Target Zero

Usually Leonard Maltin and I agree on movies....

Not this one. I have seen it perhaps four or five times. An American unit, sitting astride a strategic hilltop, plugging the Main Line of Resistance, is over-run and wiped out. Only a patrol and some stragglers picked up along the way are able to reach the now-undefended hilltop in time.

I found this story to ring true....with good characterizations and plot developments. Sure, the enemy is the two-dimensional Yellow Menace....that's standard with fifties-era movies.....but the mix of up-and-coming young actors is in itself worth the time to view this film.

A good story, well-acted, worthy of a look. And quite useful to someone trying to get a real look at war in Korea after the conflict settled into a stalemate. I recommend it.

Target Zero is your typical war film, this one set in Korea and it gave some due to one other nation present on the peninsula. Richard Conte leading an American squad finds themselves a 3 man British tank crew headed by Richard Stapley. That tank prove to be essential though there is one rather unreal scene where the tank should have been blown up.

Shapley doesn't like Americans he saw his sister ravaged by one during the last war. You know that British saying about the Yanks, "overpaid, oversexed, and over here". Words he lives by.

And there is a woman in the mix. Peggie Castle and Angela Loo UN health workers also stuck behind the lines. Loo is killed and Castle gets both Conte and Shapley's mojo going.

They're trying to reach the rest of Conte's company. What happens when they do is one nasty climatic battle.

One scene I thought rather stupid. The group uses the protection of the tank to clear a path through a mine field. I have to think in real life the tank would have been crippled and useless trying it. Could not buy that at all.

The film is rich in character players though. Charles Bronson is Conte's sergeant and he's got such people as L.Q. Jones, Strother Martin and Chuck Connors among the troops.

An average war film, nothing special.

Korea, 1952, a UN patrol and a woman are trapped behind red Chinese lines.

Unfortunately, this war film comes close to being truly dreary with about every cliché in the book. Had director Jones registered some troubled emotion from a generally talented cast, it would have helped. Instead, Conte and company act as if being trapped in combat is little more than a walk in the park. And what could be more absurd than those wooden romantic scenes in the middle of life and death.

Then too, the script registers some genuinely leaden dialog, along with limp action staging that has all the combat intensity of a round of hide and seek. Good thing for our side that the Chinese bunch up across open terrain so that a couple of bullets can mow 'em all down.

I get no satisfaction from belaboring these results since I recall when the movie was shot south of Colorado Springs and we high school boys were thrilled at seeing a movie star like the lovely Castle. (Look quickly and you can see Cheyenne Mountain where air tracking defenses for North America are now located underground.)

Still, the movie does have one stunning sequence where a squadron of Lockheed jets swoops really low over uneven terrain to drop their napalm. It's a breath-taking air show. Nonetheless, I expect the movie's most memorable feature are the up-and-comers in the supporting cast—Bronson, Connors, and future TV mogul Aaron Spelling. All in all, however, it's an unfortunately forgettable 90-minutes of people managing to go through the motions.

I disagree with the negative reviews. Obviously, it's beyond unusual to have a beautiful woman in combat with a platoon. Other than that, the lieutenant (I was one) examines the terrain, makes decisions on the disposition of the troops, encourages them and doesn't ask them to do anything he wouldn't do. He knows details about each of his men. We were required to carry a small notebook at all times with data on each Marine in our platoons, including blood type, boot size, family, etc. I thought Conte and Bronson, the senior sergeant, were much more realistic than most movies. The brief discussion and mutual understanding of the tactical situation are real. I only question why the Korean and the Apache were always on point. Why not rotate such a dangerous role? One review felt there was too much joking around but so many Irish wakes I've attended have more laughter than tears. Probably a way to release tension.

Small point but when they saved the North Korean trucks to get fuel and searched American dead for weapons and ammo, I thought that they must have had a good military advisor's help on the movie. Well done.

It's Korea 1952. The war has descended into a grinding morass. There are various soldiers and non-coms of the coalition trying to survive the unrelenting death machine. Ann Galloway's car gets blown off a ridge. She's picked up by a British tank crew driving an American Sherman. They encounter a squad of American soldiers led by Lt. Tom Flagler who aims to head for a hill which has been surrounded after the push by the Chinese.

The dialogue is stale and the actors don't always help. Peggie Castle is more notable for her perfect hair and beautiful face. She has an overly dramatic breakdown scene. Charles Bronson has a minor role but at least, he delivers his self-contained brute. The filming and the acting are all pretty flat. There is some real action with real machinery. It's not exciting due to its old filming techniques. Mowing down the enemy is done with the old style dying. It's all rather old fashion.