Doctor at Sea

An average, very English fifties comedy, set on a freight ship.

Nevertheless this movie offers two outstanding dimensions: the first is leading man Dirk Bogarde, who plays with his usual excellence.

The second is Brigitte Bardot, adding much charm by her English-with-a-French-accent.

By the way, the English film crew did a magnificent job on Brigitte: out of the many thousand of shots spanning her entire career, those from 'Doctor at Sea' are among the very best. For this reason alone it is really worth watching this movie.

The late Richard Gordon was one of those authors who outlived his fame. In the fifties, sixties and seventies his "Doctor" books, comic novels set in the world of medicine, were immensely popular and the subject of many cinema and television adaptations, but by the time he died in 2017 he was a largely forgotten figure. "Doctor at Sea", based on one of those novels, follows the fortunes of a young doctor, Simon Sparrow who, to avoid the amorous attentions of a young woman he has no interest in marrying, signs on as ship's doctor on board a cargo ship plying between Britain and South America.

There were a total of seven films in the "Doctor" series, of which this was the second. The first film, "Doctor in the House", had introduced James Robertson Justice as the overbearing, autocratic surgeon Sir Lancelot Spratt. Because of the nautical setting Spratt could not be used as a character in this film, but someone obviously though that Justice was too good to waste, so he returns as the overbearing, autocratic ship's captain, Wentworth Hogg. Brigitte Bardot makes her first appearance in an English-language film as Sparrow's love-interest Helene, an attractive young French passenger. Someone thought that the film should be a double romance, because a love-interest is also provided for Hogg in the shape of Helene's travelling companion Muriel.

Dirk Bogarde as Dr Sparrow was supposedly playing the lead character, but he seemed more like a straight man to Justice's monstrous captain, and Justice, when in his overbearing/autocratic mode, can be very much an acquired taste. (The Hogg/Muriel romance never seems convincing, given Hogg's misogynistic attitudes and fiery temper). Bardot came up against the same problem which would confront her in her future English-language movies like "Viva Maria!" or "Shalako". A fine actress in her native language, she never learned to speak English with any fluency and could never act in it with any conviction. It is a long time since I last read any of Gordon's "Doctor" books, but from what I can remember they were sharp and funny. That is not, however, a description I could use of this film, which struck me as rather dull, and, at best, only fitfully amusing. 5/10

The second in the popular British comedy series already shows signs of flagging from the class evident in the original film. For one thing, the change of setting proves a bit of a quandary: it both opens up and cramps the jokes (while generally ship-bound, we do get a stretch on dry land – which sees the hero first involved with a drunken blonde and falling foul of her father and then put to jail for being 'under the influence' himself!).

Incidentally, while Dirk Bogarde reprises his role of Simon Sparrow, both James Robertson Justice and George Coulouris (who were also in DOCTOR IN THE HOUSE [1954]) play new characters here – the former's gruffness, while amusing at first, borders on caricature eventually; similarly, Brenda de Banzie's middle-aged passenger (pampered daughter of the seafaring company's President) is somewhat over bearing, evoking memories of Kay Walsh in an episode from the portmanteau film TRIO (1950). Bogarde's love interest, then, is rather incongruously filled by Brigitte Bardot – who's undeniably attractive but not yet the sex symbol of subsequent repute (although she does get to be seen taking a shower at one point).

Gags and innuendo sometimes approach the broad humor one normally associates with the rival "Carry On" series (which was actually still three years away from its inception) and CARRY ON CRUISING (1962) in particular (both films, in fact, culminated in a party on deck which ends in disaster).

One year after the highly successful 'Doctor In The House', Bogarde is back as the hapless medic Doctor Simon Sparrow. Unusually, 'St Swithins' is nowhere to be seen, neither are most of the supporting from the first movie. Even the great James Robertson Justice is playing a different character (a 'Doctor' movie without Sir Lancelot? Unthinkable!)

That said, it's pretty much business as usual, as Doctor Sparrow runs away to sea and gets himself involved in several embarrassing situations, while James Robertson Justice roars and blusters as Captain Hogg.

One shapely distraction is none other than Brigitte Bardot, in her first English-speaking role. A shower scene especially raises our hero's temperature!

Veteran actor Maurice Denham makes the most of a supporting role, while familiar British faces fill out the rest of the cast.

While not as good as the first movie, it never outstays it's welcome and is good fun.

A fairly faithful rendition of Richard Gordon's semi-biographical novel of the same name. The characters are "right", the episodic nature of the story follows, even if loosely, the basic form of the novel. The "south American Port" is an amalgam of Santos and Buenos Aires, and is pretty accurate for those places in the 1950's. The relationships between the officers, crew, and the general milieu is also very accurate. There are some superb scenes, my absolute favourite being the logging (the Merchant Navy version of a disciplinary hearing) which is both accurate and very funny. As many reviewers have already pointed out, it is a cargo ship, not a cruise ship, and the passengers are actually guests of the company. Finally, it is SS Lotus, a merchant vessel, not HMS.