IMDb RATING
6.2/10
3.4K
YOUR RATING
A Kentucky widower bound for 1820's Texas with his young son is thwarted in his efforts by a corrupt constable, a long-standing family feud, and a beautiful indentured servant.A Kentucky widower bound for 1820's Texas with his young son is thwarted in his efforts by a corrupt constable, a long-standing family feud, and a beautiful indentured servant.A Kentucky widower bound for 1820's Texas with his young son is thwarted in his efforts by a corrupt constable, a long-standing family feud, and a beautiful indentured servant.
- Awards
- 2 nominations total
Clem Bevans
- River Queen Pilot
- (uncredited)
Lee Erickson
- Luke Lester
- (uncredited)
Lisa Ferraday
- Gambler
- (uncredited)
James Griffith
- Riverboat Gambler
- (uncredited)
Gil Herman
- Frontiersman
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
That was the boastful phrase uttered by Walter Matthau to everyone else at the gathering; he stood before them snapping his bullwhip in air, its wicked cracking part of an old cultural ritual where a man stands before the tribe boasting of his might.
This movie is totally underrated--not only does Matthau give one of his best performances in a smaller role, but there is tons of folklore and history in this gem.
This movie is totally underrated--not only does Matthau give one of his best performances in a smaller role, but there is tons of folklore and history in this gem.
This is a delightful movie. For one thing, it does a fine job of putting you in the time and place - the set interiors are wonderful. Burt Lancaster is great as the boy grown up who wants his son to be free in a free country, to "take life in big bites", as he has done. That events conspire against him is inevitable, and the story pulls you along convincingly. The one to watch for is Walter Matthau, in a very early role, who is a real SOB with a wicked bullwhip. While the dialogue may sound preposterous and stilted, this is the way people spoke back in 18th century America, and the movie wins on many points. While it is definitely a product of the 50's, and feels like it, it still rings authentic and heart felt in a way that many other similar movies from the same period simply do not. A cut above, and definitely worth the time to seek out and watch.
Released in 1955, "The Kentuckian" is one of only a couple films directed by Burt Lancaster.
THE STORY takes place during the presidency of James Monroe circa 1820. Lancaster plays Eli Wakefield, a Kentuckian who desires more room to breath in Texas. Still in Kentucky, they blow their "Texas money" on freeing a beautiful indentured servant, Hannah (Dianne Foster). They don't get past the next frontier town where Eli takes up with his brother in the tobacco business and Hannah gets a job as a bar matron. Eli's dreams of Texas are sidetracked when he meets up with a schoolmarm (Diana Lynn) who encourages him to settle down and make a family with her. The problem is that Eli's son prefers Hannah and doesn't want to give up their Texas dream. Meanwhile feuders are hot on Eli's trail, not to mention malevolent local businessman with a whip (Walter Matthau).
Some highlights include:
The film runs an hour and 44 minutes.
BOTTOM LINE: "The Kentuckian" is breath of fresh air and I enjoyed it from beginning to end for all the above reasons; it's sort of like "The Last of the Mohicans" (1992) of its era, albeit no where as good. It's innocuous and easy-going, but sometimes surprisingly brutal (the dog fight and whip fight). If you can acclimate to the style of filmmaking of the mid-50s it's worth checking out.
GRADE: B
THE STORY takes place during the presidency of James Monroe circa 1820. Lancaster plays Eli Wakefield, a Kentuckian who desires more room to breath in Texas. Still in Kentucky, they blow their "Texas money" on freeing a beautiful indentured servant, Hannah (Dianne Foster). They don't get past the next frontier town where Eli takes up with his brother in the tobacco business and Hannah gets a job as a bar matron. Eli's dreams of Texas are sidetracked when he meets up with a schoolmarm (Diana Lynn) who encourages him to settle down and make a family with her. The problem is that Eli's son prefers Hannah and doesn't want to give up their Texas dream. Meanwhile feuders are hot on Eli's trail, not to mention malevolent local businessman with a whip (Walter Matthau).
Some highlights include:
- Lush Eastern locations. The film was shot in Levi Jackson State Park, Kentucky (near London), as well as Owensboro, Kentucky, which is on the Ohio River, and Rockport, which is just across the river in Indiana. The river depicted in the film is supposed to be the Tennessee River (I think), but it was shot on the Ohio. In any event, although "The Kentuckian" is classified as a Western, it's actually an Eastern.
- The film offers a good glimpse of what the Eastern USA was like back when it was still a frontier -- the cabin-styled houses, sleeping in the woods, etc. No internet, cable, video games, DVDs or microwaves. People actually sat down with other people and communed.
- The story is realistic, albeit with some lame dialogue. Regardless,you don't have to worry about any goofiness or unbelievable bits that plague some 50's Westerns, except for the too-wooden-they're-funny feudalists.
- Back then a huge riverboat coming to town was an exciting attraction. Americans today, by contrast, get all excited over the shenanigans of some celebrity.
- Dianne Foster (Hannah) is a beautiful redhead. One wonders how a woman like this would stay single very long on the frontier.
- The whip fight with Matthau is great. Lancaster is almost whipped to shreds (!).
- Loyalty is a sub-theme here. Eli's son is loyal to Hannah and never warms up to the schoolmarm, although there's it's clear that there's nothing wrong with the latter. And Hannah is loyal to the man who delivered her from bondage (Eli), despite his infatuation with the marm.
- I liked the bit on Eli being a laughing stock because of a worthless freshwater pearl, but he gets the last laugh with a letter from the President (or is it?) and additional help.
- Lastly, Lancaster is a likable protagonist with his charismatic joy-of-living persona; he's humble and respectful, the antithesis of Eastwood's amoral and lifeless 'man with no name' a decade later.
The film runs an hour and 44 minutes.
BOTTOM LINE: "The Kentuckian" is breath of fresh air and I enjoyed it from beginning to end for all the above reasons; it's sort of like "The Last of the Mohicans" (1992) of its era, albeit no where as good. It's innocuous and easy-going, but sometimes surprisingly brutal (the dog fight and whip fight). If you can acclimate to the style of filmmaking of the mid-50s it's worth checking out.
GRADE: B
Lancaster's only directing role. A decent western with a twist or two, especially at the ending showdown, which features 10 dramatic seconds of feat that only Lancaster could make suspenseful.
How does a man defeat an armed enemy while standing opposite a 40 yard wide stream, and with no gun? The daring Lancaster meets this challenge with a surprising, brash dash. Check it out.
How does a man defeat an armed enemy while standing opposite a 40 yard wide stream, and with no gun? The daring Lancaster meets this challenge with a surprising, brash dash. Check it out.
BURT LANCASTER stars as THE KENTUCKIAN who has a yearning to go where the grass is greener and wants to leave Kentucky for a new life in Texas with his young son in tow. DIANA LYNN is a pretty schoolteacher at the schoolhouse cabin and DIANNE FOSTER is the other female lead, an indentured servant, with a yen for Lancaster.
Good supporting roles for WALTER MATTHAU (making his screen debut) and JOHN CARRADINE. JOHN LITEL makes a welcome appearance as a riverboat man, but the story lacks a strong enough plot to maintain interest in the rather pedestrian proceedings. Filmed in widescreen color and CinemaScope, it looks as though a lavish budget has been expended on a tiresome script.
Fortunately, the film picks up interest toward the last fifteen minutes when Lancaster and his son have to defend themselves against badman Matthau and his cohorts. There's also a confrontational bullwhip scene with Matthau and Lancaster that is well staged and effective.
But the story is rather trite and there's nothing special about Lancaster's performance or his direction. I would have preferred a more appealing youngster for Young Eli than DONALD MacDONALD who walks through his role without ever inhabiting it.
Good supporting roles for WALTER MATTHAU (making his screen debut) and JOHN CARRADINE. JOHN LITEL makes a welcome appearance as a riverboat man, but the story lacks a strong enough plot to maintain interest in the rather pedestrian proceedings. Filmed in widescreen color and CinemaScope, it looks as though a lavish budget has been expended on a tiresome script.
Fortunately, the film picks up interest toward the last fifteen minutes when Lancaster and his son have to defend themselves against badman Matthau and his cohorts. There's also a confrontational bullwhip scene with Matthau and Lancaster that is well staged and effective.
But the story is rather trite and there's nothing special about Lancaster's performance or his direction. I would have preferred a more appealing youngster for Young Eli than DONALD MacDONALD who walks through his role without ever inhabiting it.
Did you know
- TriviaThe first movie directed by Burt Lancaster. Due to the unfavorable critical response he did not direct again for almost 20 years, until The Midnight Man (1974).
- GoofsAt the beginning, Eli is sitting near a campfire. We can clearly see its flames, showing it is burning. When Eli stands up, the flames have disappeared, and we haven't see him extinguishing the fire.
- Quotes
Big Eli Wakefield: The way to start off new is to shuck off what's old.
- ConnectionsFeatured in Walter Matthau: Diamond in the Rough (1997)
- SoundtracksPossum Up a Gum Tree
(uncredited)
Traditional folk song
Performed by Diana Lynn, John McIntire, Una Merkel, and Burt Lancaster
[The song Susie, Zack, Sophie and Big Eli eventually sing when Little Eli requests Susie play it on the spinet]
- How long is The Kentuckian?Powered by Alexa
Details
Box office
- Gross US & Canada
- $2,600,000
- Runtime
- 1h 44m(104 min)
- Aspect ratio
- 2.55 : 1
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