The Venusian

I'm always amazed at how emotion some people get. This movie (which few if any people have heard of) is a neat little slice of life thing. Once again Patricia Neal is paired up with an alien who looks more Aryan than Venutian. Once again, he holds the power to do great harm to the earth unless the military posturing stops. I guess this town is too big for the both of them. This is a gently done offering with few sparks or special effects. The point is that despite all he proves to them and the kindness of his actions, the people decide he needs to be destroyed. I don't put it quite in the same cinematic league with "Citizen Kane" and "Lawrence of Arabia" but it's no worse than hundreds of other films of the early 1950's. For those that consider it boring, I never lost interest in some rather neat characters who interact throughout. Please relax.

Helmut Dantine stars in the title role and sleepwalks from scene to scene looking like he's just had extensive back surgery. This film is basically a ham-handed ripoff of "Day The Earth Stood Still" and "The Cosmic Man" only not as good as either. The running time is padded out with endless shots of slow-moving cars interrupted occasionally by in- action in the plotline. The direction as well as the not-so-special effects is amateurish (look for the shadow of the boom mike in one scene)and the whole thing comes across as one big bore. In short, this is the kind of film one should show to a blind date if one wanted to get rid of him/her. Why Patricia Neal (who co-starred in the excel- lent "Day The Earth Stood Still") decided to star in this lifeless yawner is a mystery. "Stranger From Venus" makes "Devil Girl from Mars" play like "Ben-Hur". 'Nuff said.

I found this slightly creaky old film engaging throughout. I really enjoyed the kind and gentle stranger and the genuine un-hysterical fascination for him by the locals. You must remember that this was set just after WWII when people in the British Isles were traumatised but jaded by all the things they had seen and been through.

I'm a huge fan of the brilliant 'The Day the Earth Stood Still' but I found a lot to like about this 'Alien-warning' short. No time is wasted and the story flows well to its tragic conclusion: Mankind can't be trusted to do the right thing!

Patricia Neal had recently turned her back on Hollywood for the New York stage and married Roald Dahl (with whom she settled in Buckinghamshire to raise a family) when she was offered this cheap, cheeky and stultifyingly humourless British rehash of 'The Day the Earth Stood'.

Helmut Dantine - like Michael Rennie in the original - performs Christ-like miracles like healing the sick and speaking in tongues; but like this film lacks a pulse. Instead of Bernard Herrmann's eerie theremin we occasionally get twee musical contributions from Eric Spear (later immortalised by the theme for 'Coronation Street'). The agreeable Hertfordshire exteriors compensate for director Burt Balaban's stilted interiors, and since it's only 76 minutes long you keep watching.

Stranger From Venus is a nice little film, but really has not much to recommend it. Obviously it is adapted/stolen from the Robert Wise classic, The Day The Earth Stood Still and even has Patricia Neal as well as the female star. But even for a fifties science fiction film, there is a serious lack of special effects...especially in comparison with the other movie. The few shots of the Venusian spacecrafts look to be very childishly done and do not mesh well at all with the other footage.

This film is one of the precursors of the wave of excellent British science fiction that was heralded in by Terrence Fisher, Val Guest and the rise of Hammer Films. The script for Stranger From Venus does have some of eloquence of the films to come, but the ideas just don't gel properly.