Tall Man Riding

Not many westerns feature two girls in the feminine lead. Here it's Peggie Castle (Reva) and Dorothy Malone (Corinne), each playing a good girl. Now you know the manly Scott (Madden) will end up with one of the two but which one. It's a non-formula screenplay with a couple of interesting twists. Okay, Scott, heck-bent on revenge, is not exactly new, but the rest remains an interesting variation on land ownership, along with shifting alliances and an Oklahoma style land-rush.

Scott is his usual uncompromising self, showing again why his cowboy career endured into his sixties. (Here he's 57! but trim and agile as ever). Then too, Baragrey (Pearlo) makes a sleekly calculating rival and saloon owner. I just wish Warner's had hired a more imaginative director than the thoroughly pedestrian Selander; his list of "shoot-it fast and under-budget" Westerns looks to run to nearly 100 or so. Maybe that's why Paul Richards (Peso Kid) doesn't get to project his usual amount of quirky evil. There's one really eye-catching and acrobatic brawl. However the showdown shoot-out amounts to a flatly staged disappointment.

Anyhow, it's a good cast in one of Scott's entertaining mid-level westerns.

Offbeat western;I have often the impression that all those past events are perhaps more interesting than what happens in the present time;it is one of these movies which would have needed some flashbacks .It's all the more necessary since many things happened,concerning not only the principal.

Three scenes are particularly good: Randolph Scott entering his enemy's house when we see a portrait on a wall,showing a still young man with a whip;then the older man,with a whip;The duel in the dark place;the final race which shows more violence in four minutes than in all the rest of the movie.Dorothy Malone is at ease in westerns ("Colorado Territory" ,"Warlock") although she could be Randolph Scott's daughter.

In Tall Man Riding, an uncharacteristically belligerent Randolph Scott returns to his home to ruin and possibly kill the wealthy rancher who bull-whipped him and run him out of town years earlier, only to get in the middle of a deadly feud.

The first half of the film lacks action but it's saved by an interesting second half. Highlights include a rowdy fistfight in the Sheriff's office, another fight inside a stagecoach, and a blind gun battle inside a pitch black room.

Like all studio B-pictures, Tall Man Riding is fun, looks great and has good action sequences but doesn't have a very memorable script. However, Randolph Scott is much more macho and blustery than usual, making this a bit more unusual.

Randolph Scott starred in many fine westerns in his decades-long career. His strong, gentlemanly demeanor gave way to steely determination when confronting the villains who were unfortunate enough to face him . This film again finds Scott out for vengeance in what turned out to be a pretty decent shoot-em-up film.

Although Scott & John Dehner give their usual strong performances, the script ultimately lets them both down. It is full of clichéd western characters that hold few surprises for the seasoned viewer.

All of Randolph Scott's films are worth seeing, but this film from late in his career was not his best. An average film from a great actor.

Look fast for an appearance by character actor Dub Taylor !

Tall Man Riding is directed by Lesley Selander and adapted to screenplay by Joseph Hoffman from the novel written by Norman A. Fox. It stars Randolph Scott, Dorothy Malone, Peggie Castle, William Ching, John Baragrey, Robert Barrat and John Dehner. Music is by Paul Sawtell and cinematography by Wilfred M. Cline.

Petty routine Oater that retains watchable factors due to Randolph Scott, location photography (in Warnercolor) and some straight backed action. Larry Madden (Scott) returns to the town of Little River seeking revenge on the land baron (Barratt) who publicly humiliated him with a whipping. Madden's crime was to date the man's daughter (Malone). Soon enough Madden is dealing with all sorts of problems, liars and cheats, murder, hired assassin, an ambush, prison escape, betrayal, corrupt law and of course affairs of the heart. All wrapped up in under 85 minutes.

There's some interesting characterisations about the place, but the screenplay doesn't have time to capitalise on the potential (eg: one key character is going blind but barely anything is made to add dramatic worth to this issue). Selander does a competent job of directing, but the over all feeling is that the makers were happy to settle for a "B" Western and just chock the play with formula staples guaranteed to please all the family looking for an unassuming afternoon at the theatre. Which on the face of it is enough for Western fans who know what they are getting with these 50s "B" level Oaters.

When you got Randy Scott in square jawed antagonist mode, Dottie Malone batting her eyelids, Peggie Castle showcasing beautiful thighs that could crush walnuts, and Wilfred Cline photographing the Calif Ranch locales, well it's impossible for genre fans to hate really. 6/10