like a noir mystery even though it's set in the wide open spaces. Andrews is one grim western hero and hardly the role model for a cowboy hero. Still in the end he solves the mystery and he does it when all four of those he seeks are brought into the saloon and compare notes. All could not have been more neatly revealed by Hercule Poirot himself.

One of Dana's best films.

Westerns are always my favorite movies... Westerns, are something I go to see, and, if my memory serves me correctly, there are many I have watched in the theaters, with my father, when I was a little boy...

'Three Hours to Kill' is a decent little Western, though certainly not among the best... For a little-known film from Alfred L. Welker (that I saw lately on the Western Channel) I was surprised by the quality of the video transfer... What struck me most were the colors; they were accurate, well defined, and rich...

Welker's work on the film is satisfactory, although not impressive... The movie relies totally on Dana Andrews, the very definition of character and honesty, and on his determination to catch the real killer... At one point, he allows himself to be severely hurt by a rope tied around his neck, to give the scene a realistic look...

This is going to happen quickly, so don't blink because 'Three Hours to Kill' is a movie that can be quickly and easily summarized, when an innocent man escapes a lynching, he breaks all the rules to clear his name, disbelieving that no one of his hypocritical friends, will stand by him... Everybody want him to leave town... His enemies simply want him dead...

The supporting cast do well—particularly Donna Reed with her sensitive portrayal of a woman in love, shocked to see her brother getting shot in the back by her lover...

Welker makes great use of the limited locations and uses a wide variety of interesting angles and cuts to add some tension and excitement to the film...

Three Hours to Kill is directed by Alfred Werker and written by Richard Alan Simmons, Roy Huggins and Maxwell Shane. It stars Dana Andrews, Donna Reed, Stephen Elliott, Richard Coogan and Dianne Foster. Music is by Paul Sawtell and cinematography by Charles Lawton Jr.

As solid as a boulder in Death Valley, Three Hours to Kill is a most satisfying Oater for genre fans not expecting boundary pushing. Plot has Andrews as Jim Guthrie, who is wrongly accused by the town folk of murder and promptly condemned to death by lynch mob. Escaping the rope by the skin of his neck, Guthrie bides his time for three years before heading back to the town to clear his name and nail the real murderer. His friend, the Sheriff, gives him three hours to complete his task before the law intervenes.

What unfolds is a whodunit led by Andrews as he interrogates and puts the squeeze on a number of the town's denizens. There's a deliberately downbeat tone that serves the story well, with lost loves, unfulfilled lives and haunted memories of past doings permeating the narrative. The psychological undertones and risque aspects of the story are tantalisingly -frustratingly so - left to just simmer, but mood befits question marks in the plotting to keep one engaged.

Action scenes are in the main no more than competently handled, but a couple are quite striking to raise the pulses. When the pic moves out of the confines of the town, the locales (Lake Sherwood, Sherwood Forest, Hidden Valley in Calif) are most striking and leave you hankering for a more airy picture as a whole. Cast are fine, Andrews toughs up for good perf, but as lovely as Reed and Foster are (in fact Foster is socko gorgeous), they are undone by standard writing and Reed comes off as looking bored.

The ending carries a nice surprise, two fold in fact, to close the deal on what is an above average Oater to be enjoyed as easy sampling by genre fans. 6.5/10

A taut little Columbia western produced by Jimmy Cagney's brother William reminiscent of 'Fury', 'High Noon' and Dana Andrews' own 'Ox-Bow Incident'. A strong female contingent includes a brunette Donna Reed, a red-haired Diane Foster and a blonde Carolyn Jones; while two of the dramatic highlights feature Whit Bissell at his most cowardly, first in his barber shop, and later when Andrews sneaks up on him and his co.conspirators (observed only by the audience) while discussing him in the local saloon.

Dana Andrews is right at home in this tumbleweed revenge-drama about a cowboy accused of murder, hiding out in the desert before going back to clear his name. Maybe not as well known as "3:10 To Yuma" or "Bad Day At Black Rock", but certainly just as good. Andrews is excellent, of course; he never exuded much of an animated personality, but he's strong and reliable, you trust him, and the fools in town who want to string him up look even sillier for not believing his story. A taut little western, nicely-made and with a good supporting cast.