Desert Sands

Ralph Meeker gets to take a break from playing poachers to play a gamekeeper in the form of a megalomaniac captain in the French foreign legion of whom its said "He could lead a hundred grandmothers through the Boxer Rebellion without disturbing their coiffure".

The story suggests the twenties but his arrival by helicopter shows it's actually set much later. People get massacred but director Lesley Selander makes it all seem rather tame, with characters just standing about and talking.

The cute little fortress is quite striking in a Germanic sort of way. Conspicuous by their absence are any actual Frenchman: Aussie Ron Randall assuming an English accent to boast about his expulsion from Sandhurst and the University of Cambridge Medical School; while John Carradine invests the Arab chieftain with the sort of accent only a Shakespearean actor could manage.

1955's "Desert Sands" is a long forgotten United Artists programmer benefiting from its colorful action sequences. The legendary John Carradine stands out in a decent cast, as Arab wine merchant Jala, who ruthlessly targets his own brother for murder, done by marauders disguised as French Legionnaires. His niece (Marla English) and nephew (Keith Larsen) grow up just as he wanted, hating the French and constantly in attack mode. Keith Larsen's career virtually tanked by the next decade, such titles as "Women of the Prehistoric Planet" and "The Omegans" giving way to self-directed items like "Mission Batangas," "The Trap on Cougar Mountain," "Run to the High Country," "Young and Free," "Whitewater Sam," and his cult classic "Night of the Witches." In between hard bitten turns in "Big House, U. S. A." and the iconic "Kiss Me Deadly" (as Mike Hammer), Ralph Meeker actually gets to play a more likable hero. In just her second starring role, the gorgeous Marla English disappeared from the screen as quickly as she lit the fire, in a pair of low budget AIP horrors, "The She-Creature" and "Voodoo Woman." Philip Tonge would reunite with Carradine in his last film, 1959's "Invisible Invaders," but this was John's final appearance opposite J. Carrol Naish, from "Ramona," "Blood and Sand," "Waterfront," and "House of Frankenstein."

This film, admittedly not a masterpiece generally or even of its genre, does have a certain charm about it mainly in its easygoing, almost casual, depiction of Legionairres.

Worst thing about it: had to wait an awfully long time and endure too much tawdry action before the Arab princess (Marla English) -- who I worshiped -- strode in on her roan steed and before her first line strikes Meeker sharply with her whip! (Don't see entrées like that much anymore.) Anyone notice the sheik's playing loose and easy with prisoner of war rules -- reviewing their bios, finding their weak spots, choosing special informers who manifest weak character flaws, and...will...talk.

And how about that Alita's, the princess's slave girl, man savvy, learning from the smartest...and the simplest.

One more thing: why in hell does Maltin omit this pic from his book? Does anyone know?

My cherished memories of "Desert Sands" still remain after 26 years. It played on the bottom of a double-bill (can't remember the main feature--a forgettable 'A' big-studio stinker, I'm certain) but was a swift, beautifully photographed, Foreign Legion humdinger of escapism with a memorable cast--Ralph Meeker at his most stalwart, gorgeous Marla English, John Carradine & J. Carroll Naish at their outlandish best, and young, dashing John Smith poised for stardom (after charming supporting roles in "The High and the Mighty," "We're No Angeles" and the forthcoming "Friendly Persuasion"). But the film seems to have vanished after playing on TV in the early '70s. Dismissed in its time as a 'B' programmer, "Desert Sands" was a sweeping, actionful treat--the actors seemed to be having as much fun as the cheering audience (and when has that happened in today's zillion-dollar stinkers? The stars seem to be wincing and working almost as hard as the audiences do trying to keep awake while enduring these "blockbuster" bombs). Come on, Turner Classic Movies. You've got the rights to these UA programmers of the '50s. Granted, most of them aren't worth reviving, but "The Desert Sands" definitely is. A throwback to the days when even medium-budget films could be class-A efforts, depending on the talents of all those (director, actors, script, cinematographer, etc.) involved. In this instance, "The Desert Sands" comes up trumps! Suffer thru other expensive big-studio adventure epics of the time ("Beau Brummel," "Prince Valiant," "The Egyptian," etc.) and you'll relish the unpretentious, lighthearted "Desert Sands" even more. An unheralded gem of 1955, long-overdue to be recognized as a heralded gem of any day. And it demands to be letterboxed in Superscope. A dazzling wide-screen delight--for precarious adventurers of all ages and times!

Deep in the Moroccan desert, a hostile Arab tribe overruns a French Foreign Legion outpost. The dastardly Sheik El Zanal hates the Legion more than anything and forces their commander to call for aid, hoping to draw the relief force into a trap.

But his beautiful sister ( Marla English) throws the spanner in the works as she falls for their commander and calls him in to her room to talk him into joining her fight against the "infidels" - she claims that she and her brother are seeking revenge as the legions had slain her father, but later she learns that isn't the case. The devious Jala (John Carradine) hired sone assassins to dress up in legion costumes and kill her father. Her brother, however, knows of Jala's treachery, but accepts it as he is too brainwashed into Jala's manipulation...

Desert Sands is basically a cavalry western transported to a foreign Legion setting with desert, a well done fort, a marauding bunch of Arab tribes and the legionnaires- it's a simple good vs bad pulp actioner and not a bad one at that. It's adequate as entertainment, has Marla English spiking up the pulse, the pace is fleeting, John Carradine hams with the best of them, but it's the fine action that bolsters its average plot. The action is quite energetic, however the romance between Meeker and English felt tacked on. The script could've been sharper ... more running time, perhaps. Overall, it's a decent viewing.