IMDb RATING
6.3/10
9.9K
YOUR RATING
Extraterrestrials traveling in high-tech flying saucers contact a scientist as part of a plan to enslave the inhabitants of Earth.Extraterrestrials traveling in high-tech flying saucers contact a scientist as part of a plan to enslave the inhabitants of Earth.Extraterrestrials traveling in high-tech flying saucers contact a scientist as part of a plan to enslave the inhabitants of Earth.
- Awards
- 1 win total
Thomas Browne Henry
- Vice Adm. Enright
- (as Tom Browne Henry)
Larry J. Blake
- Motorcycle Cop
- (as Larry Blake)
Fred Aldrich
- Airplane Passenger
- (uncredited)
- …
Nicky Blair
- Military Officer at Experiment
- (uncredited)
Jimmy Cross
- Military Messenger
- (uncredited)
Jack Deery
- Military Officer
- (uncredited)
Charles Evans
- Dr. Alberts
- (uncredited)
Raoul Freeman
- Military Official
- (uncredited)
Paul Frees
- Alien
- (voice)
- (uncredited)
James Gonzalez
- Military Official
- (uncredited)
Duke Green
- Minor Role
- (uncredited)
Ed Haskett
- Military Official
- (uncredited)
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Featured reviews
A solid 1950's B-movie sci-fi with all the weaknesses that come with the genre
Dr Russell Marvin is working on experimental rockets launched into orbit around the earth to help with the advancement of space exploration. He has so far lost 11 rockets for unknown reasons. However on a drive with his wife they witness a flying saucer. No-one believes them but later the same saucers attack and massacre their military base leaving only them as survivors. They are told that the earth has 56 days to come quietly rather than spark a pointless war against superior forces. However Dr Marvin and his team begin work on a weapon to repel the forces.
With a title like that I didn't need to be told I was in 1950's B-movie `allegory for commies' territory and all that that entails. The plot is pretty straight forward and the film wastes no time in wading into it. The meaning of the plot is a little tasteless and blatantly spells out these invaders are `humanoids'. The thing that annoyed me was that the film ignored the fact that soldiers opened fire on the aliens first without knowing why they were there. True they were coming to invade but the `shoot first ask questions later' message wasn't very palatable.
The effects are OK for the time but of course look very shaky nowadays. However it is still enjoyable and the aliens do look a little creepy despite being very stiff looking. The action is OK but I never felt tense as the 56 days counted down, and the race for the weapon seemed to happen a little too easily. The final battle in Washington is pretty cool though.
The cast are as wooden and stiff as you'd expect in a B-movie but I suppose it all adds to the feeling of the film! There are some funny lines and much of the dialogue (and effects) has been spoofed in recent films but it is still worth a watch. Overall as a film it is pretty poor, but if you're in a mood for a bit of 50's sci-fi hokum then this will probably deliver what you're after.
With a title like that I didn't need to be told I was in 1950's B-movie `allegory for commies' territory and all that that entails. The plot is pretty straight forward and the film wastes no time in wading into it. The meaning of the plot is a little tasteless and blatantly spells out these invaders are `humanoids'. The thing that annoyed me was that the film ignored the fact that soldiers opened fire on the aliens first without knowing why they were there. True they were coming to invade but the `shoot first ask questions later' message wasn't very palatable.
The effects are OK for the time but of course look very shaky nowadays. However it is still enjoyable and the aliens do look a little creepy despite being very stiff looking. The action is OK but I never felt tense as the 56 days counted down, and the race for the weapon seemed to happen a little too easily. The final battle in Washington is pretty cool though.
The cast are as wooden and stiff as you'd expect in a B-movie but I suppose it all adds to the feeling of the film! There are some funny lines and much of the dialogue (and effects) has been spoofed in recent films but it is still worth a watch. Overall as a film it is pretty poor, but if you're in a mood for a bit of 50's sci-fi hokum then this will probably deliver what you're after.
Great special effects buoy up otherwise underwhelming story
The title pretty much sums up the story. Malevolent aliens in the titular vehicles try to intimidate Earth into surrendering before launching an all-out attack. Unusual for the genre, we 'fired first', (although the aliens were likely up to no good from the beginning, having shot down all of our satellites). The typical B-movie story finds scientist Russel Marvin (Hugh Marlowe) (and his pretty wife Carol (Joan Taylor)) constantly in the thick of things as the heroic boffin whips up a last minute miracle weapon. The script and acting are pretty trite, and other than Ray Harryhausen's stop-action work, the production values are weak (notably in the use of excessive and sometimes poorly matched stock footage). Some of the matte footage (such as the heroes running through the fire) is amateurish, and there are a number of irritating inconsistencies in the plot, especially with respect to the alien's capabilities. Of course, what makes the film a must see for genre fans are Harryhausen's iconic stop-action flying saucers. The design is classic, the model work excellent, the saucers are well integrated into the live action footage, and the film was one of the first to include the now de rigueur 'alien invasion' motif of trashing national monuments. Typical of Harryhausen projects, if the rest of the movie had been as good as the special effects, it would have been a classic.
an underrated gem
While "War of the Worlds" is probably the most heralded of the 1950s alien invasion films, this one is a lot more fun. There are none of the heavy-anded quasi-religious sub-texts that weighed down WOTW. There are no pretensions of any kind. "Earth" gets right down to the business at hand...aliens coming to Earth with the sole purpose of kicking our asses. Throw in the always fun Harryhausen effects, in which real life monuments are destroyed (later incorporated in the equally dumb and equally fun "ID4"), and what's not to like?
Earth Vs. The Flying Saucers (Fred F. Sears, 1956) ***
Above-average sci-fi which I had missed on its solitary TV broadcast years ago and one that I had been eyeing as a possible DVD purchase for what seems like forever; I'm overjoyed, therefore, that I managed to get my hands on it at long last.
The film is basically an amalgam of THE DAY THE EARTH STOOD STILL (1951) with Hugh Marlowe convincingly making the leap from despicable villain to intelligent hero here and WAR OF THE WORLDS (1953): even if its outlook is a naïve one (while also displaying something of an obsession with technology) and the plot rather contrived, it is nonetheless generally absorbing and tremendously entertaining along the way. The special effects (by Ray Harryhausen) must have looked spectacular back then but come off as pretty shaky nowadays; still, this takes nothing away from his achievement and doesn't affect one's enjoyment or involvement in the film in any way (the design of the aliens' metallic suits and the briefly glimpsed creatures themselves is also quite impressive).
This is actually the first black-and-white Harryhausen film I've watched, and also the only one which doesn't have to do with prehistoric or mythological monsters of some kind; as such, it's not as juvenile as his other work and makes me look forward to the effects wizard's other sci-fi outings IT CAME FROM BENEATH THE SEA (1955), TWENTY MILLION MILES TO EARTH (1957) and FIRST MEN IN THE MOON (1964). The Columbia DVD includes, among other things, an engaging 9-minute featurette on the making of EARTH VS. THE FLYING SAUCERS where Harryhausen is interviewed by genre enthusiast Joe Dante (who recalls first watching the film on a double-bill with the obscure THE 27TH DAY [1956]).
The film is basically an amalgam of THE DAY THE EARTH STOOD STILL (1951) with Hugh Marlowe convincingly making the leap from despicable villain to intelligent hero here and WAR OF THE WORLDS (1953): even if its outlook is a naïve one (while also displaying something of an obsession with technology) and the plot rather contrived, it is nonetheless generally absorbing and tremendously entertaining along the way. The special effects (by Ray Harryhausen) must have looked spectacular back then but come off as pretty shaky nowadays; still, this takes nothing away from his achievement and doesn't affect one's enjoyment or involvement in the film in any way (the design of the aliens' metallic suits and the briefly glimpsed creatures themselves is also quite impressive).
This is actually the first black-and-white Harryhausen film I've watched, and also the only one which doesn't have to do with prehistoric or mythological monsters of some kind; as such, it's not as juvenile as his other work and makes me look forward to the effects wizard's other sci-fi outings IT CAME FROM BENEATH THE SEA (1955), TWENTY MILLION MILES TO EARTH (1957) and FIRST MEN IN THE MOON (1964). The Columbia DVD includes, among other things, an engaging 9-minute featurette on the making of EARTH VS. THE FLYING SAUCERS where Harryhausen is interviewed by genre enthusiast Joe Dante (who recalls first watching the film on a double-bill with the obscure THE 27TH DAY [1956]).
Good representative of B-movie 50's sci-fi
This is a great example of 1950's sci-fi movies and the flying saucer scare craze that was sweeping the nation and of course parallels the cold war threat and the resilience and ingenuity of American science and military might. Retired Major Donald E. Keyhoe was the author of a series of non-fiction books of the era outlining his belief in the reality of flying saucers and this film draws from his book Flying Saucers From Outer Space. Veteran monster movie writer Curt Siodmak adapted a story based on the book for this film and veteran monster movie screenwriter George Worthing Yates wrote the screenplay. Special effects legend Ray Harryhausen supervised the effects and Josh Westmoreland, a sound veteran of westerns and monster movies, provided the sound. B-movie director Fred F. Sears and B-movie cinematographer Fred Jackman Jr. put it all together on the screen. In what would be a foreboding of things to come on 9/11 American monuments are under attack and destroyed. Aliens from a dying planet come to earth to claim it as their own but earth fights back. Hugh Marlow and Joan Taylor star. It's campy but it's still a good flick and a good representative of it's era and genre and I would give it an 8.0 out of 10.
Did you know
- TriviaThis science fiction movie was suggested by the 1953 non-fiction book "Flying Saucers from Outer Space" by retired U.S. Marine Corps Maj. Donald E. Keyhoe, who believed that certain aerial phenomena were interplanetary in origin.
- GoofsAbout 19 minutes into the film, when the three soldiers behind their mortar get disintegrated by the alien ray, a "giant" house fly can be seen for one single frame right above the head of the rightmost soldier. It must have landed on the plate during composition of the effects shot.
- Quotes
Gen. Edmunds: When an armed and threatening power lands uninvited in our capitol, we don't meet him with tea and cookies!
- Alternate versionsA colorized version is available on the DVD release.
- ConnectionsEdited from The War of the Worlds (1953)
Details
- Release date
- Country of origin
- Language
- Also known as
- Fliegende Untertassen greifen an
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 23m(83 min)
- Color
- Aspect ratio
- 1.85 : 1
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