The Virgin Queen

Bette Davis gives an amazing performance of England's Queen Elizabeth the 1st. Still a virgin as an older woman (in this version), the determined & dedicated Queen falls in love with Walter Raleigh. But, in a secret ceremony on a night that the Queen's own hand maiden (a very young looking Joan Collins) seduces Raleigh, just when he doubts himself. Believing he failed to impress the Queen enough for her to grant him 3 ships, he marries Collins & impregnates her.

To the surprise of Walter Raleigh, Queen Elizabeth is most impressed by him & summons him to her bedroom where she knights him, Sir Walter Raleigh. Then, gives him one ship. Now he's in a fix between two women enamored with him.

There's much more to the story. Watching Davis & Collins together is quite the contrast in acting styles. Although the "Dynasty" Collins is much more like Davis as the Queen: temperamental, shrewd, demanding, and impeccable with the delivery of an excellent script, juxtaposed as the two actors are in this film, it's quite obvious how Davis & Collins take a great deal of care with their difference delivery styles of speech.

This film made me prefer Davis' Queen Elizabeth the 1st over other characterizations. I can't imagine a living actress who could become this particular staged Queen, as well as does Davis. (And I have watched Cate Blanchett). After all it's a tall order to go into role better than Bette Davis.

Basically a soap opera of it's day with Queen Liz and Elexis Carrington fighting over the handsome, young cad, Sir Walter Raleigh who among other things introduced cigarettes to the world. The movie won an academy award for its costumes which unlike the events depicted in the film are spot on in their historical detail.

Bettie Davies is brilliant as The Queen (the template for Miranda Richardson's version in Blackadder II) and Richard Todd looks the part as the dashing Sir Walter Raleigh. The DVD cut of this film, issued as part of the Studio Classics series, is pristine with the digital format bringing out the sheer spectacle of colour in the scenes in the royal court.

A great old fashioned drama.

This one should have been a lot better, considering the pedigree of its cast and the professionals behind the camera, including the always reliable Franz Waxman, contributing a score that must have sounded wonderful when those theaters equipped with stereophonic sound systems played this costumer during its first release.

But director Henry Koster's touch is particularly pedestrian in this one. (Note how he stages the legendary scene when Sir Walter Raleigh spreads his cape across a muddy patch for Queen Elizabeth to glide over it without soiling her royal hem. Tossed off as if it weren't worth showing!) And the script seems to be regurgitating all those well-worn cliches about a love and sex-starved Queen Elizabeth I surrounded by male courtiers who have only their various personal ambitions to keep them apparently interested in her feminine needs.

Bette does her best (and even supposedly consented to shaving herself bald for the role!) and Richard Todd and a young and lovely Joan Collins convince as a couple willing to risk the frustrated Queen's wrath to consummate their love. And it's always a pleasure to see actors like Dan O'Herlihy and Herbert Marshall in support, despite how woefully little is made of their talents.

Beware the VHS version, a "formatted" desecration of the original 2.55:1 CinemaScope ratio. For no other reason this handsomely mounted production deserves to be given the widescreen DVD treatment.

Bette Davis is probably one of the greatest actresses of all time, and it is really outstanding that a Massachusetts lady can break all cultural barriers and incarnate an English Queen to such a degree of perfection. I really enjoyed her performance.

The rest of the cast is just acceptable. Richard Todd is handsome and the young Joan Collins is beatiful to watch. The costumes and settings are carefully reproduced, and Koster's direction is profesional. The dialogues are wonderfully written, though the story is not quite historically accurate.

By the way, the European VHS edition is simply disgusting: the film is cut to fit the normal TV screen 4:3, leaving out vital parts of it. For example, in a scene between Sir Walter Raleigh (Todd) and Bess Throckmorton (Collins), they are standing the one in front of the other at both sides of a huge paned window: the only thing you can see on screen is the window, while you hear both talking! A new DVD edition would be most welcome.

The Virgin Queen marks Bette Davis's second go around as Elizabeth I of England. The first and better known film was done in 1939, The Private Lives of Elizabeth and Essex. The action in that film takes place at almost the very end of her regime in 1602. Bette Davis who was 31 at the time was made up to look the 66 that Elizabeth was then.

This film takes place 15 years earlier, but Bette is now 47, a lot closer in age to the real Elizabeth then. The film is a fictional account of the arrival of Sir Walter Raleigh at her court and what transpired therein.

Raleigh is played by Richard Todd, the Private Lives of Elizabeth and Essex, Raleigh was played by Vincent Price. These are two quite different Raleighs, Todd is here, self described as blunt speaking plain soldier who wants Elizabeth to give him a ship to explore the new world. By 1602, Price's Raleigh has become every bit the flattering courtier that he as Todd so despised.

All royal courts are places of intrigue by their very nature, Elizabeth's even more so. First of all she was a woman who did like young handsome men around her. In her early days it was Robert Dudley, the Earl of Leicester played here by Herbert Marshall. Later on it was Christopher Hatton who is played by Robert Douglas. Then it was Raleigh and last the Earl of Essex, the protagonist in the earlier Davis Elizabethan role. These guys fought for her favor and she kind of enjoyed pitting them against each other. In addition she had the Cecils, uncle William and nephew Robert also serving here. There was no romantic attachment there and Francis Walsingham as well with no romance involved. Each one of these people had their good and bad qualities and served Elizabeth well in his own way.

Also she was known as The Virgin Queen because she was unmarried though I doubt strongly she physically kept her virginity. She was the last of the line of Tudors, the succession was very much up in the air. The threat of civil war, like the War of the Roses in the previous century. None of these guys knew who would wind up succeeding her, they all had to be on nimble feet to make the right jump. A wrong decision could cost somebody his head.

This is the background of what Raleigh was dealing with in Elizabeth's court. It's not true however that Christopher Hatton was the villain as shown here. He was battling for his survival like everybody else.

What is true is that Raleigh while Elizabeth was drawn to him, was in turn drawn to Bess Throckmorton one of her ladies in waiting. He did secretly marry her and got her pregnant as the film states. And Elizabeth I got her dander up as she was wont to do.

I'm sorry the Cecils and Walsingham were not included in this film. They were both very much on the scene, it's the biggest inaccuracy of the film.

It's not good history, but fair enough entertainment. Note the presence here of both a young Joan Collins as Ms. Throckmorton and Dan O'Herlihy as Raleigh's Irish sidekick. Both do good jobs in their parts.