My Sister Eileen

"My Sister Eileen" has two great stars -- Bob Fosse and Betty Garrett -- stealing the show from two who turned out to be bigger stars -- Jack Lemmon and Janet Leigh. The story is pretty elementary and certainly predictable, but that doesn't matter. What makes this movie special is Garrett's incredible comic delivery (with and without the Brazilian navy!) and Fosse's fabulous choreography. When he and Tommy Rall challenge each other while waiting outside Eileen's "audition," you'll feel like you're in heaven.

I had heard that this second musical version of "My Sister Eileen" (the first being the Broadway show "Wonderful Town") was very underrated. Well, it's not.

Columbia Pictures owned the movie musical rights to "Eileen" and when Leonard Bernstein wanted too much money for "Wonderful Town", Columbia passed on adapting the Broadway hit, and created its own musical film adaptation. Unfortunately, this version isn't just inferior to "Wonderful Town" - the score and script are truly mediocre in their own right. The songs are all forgettable, which is surprising given that the composer is the great Jule Styne who went on to write "Gypsy" and other shows. Either he and lyricist Leo Robin had very little time to write the score or inspiration took a vacation.

The two saving graces in this film are Betty Garrett, who plays the more tomboyish Ruth. Unlike Rosalind Russell who played Ruth both in the non-musical film and in "Wonderful Town," Garrett can really sing and she's less self-conscious about being the center of attraction - she's much more natural in the role.

The other occasional grace is Bob Fosse's choreography. In some numbers, especially one dancing "duel" between him and the terrific Tommy Rall, the film comes alive. Unfortunately, some of the other dances - particularly the climactic "Conga" sequence, fall flat, perhaps due more to director Quine than Fosse.

Janet Leigh plays Eileen and she's very charming, though not quite the kind of looker who would have men literally at her feet all the time. She sings fairly well, and dances rather better. And since she's top billed, the script gives her character more emphasis than the original play. Jack Lemmon plays a publisher on whom Ruth has a crush; Lemmon is good, though his one song is far from a highlight - he's no singer.

It's a pity that Columbia and Bernstein didn't see eye to financial eye - it would have been great to see Garrett do "Wonderful Town," though Leigh and Lemmon would never be able to handle their parts in that score.

"On the Town"'s Betty Garrett and Janet Leigh play two sisters looking for romance from their slightly seedy flat on the wrong part of town.

Eileen (Leigh) is the pretty one who has all the attention, while her sister waits quietly for her talents and charms to be appreciated. In the cast are Jack Lemmon, Bob Fosse, and Tommy Rall (so some excellent dancing going on here).

There are a number of OTT moments, not least the all-inclusive conga number near the end, but this musical version of a 40s classic manages to add something new and showcase the talents of its cast well.

Unlike the comedy-driven 1942 version, this one is a musical. Trouble is the songs are forgettable, while director Quine has difficulty blending zaniness with the musical score. The result is a patchwork that fades into a few memorable scenes. Then too, none of the characters have time to really register as the scenes constantly shift focus, and without needed close-ups that would emphasize personality.

Nonetheless, two dance numbers remain real eye-catchers. Rall and Fosse face-off in an acrobatic duel that still has me dizzy, while the cute bandstand number shows that Leigh can shake a leg with the best of them. But these are the highlights, and I'm sorry to say Lemmon's comedic talents are almost totally wasted in a rather routine role. Then too, I agree with the reviewer who finds a rather dour Garrett unconvincing as Leigh's sister, maybe because she was just coming off the Hollywood blacklist. However, this movie does something few dare do-- grammarian Ruth reminds us not to end a sentence with a preposition. Now I know why I flunked English.

Anyway, director Quine would soon prove a real strength with pure comedy. Among others, catch his neglected Operation Madball (1957), where Lemmon and Dick York carry the laughs superbly, (along with a mockingly villainous Ernie Kovacs). My Sister Eileen, however, remains a harmless time-passer, nicely photographed with expert rug-cutting and candy-box colors that keep the eye entertained, even when the narrative falters.

A musical remake of the original Broadway play, MY SISTER EILEEN is a little-known gem from Columbia in the mid-'50s, produced in lively Technicolor and starring JANET LEIGH as Eileen and BETTY GARRETT as her writer/sister, both newcomers to the Greenwich Village scene. And naturally, the story and the film are very dated when viewed today.

But for light entertainment, it passes inspection beautifully. BOB FOSSE and TOMMY RALL are excellent ingredients as singer/dancers and both of them have more screen time than usual here. JACK LEMMON doesn't have much to do as the publisher in love with Garrett and gets to sing the film's most undistinguished song--unfortunately.

The "Conga" number that comes near the end of the film is a treat, the Brazilian soldiers bursting into dance at the drop of the word "Conga," with some imaginative choreography by Bob Fosse. KURT KAZNER is the Greek landlord who actually joins in the number, as do most of their Greenwich Village neighbors.

A bright, unpretentious and sunny film, it's long on charm but short on inspired musical numbers. It's a wonder Columbia decided not to use the Comden/Green Broadway score but hired Jule Styne and Leo Robin to write a new one. Watch for DICK YORK as "Wreck," the husky neighbors who looks out for the girls.

Passes the time pleasantly, but is easily forgotten.

Trivia note: Director Richard Quine was featured in the original MY SISTER EILEEN starring Rosalind Russell in the 1942 film version.