The Life and Legend of Wyatt Earp

This tremendously popular and long-running half-hour series featured changes of locale, added characters and deaths, and in several cases changes of the actors plying parts. Central to the proceedings from first to last from 1955--1961 was lean and athletic Hugh O/Brian as a plausible young Wyatt Earp. Into this the life of this fictionalized American icon, other characters real and imagined were introduced. The series was first located in Kansas cattle towns such as Wichita and Dodge City; then O'Brian moved to Tombstone, Arizona. He became and remained a town marshal during this time. Other regulars of note in this very intelligently-made, innovative and realistic series--one whose 'history' was decidedly not of a documentary variety--included Lloyd Corrigan as Ned Buntline, Alan Dinehart as Bat Masterson, several Doc Hollidays, Gloria Talbott, Don Haggerty, Denver Pyle, Damian O'Flynn, Carol Stone as Kate Holliday, Selmer Jackson, Randy Stuart, Wlliam Tannen, Paul Brinegar as Mayor "Dog" Kelly, Trevor Bardette as Old Man Clanton, Steve Brodie as Sheriff Johnnie Behan, Ross Elliott and others as Wyatt Earp's brothers, etc. The peculiar and memorable structure of the show allowed "changes" in character, relationships, locations, etc. when many series did not permit such alterations. In addition, the show's producers used some actors in guest roles many times, including Sam Flint, Steve Pendleton, Rico Alaniz and more. Guest stars of note included Anna May Wong, Arthur Space, Ann Robinson, Howard Petrie, George Wallace, Richard Travis, Robert Lowery, James Coburn, Peggy Knudsen, Fay Baker, Carolyn Craig, Jim Bannon, Nancy Hadley, Whitner Bissell, Angie Dickinson, Francis de Sales, Peter Mamakos, Ed Nelson, Richard Devon, Lane Bradford, Dorothy Green and John Vivyan, plus many more. Directors of record included Paul Landres and Frank McDonald. The staff of writers included Frederick Hazlitt Brennan, John Dunkel and Dan Ullman. These professionals kept up the show's very consistent quality throughout, I suggest. During its run, this series was shot by six cinematographers but only two art directors, by Ralph Berger and Albert M. Pyke, created its authentic western 'look'. Set decorations were done by Jack Mills and Kenneth W. Swartz. Bruce Bilson was second-unit director, with Hollywood veteran Roy Rowland as executive producer. The producers employed a gun expert, several production specialists and very good but less-expensive talents in order to keep up their high-standard of quality. The series ended with a memorable five-part but not-very-accurate gunfight at the OK Corral. This by my lights was a first-rate narrative TV series, I assert, one which was much imitated for decades afterward. Also of note was the show's theme song, whose picture of Earp set the tone for Eliot Ness, The Lawman, and Kojack among many other TV lawmen to come.

The corruption of politics, woman's roles, the pain, pride and conflict following the civil war, a non-drinking Marshall who thinks before he shoots - this is a gem from the 50's.

I also enjoy so many of the faces that briefly appear that also came into their own fame in coming years.

Very impressed with the scriptwriters of the show.

This review is based on the first 13 shows of the first season.

For my wife when she was a girl, Hugh O'Brien was Wyatt Earp. A cleaner better hero would be hard to find. When he finally killed someone, Wyatt was devastated and the star portrayed it beautifully. Oddly, there is some evidence this was historically accurate. No semi-professional gambling, no failed businesses, no "wives" and yet the staging of the famous Tombstone street fight was, garb apart, among the least inaccurate. Based on Stewart Lake's imaginative biography this series did for the 1950s what Lake's book did for the 1930s: cemented the Legend of Wyatt Berry Stapp Earp for as long as anyone remembers the Old West. Recently (2009) I watched the episodes contained in a boxed set of DVDs and was frankly astonished at Hugh O'Brien's portrayal of Wyatt Earp. There was an edge, a darkness to his Earp that I missed when I was young. O'Brien certainly captures the nobility that Lake's book placed to the fore but the actor also captured very subtly the coldness, the reserve, the calculating quality of the real Earp. I now, half a century after first watching "The Life and Legend of Wyatt Earp", have belatedly realized what a fine actor Hugh O'Brien was. Thank you, Mr O'Brien!

Buried in the credits of The Life And Legend Of Wyatt Earp is the one that lists Stuart N. Lake as the consultant. That makes it an official Earp project.

Wyatt Earp had the distinct advantage that he lived long enough to have outlived most of his contemporaries and then at the very end of his life in 1929 commissioned his memoirs. Writer Stuart N. Lake did a series of interviews with Wyatt before he died and it was on that basis that a fine biography was published about him. Of course it was strictly from the Earp point of view.

When Earp died, Lake became custodian of the legend. Most of the films subsequently made concerning Earp if you'll look at the credits are based on Lake's book. And of course Wyatt is a cowboy hero. It took the recent films by Kevin Costner and Kurt Russell to kind of put Earp and his accomplishments in perspective.

To deal with towns like the frontier Wichita, Dodge City, and Tombstone you couldn't be a Boy Scout. Wyatt Earp was certainly not that and neither were his brothers Virgil and Morgan. Still this show preserves the legend as it would since it was based on the book of the legend maker.

I don't think any real person has been so blessed as Wyatt Earp to have had the variety of people playing him. Tom Mix, Randolph Scott, Joel McCrea, Henry Fonda, Burt Lancaster, James Stewart, James Garner as well as Russell and Costner, I can't think of anyone who's been better preserved for posterity by Hollywood.

Add to the list Hugh O'Brian who got his career role in this series and never was ever really able to shake loose from the casting. He's as good a cowboy hero as they come.

Many of the stories from the series came from Lake's book. I urge you to read it if you can find a copy. There have been a number of attempts to debunk the Earp legend, but his fame and glory will live long, just as the series theme tells us.

While there's plenty of myth mixed in with the facts, this chronological series actually provides more historical accuracy in many of its episodes than most media treatments of Earp, excepting only the movies "Tombstone" and the 1994 "Wyatt Earp." That is especially true when it comes to specific, historical episodes in the series, such as the shooting of Dora Hand and the gunfight at the OK Corral. Hugh O'Brien is good in the title role, reflecting what many of his contemporaries described as Earp's taciturn nature. John Wayne, who met the real Wyatt while working as a set hand for John Ford, told O'Brien that he "had nailed Earp," based on his own interactions with the real lawman. There are plenty of fanciful things included as well, but given the era this series earns its reputation as one of the better early, adult westerns.