The Virgin Queen

This is Davis' second film in which she plays Queen Elizabeth I of England. Personally, I thought 1939's "Private Lives of Elizabeth and Essex" was better, but it is hard to compare the two since this film takes place 15 years earlier in history than "Private Lives" and has Davis essentially playing Elizabeth at the age - 47 - that Davis actually was at the time.

The earlier film had Davis at 31 playing Queen Elizabeth in her sixties, and thus the two films make for an interesting comparison. Here Richard Todd plays Sir Walter Raleigh, who, like Essex in the earlier film, is a younger man who trades on Elizabeth's love for him to gain some personal glory. Richard Todd plays Raleigh effectively, but there is just no topping the charisma of Flynn's performance in the earlier movie.

Also, this film is saddled with Joan Collins in a supporting role who always made any film she was in worse and almost single handedly caused the death of classic film on DVD with her box set of not so special Fox films.

The Virgin Queen marks Bette Davis's second go around as Elizabeth I of England. The first and better known film was done in 1939, The Private Lives of Elizabeth and Essex. The action in that film takes place at almost the very end of her regime in 1602. Bette Davis who was 31 at the time was made up to look the 66 that Elizabeth was then.

This film takes place 15 years earlier, but Bette is now 47, a lot closer in age to the real Elizabeth then. The film is a fictional account of the arrival of Sir Walter Raleigh at her court and what transpired therein.

Raleigh is played by Richard Todd, the Private Lives of Elizabeth and Essex, Raleigh was played by Vincent Price. These are two quite different Raleighs, Todd is here, self described as blunt speaking plain soldier who wants Elizabeth to give him a ship to explore the new world. By 1602, Price's Raleigh has become every bit the flattering courtier that he as Todd so despised.

All royal courts are places of intrigue by their very nature, Elizabeth's even more so. First of all she was a woman who did like young handsome men around her. In her early days it was Robert Dudley, the Earl of Leicester played here by Herbert Marshall. Later on it was Christopher Hatton who is played by Robert Douglas. Then it was Raleigh and last the Earl of Essex, the protagonist in the earlier Davis Elizabethan role. These guys fought for her favor and she kind of enjoyed pitting them against each other. In addition she had the Cecils, uncle William and nephew Robert also serving here. There was no romantic attachment there and Francis Walsingham as well with no romance involved. Each one of these people had their good and bad qualities and served Elizabeth well in his own way.

Also she was known as The Virgin Queen because she was unmarried though I doubt strongly she physically kept her virginity. She was the last of the line of Tudors, the succession was very much up in the air. The threat of civil war, like the War of the Roses in the previous century. None of these guys knew who would wind up succeeding her, they all had to be on nimble feet to make the right jump. A wrong decision could cost somebody his head.

This is the background of what Raleigh was dealing with in Elizabeth's court. It's not true however that Christopher Hatton was the villain as shown here. He was battling for his survival like everybody else.

What is true is that Raleigh while Elizabeth was drawn to him, was in turn drawn to Bess Throckmorton one of her ladies in waiting. He did secretly marry her and got her pregnant as the film states. And Elizabeth I got her dander up as she was wont to do.

I'm sorry the Cecils and Walsingham were not included in this film. They were both very much on the scene, it's the biggest inaccuracy of the film.

It's not good history, but fair enough entertainment. Note the presence here of both a young Joan Collins as Ms. Throckmorton and Dan O'Herlihy as Raleigh's Irish sidekick. Both do good jobs in their parts.

This one should have been a lot better, considering the pedigree of its cast and the professionals behind the camera, including the always reliable Franz Waxman, contributing a score that must have sounded wonderful when those theaters equipped with stereophonic sound systems played this costumer during its first release.

But director Henry Koster's touch is particularly pedestrian in this one. (Note how he stages the legendary scene when Sir Walter Raleigh spreads his cape across a muddy patch for Queen Elizabeth to glide over it without soiling her royal hem. Tossed off as if it weren't worth showing!) And the script seems to be regurgitating all those well-worn cliches about a love and sex-starved Queen Elizabeth I surrounded by male courtiers who have only their various personal ambitions to keep them apparently interested in her feminine needs.

Bette does her best (and even supposedly consented to shaving herself bald for the role!) and Richard Todd and a young and lovely Joan Collins convince as a couple willing to risk the frustrated Queen's wrath to consummate their love. And it's always a pleasure to see actors like Dan O'Herlihy and Herbert Marshall in support, despite how woefully little is made of their talents.

Beware the VHS version, a "formatted" desecration of the original 2.55:1 CinemaScope ratio. For no other reason this handsomely mounted production deserves to be given the widescreen DVD treatment.

Bette Davis is again "The Virgin Queen" in this 1955 film, and this time, her attention is on Sir Walter Raleigh. Earlier, in a more interesting film, "The Story of Elizabeth and Essex," she was the younger Elizabeth and the Earl of Essex was Errol Flynn. "The Virgin Queen" is sumptuous in its production, done in color, and the costumes deservedly won an Oscar. Here Elizabeth is older and becomes fascinated with Walter Raleigh (Richard Todd) when he comes to her court to request three ships to sail to the new world in search of treasure on behalf of England. She puts him in charge of the palace guard; he in turn falls for a lady-in-waiting, Lady Elizabeth Throckmorton (Joan Collins) and secretly marries her. The queen grants him one ship, but while he's preparing it, he finds out that Elizabeth Throckmorton is pregnant with his child. Unfortunately, Elizabeth finds out too and has him placed under arrest.

This is a mildly interesting film and historically not very accurate, though it is true that Sir Walter married Beth Throckmorton secretly, she became pregnant, and he was arrested. The real story is simplified in the film. It makes for not very exciting viewing, though the acting is strong and the cast excellent - besides the stars mentioned, Herbert Marshall is Lord Leicester and Dan O'Herlihy is Lord Derry.

Bette Davis does a marvelous job as Elizabeth, a tough, feisty, demanding and sometimes angry woman. Nobody could look as bad as Davis when she felt it was necessary for the role - she allowed four inches to be shaved from her hairline (Elizabeth had lost her hair due to fever) and wears what can only be called a fright wig. Hollywood stars back then would dress down, muss their hair, maybe cut back on the makeup, but Bette set the bar quite high for acting generations to come when it came to distorting her appearance. She is very effective in the role - as someone pointed out, she's a Yankee playing a British queen, and you never doubt that she is one. Richard Todd handles the language beautifully, but while he may have more depth than someone like Flynn, he doesn't exhibit the necessary charisma and charm. Joan Collins is young, beautiful, and does a good job as Elizabeth Throckmorton.

Worth seeing for the elegance of production and for that fabulous force of nature, Bette Davis.

Elizabeth I is nearly always portrayed as stern and unemotional which is probably attributable to the early performances by Dame Flora Robson who set the Elizabeth blueprint. This performance by Bette Davis retains the blueprint but introduces a dark wit to the character. An example is when a scheming ambassador compliments her on her beautiful palace. She replies it was her fathers and that "I will tell him when I see him".

An ambitious adventurer named Walter Raleigh arrives at her court. He only wants three ships to sail and discover gold and the other treasures of the Americas. She takes an instant liking to the handsome Raleigh and the film revolves around her plotting to keep him at her side. She famously refused to marry because she believed in putting country first and here she manipulates Raleigh towards a private relationship that would not diminish her power as Queen in a man's world.

The colorful costumes look a bit party rental but there is plenty of historical accuracy apart from the myth of the "coat over the puddle". The performance from Richard Todd is good but there is little chemistry between him and his wife played by Joan Collins. She delivers her lines so hastily in a modern London accent as if she is about to get on a bus.

The Bette Davis interpretation of Elizabeth and the political machinations at her court are the focus points of the film. There are no dodgy Spanish Armadas or swashbuckling Errol Flynn types detracting from the storytelling or the excellent portrayal of Elizabeth.