The Virgin Queen

This is Davis' second film in which she plays Queen Elizabeth I of England. Personally, I thought 1939's "Private Lives of Elizabeth and Essex" was better, but it is hard to compare the two since this film takes place 15 years earlier in history than "Private Lives" and has Davis essentially playing Elizabeth at the age - 47 - that Davis actually was at the time.

The earlier film had Davis at 31 playing Queen Elizabeth in her sixties, and thus the two films make for an interesting comparison. Here Richard Todd plays Sir Walter Raleigh, who, like Essex in the earlier film, is a younger man who trades on Elizabeth's love for him to gain some personal glory. Richard Todd plays Raleigh effectively, but there is just no topping the charisma of Flynn's performance in the earlier movie.

Also, this film is saddled with Joan Collins in a supporting role who always made any film she was in worse and almost single handedly caused the death of classic film on DVD with her box set of not so special Fox films.

Bette Davis is probably one of the greatest actresses of all time, and it is really outstanding that a Massachusetts lady can break all cultural barriers and incarnate an English Queen to such a degree of perfection. I really enjoyed her performance.

The rest of the cast is just acceptable. Richard Todd is handsome and the young Joan Collins is beatiful to watch. The costumes and settings are carefully reproduced, and Koster's direction is profesional. The dialogues are wonderfully written, though the story is not quite historically accurate.

By the way, the European VHS edition is simply disgusting: the film is cut to fit the normal TV screen 4:3, leaving out vital parts of it. For example, in a scene between Sir Walter Raleigh (Todd) and Bess Throckmorton (Collins), they are standing the one in front of the other at both sides of a huge paned window: the only thing you can see on screen is the window, while you hear both talking! A new DVD edition would be most welcome.

Elizabeth I is nearly always portrayed as stern and unemotional which is probably attributable to the early performances by Dame Flora Robson who set the Elizabeth blueprint. This performance by Bette Davis retains the blueprint but introduces a dark wit to the character. An example is when a scheming ambassador compliments her on her beautiful palace. She replies it was her fathers and that "I will tell him when I see him".

An ambitious adventurer named Walter Raleigh arrives at her court. He only wants three ships to sail and discover gold and the other treasures of the Americas. She takes an instant liking to the handsome Raleigh and the film revolves around her plotting to keep him at her side. She famously refused to marry because she believed in putting country first and here she manipulates Raleigh towards a private relationship that would not diminish her power as Queen in a man's world.

The colorful costumes look a bit party rental but there is plenty of historical accuracy apart from the myth of the "coat over the puddle". The performance from Richard Todd is good but there is little chemistry between him and his wife played by Joan Collins. She delivers her lines so hastily in a modern London accent as if she is about to get on a bus.

The Bette Davis interpretation of Elizabeth and the political machinations at her court are the focus points of the film. There are no dodgy Spanish Armadas or swashbuckling Errol Flynn types detracting from the storytelling or the excellent portrayal of Elizabeth.

This one should have been a lot better, considering the pedigree of its cast and the professionals behind the camera, including the always reliable Franz Waxman, contributing a score that must have sounded wonderful when those theaters equipped with stereophonic sound systems played this costumer during its first release.

But director Henry Koster's touch is particularly pedestrian in this one. (Note how he stages the legendary scene when Sir Walter Raleigh spreads his cape across a muddy patch for Queen Elizabeth to glide over it without soiling her royal hem. Tossed off as if it weren't worth showing!) And the script seems to be regurgitating all those well-worn cliches about a love and sex-starved Queen Elizabeth I surrounded by male courtiers who have only their various personal ambitions to keep them apparently interested in her feminine needs.

Bette does her best (and even supposedly consented to shaving herself bald for the role!) and Richard Todd and a young and lovely Joan Collins convince as a couple willing to risk the frustrated Queen's wrath to consummate their love. And it's always a pleasure to see actors like Dan O'Herlihy and Herbert Marshall in support, despite how woefully little is made of their talents.

Beware the VHS version, a "formatted" desecration of the original 2.55:1 CinemaScope ratio. For no other reason this handsomely mounted production deserves to be given the widescreen DVD treatment.

Bette Davis gives an amazing performance of England's Queen Elizabeth the 1st. Still a virgin as an older woman (in this version), the determined & dedicated Queen falls in love with Walter Raleigh. But, in a secret ceremony on a night that the Queen's own hand maiden (a very young looking Joan Collins) seduces Raleigh, just when he doubts himself. Believing he failed to impress the Queen enough for her to grant him 3 ships, he marries Collins & impregnates her.

To the surprise of Walter Raleigh, Queen Elizabeth is most impressed by him & summons him to her bedroom where she knights him, Sir Walter Raleigh. Then, gives him one ship. Now he's in a fix between two women enamored with him.

There's much more to the story. Watching Davis & Collins together is quite the contrast in acting styles. Although the "Dynasty" Collins is much more like Davis as the Queen: temperamental, shrewd, demanding, and impeccable with the delivery of an excellent script, juxtaposed as the two actors are in this film, it's quite obvious how Davis & Collins take a great deal of care with their difference delivery styles of speech.

This film made me prefer Davis' Queen Elizabeth the 1st over other characterizations. I can't imagine a living actress who could become this particular staged Queen, as well as does Davis. (And I have watched Cate Blanchett). After all it's a tall order to go into role better than Bette Davis.