Good Morning, Miss Dove

Good Morning, Miss Dove is a property that I'm surprised Frank Capra didn't think to direct. It's entirely possible that Capra was a male chauvinist who only thought in terms of men who sacrifice like George Bailey in It's A Wonderful Life. In many ways Jennifer Jones is the superior of Capra's George Bailey.

Jennifer's crisis comes real early in the beginning, she's the daughter of a well bred and prominent family whose father has just died. She thinks she's come into it, but she finds she's inherited debts beyond belief because dad was borrowing and living well beyond his means. To keep his good name, she gives up the life she expected like George Bailey and in the process becomes the moral center of her small town.

Her road was much harder than Jimmy Stewart's because Miss Dove never married, she instead devoted her life to teaching history and geography and never getting to see the faraway places with strange sounding names that she only read about. That song could have been written for her. George Bailey did have Mary Bailey and the kids, that was denied to Miss Dove.

That's just one of the flashbacks in a film that has many. In fact the current story is the fact this rock of the community is undergoing a health crisis and is admitted to the hospital. As she deals with her health issues and the many people who wish her well, her mind reflects on just how much influence she's had on generations of kids passing through her class.

She's a severe woman Ms. Dove, having denied herself a personal life. But she's also a kind and caring one and that comes through with all the people we see her interact with.

Despite a fine cast of players, Jennifer Jones dominates this film in a fine portrayal of what is essentially an unglamorous part. It's the kind of role you might see someone like Bette Davis or Katharine Hepburn do, but Jones is just fine in it.

If you're not a fan of Jennifer Jones, you will be after seeing Good Morning, Miss Dove.

I only discovered this movie about 18 months ago when I saw it on TV. I really enjoyed it and have seen it a couple of times since. it is sentimental and very simple in its construction. That is not to say it is not emotionally effective. I am an ex-teacher who always had a good relationship with the kids I taught (though not as authoritarian as the Miss Dove of the title. Each time I see it I find myself more affected than the last time, to the extent of blubbing like a baby at every emotional scene!! It is a very dated movie and the performances, though honest and direct, are not Oscar-winning. I was surprised to see Chuck Connors do justice to his part as a hardworking cop who dragged himself up from poverty-stricken childhood to upstanding adulthood. Jennifer Jones, as the star of this film acquits herself well as Miss Dove, a fearsome and legendary primary school teacher. She is respected and loved by the people of the town (as she has taught most of them or their children). She is taken ill and through flashbacks we learn about her life, career and relationships. Movie-making as it used to be- not a blockbuster but a solid story well told.

I can't understand why this movie was never put on DVD or at least video. I haven't even seen it on the TV for years, but I have seen it a couple of times years ago. It is a touching story about a dedicated schoolteacher with a passion for teaching. Miss Dove is played by Jennifer Jones. A young Robert Stack is in the movie and there are some very touching moments.

Too bad it wasn't on DVD. If you see it listed on TV. jump at the chance to watch it if you like classics, because this is one good classic. Keep a hanky handy.

A well-known schoolteacher in a little American town is taken ill, and this causes her to reflect on her life. This unabashed 'weepie' from 20th Century Fox will catch you out unless you have a crisply-laundered hankie pinned to your lapel!

Nine years after her sex-kitten role in "Lust In The Dust", Jennifer Jones pulls off a tour de force as the prim Miss Dove. Henry Koster's direction plays it straight down the middle in this simple yarn of small town life.

Liberty Hill, we hear, is a typical American town. There are a hundred like it, in which "a sense of life's continuity hangs in the air". It is not clear whether the narrator is describing Liberty Hill as 'snug' or 'smug', but it doesn't matter - both adjectives apply. In Cedar Grove School a graduation ceremony is attended by parents who were themselves pupils here. This is the deep complacent sleep of Eisenhower's America, a world in which everybody has a pre-ordained place and the doctor, the policeman and the pastor are all ex-pupils of Miss Dove.

It is seemingly a day like any other. Miss Dove is enforcing classroom discipline when she starts to fall ill. Typically, she instructs a child, "I am indisposed. Mention this to no-one."

The stricken teacher looks back on her life in a series of reveries, starting with her happy youth in the 1920's. We see her as a beautiful, vivacious young woman who shares her father's passion for geography. The two plan an overseas vacation together, ensconced in their improbably lavish parlour which is only slightly smaller than the Houston Astrodome. It seems odd that Miss Dove's father should command such opulence, and after his death certain banking irregularities come to light. To prevent a slur on her father's memory, Miss Dove undertakes to work to pay back the 'debt'.

Miss Dove places duty before personal happiness, declining Wolf Pendleton's offers of marriage and an expedition to the Himalayas, because she must teach here in Liberty Hill. The stiff, correct character of Miss Dove is illustrated by the way she remains formal until Wolf has left, then collapses in grief, and coming out of her daydream, composes herself as Doctor Tom Baker arrives. Public displays of weakness just won't do. "It is not my custom to wobble."

Tom Baker (Robert Stack) is, of course, an alumnus of Miss Dove. The classroom undergoes minor changes over the years, but the American kids keep being churned out like little Ford Thunderbirds. China was coloured orange on the wall map ten years ago, now it's purple (the communist bloodbath?) and Eisenhower's portrait has replaced Truman's. But Miss Dove never alters. She enumerates her symptoms to Doc Baker like a talking medical textbook and as she is carried to hospital she assures him, "You have defined my responsibility. I shall keep my spine rigid." No-one doubts that.

We meet various ex-pupils who have thrived under Miss Dove's tutelary genius. Bill Holloway (Chuck Connors) was an impoverished kid whose true worth was recognised by Miss Dove - " a child in whom the ethical instinct was as innate as breathing". He adores his former teacher. He is now a police officer. Virginia was a pretty but confused youngster until a year ago, when under Miss Dove's guidance she met and fell for Doc Baker. She has found her vocation in motherhood.

Maurice Levine and Fred Makepeace turn up. Fred is now a gangster, but he's an OK kind of guy. He breaks out of prison to be with his teacher in her hour of need. Thanks to Miss Dove, his American morality is pristine: "When I hear some commie jerk belittling this country ..." Maurice first comes to Cedar Grove in the 1930's (the wall portrait is Roosevelt). He is a jewish child, freshly escaped from Hitler's Germany, and speaking no English. Miss Dove protects him from Liberty Hill's ingrained xenophobia and nurtures his literary talent. Single-handedly, she cures her class of antisemitism, and Maurice goes on to become a Broadway playwright.

This lady's influence reaches beyond the school gates. Mr. Porter was the incoming Bank President who handled Miss Dove's father's indiscretion so unsympathetically. Now he visits her in hospital, an older, humbler man. "She's always been a stiff-necked termagant," he says, but confesses that he owes everything to her. In the Depression, she acted with courage and authority and averted a run on the Liberty Hill Bank.

As for the film's weaknesses, the script is cast in a quaint literary style which grates. Nurse Green shows the cop into the room, announcing "Police Officer Holloway begs to intrude." The sentimentality is laid on too thickly. Doc Baker recounts how he survived shipwreck and thirst thanks to a shining vision of Miss Dove - "She was right there with me all the time!" The hushed crowds on the hospital steps are 'over the top'.

The establishing shot of the colonial church's spire, repeated as the hours pass, reinforces the film's themes of parochialism and continuity. Ex-pupils donate blood, symbolising their ties to Miss Dove and the reciprocity of the relationship.

The sick woman contemplates death and concludes that, whatever people may think, her life has been happy. The dreams of world travel were never realised, but she knows the world through study. Learning has compensated her for lost opportunities. This is a metaphor for her having sacrificed love and a family. Yet in the last 30 years, every child in Liberty Hill has been 'hers'. She has touched every young life. "Kids?" says Officer Holloway, "She has a thousand of 'em!"

Frances Gray Patton wrote this beloved novel of a small-town spinster. She is a determined woman, one who turned a wrecked life and an enormous family debt into a reason to teach generations of New England young people the virtues of going-through-the-pain to get the gain. The theme of this film is the positive effect of her rough-hewn self-assertiveness training on her students. Jennifer Jones plays the schoolteacher, from youth to old-age, and very winningly. The film was directed by veteran Henry Koster. Others in the very large and amiably charming cast include Robert Stack, fine actor Robert Douglas, Kipp Hamilton, charismatic Peggy Knudsen, Chuck Connors, Jerry Paris, Mary Wickes, Leslie Bradley, Marshall Thompson, Biff Elliott, Richard Deacon and many more. What happens in the story is that Miss Dove falls ill one day during class and has to be carried from her students and taken to the hospital. The town's generations, all taught by this remarkable woman, react; some come from far away or start stopping by the hospital for news; and this leads to a flashback of how her life's course was changed by her father's money problems and the desertion of her by her erstwhile suitor; how she then vowed to pay back every cent of her father's debt, though she was not personally responsible; and how she began teaching school and has gone on doing so. This intelligent, heart-warming and thought-provoking story has a climax in her medical crisis and a happy ending; it is not perhaps a great film, but Miss Dove is very probably a great character, and one many can learn from long after the film has ended. Every element here is well-crafted and contributes to a surprisingly entertaining and most-believable presentation. Music is by Leigh Harline, cinematography by Leon Shamroy with contributions by Lyle Wheeler and many others. Cool and beautiful, and as fascinating as is the lady herself