Come Next Spring

The cast of this movie, Ann Sheridan, Steve Cochran, Walter Brennan have all made movies that are better known, but they've rarely been better than they are here.

I've never heard of the director, but he manages to pull a good performance out of the usually dreadful Sonny Tufts. Here he plays a tough, semi-bully (but not totally bad) adversary to Steve Cochran.

Other's have written the plot outline so I won't repeat it. One of my favorite scenes is Walter Brennan's drunken confession to Matt (Steve Cochran) about his birth certificate and his sober morning after contradiction! It's nearly as funny as Brennan's false teeth running gag in 'Red River'.

Ann Sheridan role was much like Sally Field's in 'Places In The Heart', totally different from her wise-cracking oomph-girl roles in the 30's and 40's.

I've never understood why Steve Cochran failed to become an A star. Like Robert Mitchum, he could play hero or heavy equally well. Reading his mini-biography, Cochran's own real life story (and death) would make a great noirish movie.

Sherry Jackson was a fine child star. Her performance as John Wayne's tomboy daughter in 'Trouble Along The Way' was equal if not better than her touching performance in this movie. She developed into a stunningly beautiful woman and then dropped from sight. She had a fine turn in the original Star Trek as a sexy-sad android.

'Come Next Spring' is very much like the better known 'Picnic' and I think it's just as good.

I've never forgotten the very last scene which still chokes me up when I think of it.

Steve Cochran had formed his own independent-producing firm in 1955, called Robert Alexander Productions (his birth name was Robert Alexander Cochran), and an offshoot of this company, Tangent Films, was making television commercials in New York.

In 1950, while working together on Warner Brothers' "THE LION AND THE HORSE", Sherry Jackson introduced her young widowed mother to writer Montgomery Pittman, Steve Cochran's best friend.(Sherry Jackson's father was killed in an automobile accident in 1948.) This meeting between Pittman and Jackson's mother culminated in their marriage two years later, with Steve Cochran acting as best man for his friend Pittman.

In 1955, Montgomery Pittman turned his (exceptional) writing talent to providing a challenging vehicle for his vastly-talented young step-daughter and came up with COME NEXT SPRING. Steve Cochran bought the story for his just-formed Robert Alexander Productions.

Steve Cochran then SOLD it to Republic Pictures Corporation, for an undisclosed amount of money...plus the proviso that he would star in the film and Sherry Jackson would play the role of Annie Ballott. Republic agreed to the terms, laid out the money... and Robert Alexander Productions and erstwhile-producer Steve Cochran made a graceful exit, while (uncredited)Republic house-people took over the production of this now-recognized great film, directed by the unheralded (before or afterwards) R. G. Springsteen, who had only once before been handed a film---A PERILOUS JOURNEY--- with an A-budget and cast of this quality and never a story of the quality written by Montgomert Pittman, just written with his step-daughter in mind as the mute Annie Boots, who was mute because of an automobile accident.

House-director "Bud" Springsteen did himself proud. Possibly because Montgomery Pittman was standing near-by?

"Come Next Spring" created quite a commotion in my hometown when first released in 1956, for the story and the setting is Independence County, Arkansas, in a real backwoods town called Cushman, once known for its mining activities, but no more. The movie refers to the community as Cushin. I don't know where "Come Next Spring" was filmed, but the location photography does resemble the landscape of present day Cushman. The town is still there with very few changes since pioneer days, except now the denizens do have electricity and indoor plumbing. My family didn't get the indoor plumbing until I was in college in the early 1960's. Having grown up in the area I'm here to tell you that the film only shows one side of small-town life in the hills and hollows of Arkansas. There is also the negative side of small-town America depicted by other films of the era such as "Picnic." That being said the idyllic side is worth a look see. The acting is topnotch and the story is supposedly based on a true incident about a man who deserted his family during hard times in the 1920's (The Great Depression began early for rural America). Unlike most lost men, however, he returned to his family after years of wandering to attempt to put things back together. Ann Sheridan and Steve Cochran give standout performances as estranged husband and wife trying to reconcile their differences. Sherry Jackson is magnetic as the mute daughter instrumental in restoring her parents' love for each other. There is also a wonderful assortment of character actors to play the local folks, including Walter Brennan, Edgar Buchanan, Sonny Tufts, Mae Clark, and James Best in one of his early roles.

Though the Max Steiner music is good with Tony Bennett singing the theme, it is not apropos for Cushman, Arkansas, of the 1920's. Country (called hillbilly at the time) and folk music were about the only kind of music listened to in that area before the birth of rock 'n' roll, with many of the locals picking and grinning. It would have been more appropriate to have used a popular group of the genre, or even someone from the community. The number one song for 1956 was written by a performer from the general area, "Singing the Blues" by Melvin Endsley. Another noted musician from the area in those days was the multi-talented Wayne Rainey. Both were from near Batesville, which is the county seat of Independence County. Neighboring Stone County produced folk artist Jimmie Driftwood, who wrote "The Battle of New Orleans" and "Tennessee Stud." Using any of these artists would have added to the rural flavor of "Come Next Spring." But that was not the Hollywood way.

If you liked "The Waltons" or "Little House on the Prairie," you should enjoy this movie, which to my knowledge is not available on DVD. It is seldom shown on satellite or cable television. So you may have a difficult time viewing a copy. But if you get the chance, don't miss watching it.

Charming piece of Americana affords Steve Cochran a nice change of pace from the brooding thugs he normally played. While he certainly had the physique and dangerous air required for those roles there was also an underlying gentleness to his screen presence that is well utilized here. He is well matched with Ann Sheridan, an actress with her own tough persona. Her careworn appearance in the film matches well with her role as a no nonsense farm woman and as always she offers a high quality performance. Their tentative dance of reconciliation after a long period of estrangement and nice touches that help add to the flavor of small community life make this most worthy picture one to check out.

A beautiful tale of redemption, with delightful colors ,a deliciously old-fashioned atmosphere and moving performances by Ann Sheridan and Steve Cochran (all sweetness and light: not the usual tough guy).

It's not an action-packed movie, but rather a depiction of simple rural life where all people stand together when they are struck by a disaster ; sentimentality is kept to a minimum level and the rapport the prodigal father has with his children goes straight to the heart ; it's suitable for the whole family ,just like the "little house" TV series except that Charles Ingalls was always a goody-two-shoes.

I'd tone things a bit for the long rumble which is mostly filler ,but the final pictures make up for it.