The Indian Fighter

This isn't terrible as far as a typical old western. Kirk Douglas does a great job including with his stunts. What I found rather unsettling were the several scenes where he forced himself on a woman both for kissing and sex. Rather than portray it with the disdain it should have, it's presented as a happy time which turns my stomach.

Filmed in Oregon, Andre De Toth's film is a frontier adventure tale of the Great Sioux Nation whose heritage and culture run through the silver screen like a strong steady stream...

The motion picture touches up new ground by giving Indians a little sex appeal... Douglas, as a vigorous frontier scout, tries to attract the Indian maiden Onahti, played by the attractive brunette Elsa Martinelli... The Italian actress is seen bathing in the fresh waters of a river and later captured nude in a transparent voluminous stream...

"The Indian Fighter" concerns the efforts of a wagon train heading for Oregon in 1870... The train stops at a small frontier fort when the Sioux forbid them to pass through their territory... A seasoned scout and Indian expert, Johnny Hawks (Douglas), is assigned by the army to aid them...

Hawks rapidly goes to the camp of the dignified Chief Red Cloud (Eduard Franz) who explains that the trouble was started by white whiskey traders, trying to rob the Indians of their gold...

Hawks promises to settle th situation and the Chief agrees to appear at the fort to sign a peace treaty... However, his aggressive brother Grey Wolf (Harry Landers) repudiates peace talk because he despises all white men as dishonorable...

Douglas' portrait of Hawks is suitably vigorous and possibly comes close to depicting the actual character of such a man - Hawks is a jealous self-confident man who considers the West as his milieu... He declines to open up the West for civilization... He considers the West as 'a beautiful woman' and refuses to share her with anybody... He is a brave warrior who fights Sioux-style, and a shooter who never miss a snake... He respects the Indians as vanquished valiant enemies who deserve to be treated as human beings...

I remember having enjoyed very much this film as a kid back in the 50's, but not when I saw it again a couple of years ago. The story is not better or worst than that of many other westerns -a scout leads a wagon train through hostile Indian territory- but Andre de Toth's direction is weak and completely standard; these are things you don't notice in films as a kid when you're more interested in cowboys and Indians fights and action scenes. In my opinion, De Toth was just an average director that will probably be remembered for his earlier work in "House of Wax" (1953) when aided by an interesting plot and an excellent Vincent Price he achieved a little classic in the horror genre; but he never reached the mark later.

As for "The Indian Fighter", you can rescue Kirk Douglas undeniable strong screen presence, one of Walter Mattau's early roles as a villain and the sensual Italian actress Elsa Martinelli as an Indian squaw that gets mixed up with Douglas.

But there's not much more in this average and common film, only for fans of the genre or good old Kirk (in his late thirties back then).

Just for the record: in Argentina "The Indian Fighter" was renamed as "A un Paso de la Muerte" (something like "Just One Step Away from Death").

Kirk Douglas is portrayed as a lovable jack-the-lad here, always ready to fight for right. He's got a winning quip, a twinkle in his eye and a heart of a lion. I beg to differ.

For starters, right at the beginning he sees an Indian squaw he likes, taking a bath in a lake. So what does he do? Forget about roses or chocolates... he virtually ASSAULTS her to get a kiss, and then steals her knife into the bargain. Later on, he does the exact same thing. Guess what... this brutish behaviour actually makes her FALL IN LOVE with the maniac, and she has sex with him in the forest (only implied though... this WAS made in 1955 after all). This infatuation also causes him to divert a wagon train of white folk on a two day detour from their destination into hostile Indian territory... just so he can sneak a peek at her. This leads to a huge fight, in which many lives are lost on both sides. Some 'hero'.

If you ignore the movie's celebration of this psycho, and the dubious underlying message that we should all resort to Stone Age methods to get the girl of our dreams, there is quite a bit to enjoy here. Full scale battles, majestic cinematography, a compelling story, the works. There are amusing supporting characters, including a young guy who wants to photograph the whole Wild West with his newfangled invention known as a 'camera', and a tough widow with a little boy who is constantly proposed to by a boring fertiliser-obsessed farmer. Sadly for him, her affections (which remain unrequited) lie with Kirk Douglas... and even more bafflingly, her son idolises this lunatic too. Suddenly, soil is starting to seem more appealing by the minute...

So, yeah. Not a classic, but a rousing enough spectacle. With a protagonist I love to hate. Next... 6/10

I've always enjoyed Kirk Douglas films in general and he's usually very good in westerns. But The Indian Fighter quite frankly is a pumped up B western.

Kirk produced this one as well and was able to get a good cast of familiar faces in westerns. He even got his ex-wife, Diana Douglas to appear as a widow traveling west on a wagon train with her son.

Kirk Douglas is Johnny Hawks who is a scout guiding a wagon train west to Oregon. The film opens with him checking out the naked Elsa Martinelli taking a bath in a creek. Pleasure before business and he continues on to the village where he finds out Elsa is the daughter of Chief Eduard Franz.

And that sets the tone for the film. When Douglas should be concerned about the safety of the people he's working for, he's off trying to court Elsa. His preoccupation with her almost causes disaster to the train.

Action there is though, including a nicely staged Indian attack on an army post. And the whole film was shot in Oregon on location quite nicely. I believe some of this same area was used in Kirk Douglas's later western The Way West.

Kirk Douglas's heroes are usually flawed and quite three dimensional. But this film has a hero I could not really get a rooting interest for.