Stranger on Horseback

As usual, Joel McCrea is excellent in an underplayed role of dignity. The movie was filmed on magnificent locations surrounding Sedona, Arizona. Unfortunately I have only found black and white copies of this movie. To due the film justice it should be seen in color, which would greatly increase my rating for this movie.

Circuit judge rides into town and finds that a killing has taken place that no-one wants to investigate. He soon finds that the killer is the son of the local landowner who basically owns the town. The film relates the story of the judge's attempts to bring him to justice. Although this is a fairly cliched story, it is made with panache, and with a running time of a little over an hour, it does not outstay it's welcome. Miroslava, with her eastern European looks and accent, is a striking presence in the film. Her tragic death after the film was completed was a sad loss. I saw this movie on Movies4Men and wouldn't mind having a DVD of it, and having found that it is available as part of a box set called Darn Good Westerns 1 I have ordered it through amazon.

1954's "Stranger on Horseback" was shot in Sedona AZ in the rarely used Ansco color process, rather than the far more popular Cinecolor. Joel McCrea is the star, playing circuit judge Richard Thorne, arriving in a town ruled by the Bannerman clan, investigating a shooting death where no arrests have been made. Trouble begins when Thorne learns that Tom Bannerman (Kevin McCarthy) was the shooter, his father Josiah (John McIntire) unwilling to allow any lawman to bring his offspring to trial. The beautiful Miroslava commands the screen as Amy Lee Bannerman, whose allegiance wavers under the judge's influence. Although a star in Mexico, she was actually Czech-born, a sad suicide only two weeks prior to this film's release. A year away from "Invasion of the Body Snatchers," the amiable Kevin McCarthy just isn't the right actor to play a slimy villain (all the bad guys are rather colorless). Legendary scene stealer John Carradine is in typical form, playing the tailor-made role of Colonel Buck Streeter, indeed a trial run for his Cassius Starbuckle in 1962's "The Man Who Shot Liberty Valance," seedy Southern prosecutor aiding the judge while staying close to the Bannermans (he disappears from the film once the cross country journey begins).

Stranger on the Horseback is the first and less seen of the three westerns Jacques Tourneur directed in the 1950s, the other two being Wichita and The Great Day in the Morning. And in my opinion is the best of them.

This time the main character is not a sheriff, but a judge Rick Thorne (Joel McCrea) who comes to the small town in the west with the intent of establishing the thing that simply didn't exist there before - the law. Very soon he's joined by Colonel Streeter (John Carradine) who offers Rick his help.

The town is completely under control of a rich and powerful cattle baron Josiah Bannerman and his family gang. But Rick's determination is unshaken.

Soon Rick discovers that a little time before his arrival into town a man was killed by Josiah Bannerman's son - Tom. Tom claims that it was self defense, but Rick begins to conduct his own investigation with the intent to find witnesses and bring Tom to trial. Meanwhile he meets a beautiful Josiah Bannerman's daughter - Amy (Miroslava Stern) who falls in love with him.

Stranger on the Horseback is the best western Jacques Tourneur ever directed. Smoothly paced, with interesting characters, finely acted and with intelligent and witty dialogs it's a pleasure to watch from the beginning to the end. 8/10

Stranger on Horseback is directed by Jacques Tourneur and adapted to screenplay by Herb Meadow and Don Martin from a story written by Louis L'Amour. It stars Joel McCrea, Miroslava Šternová, John McIntire, Kevin McCarthy, John Carradine, Nancy Gates and Emile Meyer. Music is scored by Paul Dunlap and cinematography by Ray Rennahan.

Joel McCrea stars as Circuit Judge Richard Thorne, who rides into a town to find it is entirely owned by the Bannerman family, headed by Josiah Bannerman (McIntire). Initially only there to check over the town's books, it comes to light that Josiah's son Tom (McCarthy) has killed a man in cold blood under the guise of self defence and never been brought to trial. Thorne arrests him, and in a town of few friends, sets about staying alive long enough to ensure Tom Bannerman does indeed go to trial.

A mighty unusual judge, Sir.

Clocking in at just 66 minutes long, Stranger on Horseback is very much a quintessential B Western. Filmed in beautiful Sedona, Arizona, picture makes the most of having McCrea in the lead. Where many of the other characters are drawn as standard Western fodder, McCrea really gives a characterisation that is easy to jump on board with. He is like a one man army, but he doesn't need to go all guns blazing, he has his law book and his wits, he knows how to charm the ladies, he is tough and throws a good punch, but he mellows to give a child a silver dollar. He is a man that men want to be and a man that the women want to wed. It's meat and drink for McCrea, with straight back and piercing eyes, his shoulders packing some brawn, it is he that is primarily the reason why the film is so enjoyable.

The story is simple and played out as such, with echoes of High Noon and the like. Friendless man of the badge has to go it alone to ensure what is right is actually achieved. Along the way people will be either hurt or awakened from their stupors, enemies confronted, a lover gained and a finale plays out when it all comes together in a triumphant whirl of machismo. Tourneur and Rennahan ensure the second half of the picture is picturesque, the characters finally out in the open and framed wonderfully against the vistas, while the writers come up with a couple of nifty turn of events to keep the narrative interesting. Away from McCrea the fun turn comes from Carradine, while McIntire and Meyer are as reliable as ever. McCarthy is passable as a Western weasel and Miroslava, who would sadly commit suicide the same year of the film's release, turns up and with a sexy glint in her eye and manages to say her lines correctly.

It's not pushing the boat out or trying to redirect the direction of the 50s Western, but it's one of the more enjoyable B Westerns from that decade. McCrea and Rennahan ensure that is the case. 7.5/10