IMDb RATING
3.7/10
4.2K
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Mongol chief Temujin battles against Tartar armies and for the love of the Tartar princess Bortai. Temujin becomes the emperor Genghis Khan.Mongol chief Temujin battles against Tartar armies and for the love of the Tartar princess Bortai. Temujin becomes the emperor Genghis Khan.Mongol chief Temujin battles against Tartar armies and for the love of the Tartar princess Bortai. Temujin becomes the emperor Genghis Khan.
Pedro Armendáriz
- Jamuga
- (as Pedro Armendariz)
Fred Aldrich
- Chieftain #2
- (uncredited)
Phil Arnold
- Honest John
- (uncredited)
Gregg Barton
- Jalair
- (uncredited)
Lane Bradford
- Chieftain #4
- (uncredited)
Larry Chance
- Tartar
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
An American historical adventure; A story set in the 12th century about the rise of a ferocious chieftain - the future Gengis Khan - who kidnaps the daughter of a ruthless riva, a Tartar, causing continental conflict. Despite some impressive battle sequences and stuntwork, this fiction-based-on-fact epic lacks dramatic force due to its contrived narrative and simplistic, poorly conceived dialogue for the native characters, which meant lines were often delivered in a stilted way. The casting is incongruous, with Susan Hayward's red-permed hair and milky Irish-Swedish complexion looking far from the archetypal Mongolian princess, and John Wayne, in simulated Asian make-up, was at best an elemental Mongolian would-be emperor, with lines often delivered like a Midwestern man on the range than a Mongol in the Gobi. Pedro Armendariz, as Jamuga, the one who was willing to sacrifice himself for his jealous chief, gave a convincing performance.
John Wayne is the consummate cowboy, only Clint Eastwood comes close to approaching the title. So it's really jarring to the sensibilities to see Wayne standing there in a Mongol costume and a cheesy "fu manchu" moustache spouting barbarian lines in his trademark western drawl. It's like seeing Alec Guinness start acting like Pee-Wee Herman; some serious misalignment of the heavens has happened and maybe that guy on the corner saying "the end of the world is nigh" was right.
That aside, "The Conqueror" plays like an epic Cecil B. DeMille movie, with epic lines, epic scenery, and epic music. Say what you want about modern cinema, recent movies as a whole tend to be better researched, with characters, clothing, and sets that are historically accurate. This movie makes it clear they had no concept what Genghis Khan and his time was like. People, Wayne included, simply say grandiose lines without any inflection, as if they had no idea how to act the part.
Through it all, I kept expecting Susan Hayward to claim she was an alien or had fallen through a time machine. I doubt very many 12th century Mogolian women had red permed hair and wore low cut dresses. "The Conqueror" is either one of the worst movies you ever saw or one of the funniest.
That aside, "The Conqueror" plays like an epic Cecil B. DeMille movie, with epic lines, epic scenery, and epic music. Say what you want about modern cinema, recent movies as a whole tend to be better researched, with characters, clothing, and sets that are historically accurate. This movie makes it clear they had no concept what Genghis Khan and his time was like. People, Wayne included, simply say grandiose lines without any inflection, as if they had no idea how to act the part.
Through it all, I kept expecting Susan Hayward to claim she was an alien or had fallen through a time machine. I doubt very many 12th century Mogolian women had red permed hair and wore low cut dresses. "The Conqueror" is either one of the worst movies you ever saw or one of the funniest.
I know this is widely considered to be a great travesty of filmmaking, but its problems can be (and have been) over-stated. The costuming, direction, cinematography and choreography are all quite well done and it is surprisingly true to history. Most people can't get beyond the fact that John Wayne plays the title role of Genghis Khan and I admit that it is difficult, but the greatest problem is his accent, not his acting. He delivers his lines exactly as if he were in one of his Western classics and does not attempt a Mongolian accent. The dialogue is (contrary to the previous comments) not inappropriate, but when delivered by Wayne with his western twang, its does often sound comical. I suggest that the audience try to think of this film as just another cowboy movie and try not to take it so seriously. In the end, it is a thoroughly enjoyable film, and that is what matters. The lack of Asian actors is regrettable, but consistent for the era in which is was made.
My friends and I were lounging around watching a boring football game when we chanced onto this 1950's spectacular on TCM. We were astounded, stupefied. I'm not normally one of those people who gets off on really bad films--most bad films are just plain bad. But this was so bad, it was surreal--and hilarious. John Wayne, as usual, plays John Wayne, except this time America's iconic cowboy Real Man is in phony Oriental make-up, prancing around in fuzzy pelt vests, spouting lines in Medieval Mongolian Shakespearian barbarian-speak with a Western twang. (Example: "Ya didn't suckle me ta be slain by Tartars, my mo-ther.") With lavish pretensions toward epic grandeur, the sweeping outdoor vistas of the Central Asian steppe looking suspiciously like southern Utah, where the movie was indeed filmed. You think I'm making this up? I beg you, please rent this film! You won't regret it. Unlike most bad films, this film really is so bad that it's good. It's a bona fide disaster!
I was originally going to award this film a much more generous rating, but it so outstayed its welcome I knocked a couple of stars off.
For one who professes such a love of classic cinema Martin Scorsese has form where it comes to not bothering to get his facts straight; the principal case for the prosecution being the shameless hagiography of 'The Aviator' which heroically portrays Howard Hughes as A Man with a Dream rather than the spoilt brat who squandered Daddy's money wrecking RKO.
It took a special sort of genius on the part of Hughes to blow the biggest budget in RKO's history to such little effect and wipe out several of Hollywood's finest talents - including John Wayne in a role originally intended for Marlon Brando - and a major studio in the process.
The idiosyncratic casting of the lead extends to the supporting cast by depicting Wayne, Pedro Armendariz and William Conrad as siblings and Agnes Moorehead as their mother (heaven knows what their father looked like), and Ted De Corsia as Susan Hayward's father.
For one who professes such a love of classic cinema Martin Scorsese has form where it comes to not bothering to get his facts straight; the principal case for the prosecution being the shameless hagiography of 'The Aviator' which heroically portrays Howard Hughes as A Man with a Dream rather than the spoilt brat who squandered Daddy's money wrecking RKO.
It took a special sort of genius on the part of Hughes to blow the biggest budget in RKO's history to such little effect and wipe out several of Hollywood's finest talents - including John Wayne in a role originally intended for Marlon Brando - and a major studio in the process.
The idiosyncratic casting of the lead extends to the supporting cast by depicting Wayne, Pedro Armendariz and William Conrad as siblings and Agnes Moorehead as their mother (heaven knows what their father looked like), and Ted De Corsia as Susan Hayward's father.
Did you know
- TriviaThe film is sometimes called "An RKO Radioactive Picture." Exteriors were shot in the Escalante Desert near St. George, Utah, which is 137 miles downwind of the United States government's Nevada National Security Site and received the brunt of nuclear fallout from active atomic weapons testing in this period. In 1953, two years before production started, 11 above-ground nuclear weapon tests occurred at the Nevada site as part of Operation Upshot-Knothole. The cast and crew spent many difficult weeks on the Utah location. The filmmakers knew about the nuclear tests, but the federal government had assured residents that the tests posed no hazard to the public health. Over 100 above and below ground nuclear bombs were detonated in the area from 1951 to 1962. Although the area was contaminated by nuclear fallout, the Atomic Energy Commission assured Howard Hughes and the local population that the area was completely safe. Photographs exist of John Wayne holding a Geiger counter that reportedly made so much noise that he thought it was broken. After location shooting, Hughes had over 60 tons of contaminated soil transported back to Hollywood in order to match interior shooting done there. Over the next 30 years, 91 of the 220 cast and crew members developed cancer. Forty-six died, including John Wayne, Susan Hayward, Pedro Armendáriz (who shot himself in 1963 soon after learning he had terminal cancer), Agnes Moorehead, John Hoyt, and director Dick Powell. Lee Van Cleef had throat cancer, but died of a heart attack. The count did not include several hundred local Native Americans who played extras, or relatives of the cast and crew who visited the set, including John Wayne's son Michael Wayne. A "People" article quoted the reaction of a scientist from the Pentagon's Defense Nuclear Agency to the news, "Please, God, don't let us have killed John Wayne." As of June 2011, the article is available in its archive online. It has however been suggested that many of the cast and crew died of cancer as a result of smoking. John Wayne had smoked between three to five packs of cigarettes a day since the early 1930s, and most of the other actors and crew members were also heavy cigarette smokers.
- GoofsThe bows that Temujin and Wang Khan use are modern recurves, which would make them approximately 700 years too early.
- ConnectionsFeatured in The World According to Smith & Jones: The Middle Ages (1987)
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Details
- Release date
- Country of origin
- Language
- Also known as
- El conquistador de Mongolia
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $6,000,000 (estimated)
- Gross worldwide
- $15,415
- Runtime
- 1h 51m(111 min)
- Color
- Aspect ratio
- 2.55 : 1
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