Good Morning, Miss Dove

I only discovered this movie about 18 months ago when I saw it on TV. I really enjoyed it and have seen it a couple of times since. it is sentimental and very simple in its construction. That is not to say it is not emotionally effective. I am an ex-teacher who always had a good relationship with the kids I taught (though not as authoritarian as the Miss Dove of the title. Each time I see it I find myself more affected than the last time, to the extent of blubbing like a baby at every emotional scene!! It is a very dated movie and the performances, though honest and direct, are not Oscar-winning. I was surprised to see Chuck Connors do justice to his part as a hardworking cop who dragged himself up from poverty-stricken childhood to upstanding adulthood. Jennifer Jones, as the star of this film acquits herself well as Miss Dove, a fearsome and legendary primary school teacher. She is respected and loved by the people of the town (as she has taught most of them or their children). She is taken ill and through flashbacks we learn about her life, career and relationships. Movie-making as it used to be- not a blockbuster but a solid story well told.

Good Morning, Miss Dove is a property that I'm surprised Frank Capra didn't think to direct. It's entirely possible that Capra was a male chauvinist who only thought in terms of men who sacrifice like George Bailey in It's A Wonderful Life. In many ways Jennifer Jones is the superior of Capra's George Bailey.

Jennifer's crisis comes real early in the beginning, she's the daughter of a well bred and prominent family whose father has just died. She thinks she's come into it, but she finds she's inherited debts beyond belief because dad was borrowing and living well beyond his means. To keep his good name, she gives up the life she expected like George Bailey and in the process becomes the moral center of her small town.

Her road was much harder than Jimmy Stewart's because Miss Dove never married, she instead devoted her life to teaching history and geography and never getting to see the faraway places with strange sounding names that she only read about. That song could have been written for her. George Bailey did have Mary Bailey and the kids, that was denied to Miss Dove.

That's just one of the flashbacks in a film that has many. In fact the current story is the fact this rock of the community is undergoing a health crisis and is admitted to the hospital. As she deals with her health issues and the many people who wish her well, her mind reflects on just how much influence she's had on generations of kids passing through her class.

She's a severe woman Ms. Dove, having denied herself a personal life. But she's also a kind and caring one and that comes through with all the people we see her interact with.

Despite a fine cast of players, Jennifer Jones dominates this film in a fine portrayal of what is essentially an unglamorous part. It's the kind of role you might see someone like Bette Davis or Katharine Hepburn do, but Jones is just fine in it.

If you're not a fan of Jennifer Jones, you will be after seeing Good Morning, Miss Dove.

I can't understand why this movie was never put on DVD or at least video. I haven't even seen it on the TV for years, but I have seen it a couple of times years ago. It is a touching story about a dedicated schoolteacher with a passion for teaching. Miss Dove is played by Jennifer Jones. A young Robert Stack is in the movie and there are some very touching moments.

Too bad it wasn't on DVD. If you see it listed on TV. jump at the chance to watch it if you like classics, because this is one good classic. Keep a hanky handy.

This wonderful film contains a warm, nostalgic look back at the life of an ailing school teacher. As time and her illness progresses, Miss Dove, best known to the small town as a rigid and stiff disciplinarian, realizes the positive effects she has had on the people around her, and their love for her. Never married, childless Miss Dove finds purpose and contentment in her duty -- to repay her father's debt and thereby avoid a scandal, by working as a teacher, instead of marrying the man she loved.

The film has especially fine direction, performances, and an intelligent, multi-layered script. While Miss Dove appears a one-dimensional, humorless snob at the beginning of the film, the many layers of her story and personality are revealed throughout the course of the film. By the end, you realize why everyone is so fond of her.

Thinking back over this film, I was struck by the image in my mind of an America that seems to no longer exist. Healthy, proud, and affluent small towns, the belief in following one's duty in life instead of whims, and the sense of personal responsibility among these characters are so unusual to see in a modern film -- or modern life. There was a scene in which Miss Dove helped a bank avoid closing, a selfless, altruistic act that seemed so different than anything that could have occurred in the recent banking crisis.

Growing up in the 1980s, I think I was seeing the last of this generation fade away. Perhaps I still am. I remember writing a fan letter to Jennifer Jones years ago. I loved her then as I still do. I never considered it odd that she did not reply. She was a symbol of the grace and dignity of a long gone era. Noticing that she just passed away, I can't help but feel she passed away with the unfortunate changing of our culture, to the violent, seedy, and irresponsible. But what an enduring, magical film legacy she left behind.

CORNY BUT ENJOYABLE story of a strait-laced, stern disciplinarian schoolteacher who has her entire small town cowed, and how she got that way. "Terrible" Miss Dove's vocabulary and diction are so high-flown and stilted, I fear it would sound like a foreign language to today's audiences. "Allow me to convey my felicitations!" She always wears a hankie pinned to her jacket, and makes the students wear one too. Elementary school was rugged in those days. We never find out Miss Dove's first name, and she never calls anybody by a nickname, saying "Will-i-am" instead of "Bill," for instance. -

Jennifer Jones gets to do some acting in her scenes with Miss D as a 19-year-old. Stereotypes practically monopolize the supporting roles, Chuck Connors is an Irish cop, black servant, blonde floozy, they're all there. Miss D has little sympathy for a woman pregnant out of wedlock. Robert Stack is his usual confident self. There's even a Dead End Kid type who escapes from prison to see his beloved teacher--twice! The lone Jewish kid becomes a big-time Broadway playwright. It goes on and on. -

In my home town, there was a high school teacher much like this, Miss Stafford, who had the whole town in an iron grip of fear. When she retired, they had a big party for her, in the football stadium! And gave her a new car! So the story isn't so far from reality. -

The photography, in Cinemascope, is gorgeous. The story is told mainly in flashbacks, so don't go to sleep or you'll wake up confused. It's worth a look for fans of popular culture of the mid-twentieth century, and for those who are always whining about how there aren't any "likable characters" in a movie. No surprises here, all these characters are just what you expect, not scary at all.