Blood Alley

Exciting flick on the danger waters of the Orient with Wayne as a seasoned merchant Marine Captain undertaking several adventures and risks in Communist China . It deals with a merchant marine captain, named Tom Wilder (mid-career John Wayne, though Robert Mitchum was originally cast but he was fired from the film after an altercation) rescued from the Chinese Communists by local villagers , as he is assigned by Mr Tso (Paul Fix) to carry out a risked mission to transport the whole village to Hong Kong on an ancient paddle steamer . As he must smuggle throughout enemy territory plenty of nasty communist soldiers and cruisers . Along the way Wilder is helped by the sympathetic Big Han (Mike Mazurki , usual partner in John Wayne-John Ford films) and accompanied by a beautiful as well intelligent woman called Cathy Grainger (Lauren Bacall , she later starred with him again in his last movie 'The Shootist' ,1976,).

This enjoyable picture packs thrills , drama , action , sea battles , and results to be pretty entertaining . John Wayne's good vehicle , though Gregory Peck and Humphrey Bogart turned down the role and to keep his new production company Batjac afloat, Wayne agreed to play Capt. Wilder. Enjoyable acting by Lauren Bacall , there was some surprise when Lauren Bacall agreed to make the movie since she was a left-wing Democrat and the film was right-wing Cold War propaganda ; while John Wayne took the role after Mitchum was fired she expected to clash with him since she was a left-wing Liberal and he was a right-wing Conservative . Having Wayne already disposed of all unfriendly Japanese in the WW2 such as ¨Sands of Iwo Jima¨, ¨Operation Pacific¨ and ¨Flying Leathernecks¨ , this one marked the start of new assignment against any Oriental with Communist leanings such as subsequently did in ¨Green Berets¨ . Agreeable support cast such as Paul Fix playing as Mr. Tso , Mike Mazurki as Big Han and brief appearance by Anita Ekberg as Wei Ling and James Hong as a communist soldier . Colorful and evocative cinematography by William H. Clothier , John Wayne films' usual cameraman . Emotive as well as thrilling musical score by Roy Webb .

The motion picture was professionally directed by William A Wellman . Wellman was an expert in all kind of genres as Gangster, drama , Film Noir , Western and adept at comedy as he was at macho material , helming the original ¨ A star is born ¨(1937) (for which he won his only Oscar, for best original story) and the biting satire ¨Nothing sacred¨ (1937) , both of which starred Fredric March for producer David O. Selznick . Both movies were dissections of the fame game, as was his satire ¨Roxie Hart¨ (1942), which reportedly was one of Stanley Kubrick's favorite films. During World War Two Wellman continued to make outstanding films, including ¨Ox-Bow incident¨ (1943) and ¨Story of G.I.Joe¨(1945), and after the war he turned out another war classic, ¨Battleground¨ (1949). In the 1950s Wellman's best later films starred John Wayne, including the influential aviation picture ¨The hight and the mighty¨ (1954), for which he achieved his third and last best director Oscar nomination. His final film hearkened back to his World War One service, ¨The Lafayette squadron¨ (1958), which featured the unit in which Wellman had flown . He retired as a director after making the film, reportedly enraged at Warner Bros.' post-production tampering with a movie that meant so much to him .

At least one of my all time favourite for this kind of genre: anti red fashion. Not because of the message, the plot, but the cast, scenery, directing, and William Wellman is a director whose film have always more or less - here, more - enchanted me. Here, the Duke co stars Lauren Bacall, who was in real life on the total opposite political side of Wayne; and that's pretty interesting to know regarding this very movie, the plot, the scheme. There is nothing exceptional, jawdropping here, but I love this atmosphere, surroundings in China. I felt more or less the same in SAND PEBBLES, made eleven years later. And it is the first time that Duke and former Humphrey Bogart's wife starred together; twenty one years before THE SHOOTIST.

John Wayne has to transport Lauren Bacall and a lot of Chinese villagers down river to Hong Kong with the Commies in 'red' hot pursuit. OK but not one of Duke's best. The biggest problem is that Duke plays a quirky sort of character who talks to an imaginary friend called Baby. It's a rather annoying expository device. Maybe a different actor could have made it work but Duke just doesn't fit the kind of guy who talks to himself. Anyway, it's still an enjoyable movie. Bacall is pretty and fine in her role, though the part isn't the greatest. Paul Fix is good although his playing a Chinese character is sure to cause easily offended types to blow steam out of their ears. So if you're one of those, you might want to skip this one for the sake of your blood pressure. John Wayne fans will like it most, even if it's not one of his stronger roles.

I was sparked to comment after reading another user comment here that contended Blood Alley is one of John Wayne's worst films. It may not be at the top of the heap, but it's far from the bottom. It well accomplishes what it sets out to do--entertain: fun, engrossing, action-packed and--on the wide-screen edition DVD I have--beautiful to behold.

The reviewer especially criticized Wayne's frequent side comments to "Baby" and the film's having non-Orientals playing the Chinese. I didn't find either factor a deterrent to my enjoyment. First, I took Baby to be Wayne's guardian angel more than an imaginary girlfriend. And I think his occasional comment to her was fitting. Yeah, the Captain Wilder got a little dotty after spending all those years alone in that cell. His hangup about "tennis shoes" was another example of his having gone a bit stir crazy.

Having non-Orientals play Chinese or Japanese was not uncommon in the Hollywood of yesteryear. Remember Charlie Chan and Mr. Moto? And closer to our time David Carradine in Kung Fu. I never understood why this is a stumbling-block for some people. And in Blood Alley the American actors playing Chinese did a great job.

Paul Fix first and foremost gets a nod. He made Mr. Tso a distinct character through mannerisms and distinctive sage-like speech. I especially liked the scene where Captain Wilder told him to toss that ornate sculpture in the furnace to fuel the ship, "That'll burn" Duke says, but Fix calmly notes how a craftsman put 10 years of his life into creating it. Here was a man who respected and had appreciation for the intangible things, like beauty and like freedom, which is what Mr. Tso was risking his life to help his townspeople regain.

Mike Mazurki also gets kudos for putting in a great performance as Big Hans. No, he didn't really look Oriental, but he brought weight to his part, especially in his first scene. You could tell that he was a guy you could count on. And for film buffs familiar with Mazurki, wasn't it nice to see him playing a good guy for a change?

Finally, the reviewer said Lauren Bacall was wooden. Well, was she ever among Hollywood's most dynamic actresses? I thought she did a good job with what she had to work with. She did seem tacked onto the film and her story was secondary to the main plot. I never did get a firm grasp on the subplot involving her father or why she ran off in the ship graveyard. However, she did sizzle in the scenes in the pilot house, especially when coming between Wilder and the ship's wheel. Yes, this film was not her finest hour, but Bacall certainly redeemed herself in The Shootist and proved she did indeed have an on-screen chemistry with Wayne.

Admittedly Blood Alley does not have a place in the crowded pantheon of GREAT John Wayne films, but it is certainly not among his worst! And as a huge fan of the Duke I can't even suggest a film for that dishonor. For me, any film featuring John Wayne is going to be better than most anything else on at the same time.

I've seen nearly all of John Wayne's A list films, but never caught "Blood Alley" til a recent showing on TCM. Looking at the credits I was pleasantly surprised that this 1955 offering was filmed in color, Panavision and directed by the great Wild Bill Wellman. It is gorgeously filmed and the action scenes are plenty and well done, as The Duke is a South Seas Captain sprung from a Communist Chinese prison to pilot a paddleboat that will take oppressed villagers from mainland China to freedom in Hong Kong. BTW, Wayne looked remarkably fit and healthy after 2 years in solitary confinement. He also acquired, to keep his sanity, a habit of talking to an imaginary character he calls "Baby." This may have been a good device in author Albert Fleischmann's novel, but in a movie script it's annoying. Lauren Bacall is the daughter of a missionary and even in the hot and stultifying humidity her hair, makeup, and clothing always look perfect. Naturally her and The Duke fall in love, but there is no chemistry. As mentioned, some great action scenes as storms, treason, and the Red Chinese Navy tries to stop them.