Cult of the Cobra

The beginning when the snake charmer offers to show us "She who is a snake" for 100 dollars, followed by a well done and costumed dance scene, is good. The ending is suspenseful and quite good. Unfortunately, everything in between is mush. An effective performance by Faith Domergue as a cult leader who has the instincts to be more humanistic (but doesn't quite know how) cannot overcome the blandly directed, badly lit, overly padded middle hour-plus of this movie. Unfortunately the producers are too cheap to show any cult activity or morphing scenes during the long middle, instead all is only shadow or off screen except at the beginning and the very end.

The five future TV stars who portray potential cult victims are all capable and watchable but their efforts are mostly swallowed up in the long dreary middle of the movie. Many familiar faces are also present such as first class actor Walter Coy (The Searchers '56), and also Bing Russell and Ed Platt.

I expected more from a Universal horror movie. This film suffers from lack of style, imagination or excitement but you will be pleased to see the talented and enjoyable cast.

Set in 1945, six American GIs crash a cult that worships snakes, and are threatened to be killed, one by one, for their misdeeds. Back home in New York City, their fates start to unravel. Faith Domergue is amazingly beautiful, and most alluring, as an Asian "Cobra Woman", an instrument of death. Despite his third billing in the film, Marshall Thompson is her co-star, giving a strong performance as the GI who falls for her, and proves her ruin.

Cinematography by eventual Oscar-winner Russell Metty is amazing: In one arresting scene, after Faith professes love for Thompson but can not kiss him, he leaves her apartment and she sits - the door's closing giving a half-shadow on her face, as if to reflect her dual torment for him between love and as a hit woman. He and the rest of the cast, Richard Long, William Reynolds, Jack Kelly and David Janssen, became more successful as television stars. Kathleen Hughes is also on hand as a pretty blonde love interest. Not much is made to recreate the era, it's definitely 1955, via the clothes, makeup, hairstyles, etc.

But as in most of Universal-International's decade of science fiction/horror classics, which hold up better (and are re-shown on television and released to VHS/DVD/Blu Ray) than their other output, save a few Douglas Sirk dramas, westerns, etc., it's well-written, directed, scored, paced and acted.

I really like this movie, but most reviews that I see seem to trash it. It has an excellent cast of B movie stars, who are probably trying at this time to get recognition. They are Faith Domergue, Richard Long, David Janssen, Jack Kelly and Marshall Thompson. Here is a quick synopsis of the movie:

Stationed in Asia, six American G.I.'s witness the secret ritual of Lamians (worshipers of women who change into serpents). When discovered by the cult, the High Lamain Priest vows that the Cobra Goodess will avenge herself. Once back in the U.S., a mysterious woman enters into their lives and accidents begin to happen. The shadow of a cobra is seen before each death.

I came across this movie by accident as part of a collection. Not reading any reviews ahead of time I was surprised to see so many well-known actors; then I realized this is 1955 and a lot of them were just starting.

American G. I.s who trespass on a cult called Lamia.

Lamia - a mythical monster, with the body of a woman or with the head and breasts of a woman and the body of a snake, said to prey on human beings and suck the blood of children.

You know what happens next as they get cursed, and someone must pay.

Great formula and suspense; we get to see the shadow of metamorphosis and sometimes even root for the misunderstood dispatcher.

Trailer - "From halfway around the world she had come to make friends with five unsuspecting young men. And when she walked in the night, death followed swift and violent."

Six army buddies decide to do some sight-seeing among a cult of shape-shifters when they should have stayed in the bar and had a few more beers.

The movie's not as bad as the title suggests, thanks mainly to enthusiastic performances from Thompson, Kelly, and Long. You might expect them to walk through their parts in a low budgeter like this, but they don't. Instead they inject needed vitality into the far-fetched premise. Now, if Domergue could just suggest some menace in an otherwise deadpan performance as the snake lady, we might get a hint of a coming shape-shift. No wonder director Lyon has to use a pin light on her expressionless face to indicate she's no lady after all.

The bowling alley sequence is the movie's only scary part. Too bad Lyon doesn't play up the suspense in the other stalking sequences. Instead, we go from snake shadow to dead body, leaving out the scary part. Then too, I wish they had more than one staircase street set. If I catch this flick again, I'll try counting the times they use and re-use it. In my book, the movie isn't bad enough to make it as camp. Instead, it's a not-very-good horror flick, mainly because of Domergue. But at least the guys went on to starring success with TV.