A red balloon with a mind of its own follows a little boy around the streets of Paris.A red balloon with a mind of its own follows a little boy around the streets of Paris.A red balloon with a mind of its own follows a little boy around the streets of Paris.
- Won 1 Oscar
- 5 wins & 1 nomination total
Renaud
- Le jumeau en rouge
- (uncredited)
David Séchan
- L'autre jumeau en rouge
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
10harry-76
An All-time Favorite
This film is one of my all-time favorites. I consider it a masterpiece, and an emotionally moving experience. As an allegory on the power of love and friendship, it is unsurpassed. Yet one senses deeper, more profound meanings with the balloon as a symbol of the spirit and resilience of life itself, being able to mutate and regenerate itself in an endless flow of passion.
Absolutely charming, a must for everyone!
I remember this short story when we watched it in the 2nd grade. I later happened to catch it on TV, while my parents were watching, a few years later. They thought it was great. How can I possibly remember this movie? Some movies touch you so well that they never leave you. It's the cutest story you'll ever see. There is no dialog in this charming little movie and all of the story is told through the visual very effectively. The red Balloon befriends this little boy. Where else can you have inanimate objects come to life and show personalities? Only cartoons and animations? The Red Balloon even shows interest in the opposite sex. One would only guess by the fact that it sees a girl with a pink balloon and thus follows. This movie should be seen for yourself in order to appreciate it. Everyone will love this movie. It's also a good date movie.
we were shown this film in school, but did you fear the emotions?
Wow, I thought of this film recently and remember it fondly. So, I looked it up on IMDb, hoping that this hadn't been a dream, and that it really existed. I wish I could see this film again today.
A little boy is chosen by a red balloon, which colours his otherwise dreary, grey days. I was shown this film in class in kindergarten (late '70s) and again in grade school, I believe. When I first saw it, it was with a rather existential, perhaps detached, view of it. Not much reaction, really. I didn't quite know what to make of it. Fortunately, I didn't rely on a little gang of pals to tell me what to think about it. I had never seen anything like it. It struck me that it was foreign. I liked that about it. The foreignness intrigued me, also the fact that it was old. It always impressed me how kids wore little grown-up shoes in '50s Europe. The quietness of the little boy, Pascal, also had a profound impact on me. I never understood the need for us kids in the U.S. to constantly yak about endless bull**** in order to feel secure. We never enjoy the silence. This carries on into adulthood. There's meaningless small talk, endless jibber jabber, all in an effort to hide, behind voluminous verbiage, our true sensitive selves from the big bad world. There's an existentialist problem for you. If there are any xenophobic misgivings against "the French," it's because they've long faced the human condition in a way that we as "Americans" are far too infantile as a culture to do; and, at this point, far too stunted with cultural arrested development to ever hope to do so.
I suppose the cruel little boys in the film symbolised the barbaric/insensitive "American" sensibility which I had grown used to. And the story the film conveys through such brilliant, yet simple, symbolism illumines such a range of themesfrom xenophobia, alienation, solitude and introspection to friendship, loyalty and sacrifice. Simply brilliant. This film probably taught me more than a handful of my first years of schooling combined. By the time I saw this film the second time my eyes were filled with wonder and, toward the end of the film, welled over with tears.
A little boy is chosen by a red balloon, which colours his otherwise dreary, grey days. I was shown this film in class in kindergarten (late '70s) and again in grade school, I believe. When I first saw it, it was with a rather existential, perhaps detached, view of it. Not much reaction, really. I didn't quite know what to make of it. Fortunately, I didn't rely on a little gang of pals to tell me what to think about it. I had never seen anything like it. It struck me that it was foreign. I liked that about it. The foreignness intrigued me, also the fact that it was old. It always impressed me how kids wore little grown-up shoes in '50s Europe. The quietness of the little boy, Pascal, also had a profound impact on me. I never understood the need for us kids in the U.S. to constantly yak about endless bull**** in order to feel secure. We never enjoy the silence. This carries on into adulthood. There's meaningless small talk, endless jibber jabber, all in an effort to hide, behind voluminous verbiage, our true sensitive selves from the big bad world. There's an existentialist problem for you. If there are any xenophobic misgivings against "the French," it's because they've long faced the human condition in a way that we as "Americans" are far too infantile as a culture to do; and, at this point, far too stunted with cultural arrested development to ever hope to do so.
I suppose the cruel little boys in the film symbolised the barbaric/insensitive "American" sensibility which I had grown used to. And the story the film conveys through such brilliant, yet simple, symbolism illumines such a range of themesfrom xenophobia, alienation, solitude and introspection to friendship, loyalty and sacrifice. Simply brilliant. This film probably taught me more than a handful of my first years of schooling combined. By the time I saw this film the second time my eyes were filled with wonder and, toward the end of the film, welled over with tears.
Le Ballon Rouge is a masterpiect of Short Film making...
Le Ballon Rouge is a masterpiece in Short Film making. It tells the story of the day of a life of a parisian boy who finds a red balloon on his way to school. Or rather it finds him. Everybody, it seems is rather keen to see the boy get rid of the balloon. He arrives at school and is not allowed to bring the balloon in with him. He lets it go and it flies off, only to be waiting for him at the end of the day, hovering outside in the school yard. Further adventures ensue throughout the day culminating in a spectacular ending for the boy. It is wonderfully directed by Albert Lamorisse. This fantasy is elegant in direction and editing on the screen. The acting is understated and quite delightful. It has always been my favourite of all Short Films. I wonder if it exists as a theatrical print. I've only ever seen it on TV. I'd love to see it projected.
Enchanting and touching classic!
At just over half-an-hour, The Red Balloon is for me nothing less than a beautiful masterpiece. It is truly enchanting, touching and never fails to warm my heart. Firstly, it is stunning to watch. The cinematography is beautiful and the scenery is magical. Another outstanding asset is the music, is it me or isn't it absolutely beautiful?
The story is very simple, but also very heart-warming and charming. I love the unique friendship between the young boy and the red balloon, for me along with the visuals and a scene that I will mention later this was what made The Red Balloon so good. The Red Balloon apart from the reactions of the children and the young boy is almost dialogue-less, but I think it works that way.
And I have to say Pascal Lamorisse responds very naturally to his father's adept direction and to his surrounding and does so in a very endearing and adorable way. The message of loyalty and love over cruelty and envy is admittedly weighty especially with a story so simple, but Albert Lamorisse carries it off with panache. My favourite scene has to be the joyous and heart-warming balloon-filled finale, which was a treat visually too. The Red Balloon moves very briskly so I was never bored or dissatisfied.
Overall, a beautiful masterpiece. 10/10 Bethany Cox
The story is very simple, but also very heart-warming and charming. I love the unique friendship between the young boy and the red balloon, for me along with the visuals and a scene that I will mention later this was what made The Red Balloon so good. The Red Balloon apart from the reactions of the children and the young boy is almost dialogue-less, but I think it works that way.
And I have to say Pascal Lamorisse responds very naturally to his father's adept direction and to his surrounding and does so in a very endearing and adorable way. The message of loyalty and love over cruelty and envy is admittedly weighty especially with a story so simple, but Albert Lamorisse carries it off with panache. My favourite scene has to be the joyous and heart-warming balloon-filled finale, which was a treat visually too. The Red Balloon moves very briskly so I was never bored or dissatisfied.
Overall, a beautiful masterpiece. 10/10 Bethany Cox
Did you know
- TriviaWith its Oscar win for Best Original Screenplay, the film is (as of 2024) the only short film to win an Academy Award outside of the short film categories.
- GoofsFor a brief instant, a wire can be seen attached to the red balloon as the boy waits to cross the street. The wire stands out against the blue coat of the man standing behind him looking on as the boy waits for the intersection to clear.
- Quotes
Pascal - le petit garçon: Could you hold my balloon while I'm in school?
- Crazy creditsAvec le concours: Des Enfants De Ménilmontant et Des Ballons De La Région Parisiénne (Translation: With the assistance of: The Children of Ménilmontant and The Balloons of the Paris region.)
- ConnectionsFeatured in Paris non stop (1981)
Details
Box office
- Gross US & Canada
- $34,570
- Opening weekend US & Canada
- $9,004
- Nov 18, 2007
- Gross worldwide
- $48,980
- Runtime
- 34m
- Sound mix
- Aspect ratio
- 1.37 : 1
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