Tarantula

Tarantula is a classic example of a 1950s science runs amuck movie. It's a fairly simple movie and plot with all the characteristics of a sci fi, horror movie from the 50s. Nothing very special or unique about it but the film is still a lot of fun to watch. It's has the excitement and dramatic scenes that would have made this a great drive in movie or late night show. As long as you don't take things too seriously, just sit back and relax, it can be a nice reminder of the past that is still interesting to todays viewer. If you liked watching other sci fi, horror movies made in the early to mid 50s, you will also enjoy this one. I don't think you will be disappointed.

In Desert Rock, Arizona, a disfigured man is found dead and identified by Professor Gerald Deemer (Leo G. Carroll) as his assistant and friend Dr. Eric Jacobs, who would suffer from acromegalia. The country doctor Matt Hastings (John Agar) is puzzled with the mysterious disease and decides to investigate further about acromegalia. Professor Deemer omits that Dr. Eric Jacobs and Dr. Paul Lund were researching with him a nutrient to increase the food supply in the world and they have been affected by the experiment. Soon Paul Lund, who has also been affected and is mad, breaks and sets the laboratory on fire and a huge tarantula escapes.

Meanwhile, the gorgeous Stephanie "Steve" Clayton (Mara Corday) arrives in town to work with Dr. Jacobs, and Dr. Hastings drives her to Professor Deemer's house in the desert. She is hired by Deemer and she finds that he is sick. When cattle bones are found in a farm, Hastings collects material and flies to a laboratory, where he learns that the sample is of tarantula's venom. But the scientist does not believe that one tarantula could ever produce such quantity of venom. The doctor returns to Desert Rock sure that the species is part of Prof. Deemer's experiment and the locals are threatened by the dangerous tarantula.

"Tarantula" is a typical sci-fi of the 50's and a surprisingly good film. The screenplay is very well written and the movie is supported by good direction, performances, cinematography and special effects. My vote is seven.

Title (Brazil): "Tarântula!" ("Tarantula!")

Note: On 16 Sep 2018 I saw this film again.

I enjoyed this film, which was one of the best of the "giant, mutated one-thing-or-another" movies. Two of my favorites of the 1950 B-movies, John Agar and Nestor Paiva starred with Mara Corday(who is very beautiful). Hank Patterson was great as Josh the hotel clerk, who provided comic relief. Clint Eastwood has a small part at the end of the film as the fighter squadron leader. The effects by Clifford Stine are classic and Jack Arnold again proves his worth as director(before moving on to the "Brady Bunch" in the 1960s). Leo Carroll is superb as Professor Deemer, who develops a formula for a growth serum. It is this serum(with uses an atomic isotope)that produces rapid growth in all the lab animals,including the Tarantula. The acting is very good, the movie has a nice pace and the effects for their time are top-notch. This is one 1950s sci-fi film to see!

The archetypal '50s big bug movie, Tarantula sees a rapidly growing spider—the result of an experiment involving nutrients and radioactive isotopes—escaping from a laboratory to crawl around the countryside devouring cattle and the occasional rancher. Eventually, the eight-legged horror reaches such massive proportions that the air-force is called in to prevent it from trashing the town of Desert Rock.

John Agar plays town doctor Matt Hastings, the first to suspect that it is an over-sized arachnid that is causing the trouble; Mara Corday is Hastings' love interest, beautiful lab assistant Stephanie 'Steve' Clayton; Leo G. Carroll is over a barrel as Professor Gerald Deemer, who winds up hideously disfigured by his own experiment; and Clint Eastwood saves the day as a plucky U.S. fighter pilot, his face mostly hidden behind a breathing mask, although his squint is unmistakable.

Matters get very silly at times, especially with the humongous, hairy spider somehow managing to wander around the desert unseen (at one point, it peers into Mara's bedroom, the woman blissfully unaware of the huge eyes and mandibles at her window), but the hokey nature of the plot only adds to the overall enjoyment. Excellent special effects (for the day) and solid performances also go to qualify Tarantula as a must-see sci-fi/horror classic.

This is a top-of-the-line Sci-Fi thriller from the studio that did 'em best in the 1950s - Universal-International. Produced by William Alland (who also produced "Creature From the Black Lagoon" and "It Came From Outer Space", and directed by Jack Arnold (who directed those films) it has an intelligent script and good acting all the way around. Arnold does a great job of building suspense as he cleverly keeps the titular monster mostly off-screen for the first 2/3 of the film until it's simply too big to hide. And then --- watch out, folks! As in many another sci-fi story, the road to hell is paved with good intentions, and if there's a villain of the piece, it's the Nuclear Age - the spider of the title is merely doing it's natural thing: searching for food. Except that, thanks to Leo G. Carroll's well-meaning experiments (to increase the world's supply of food), this is one BIG spider with an equally BIG appetite! Universal's special effects department just about out-did themselves here - the matte work is almost flawless (check out Leo G. Carroll's house after the spider's visit), and the make-up department did excellent work as well. This is one of the best of it's kind, and great fun on a rainy Saturday afternoon.