Giant

This has recently played on Turner Classic Movies, and so they have been playing a short promo on the film. However, I disagree with the critics' assessment that this is a man versus woman film. Instead, this is a film about the pangs of old Texas giving birth to new Texas. Rock Hudson plays the young patriarch of a Texas ranching family, Bick Benedict, in the 1920s who goes to Maryland to buy a colt. He is instantly smitten with one of the daughters in the family (Elizabeth Taylor as Leslie) , in spite of the fact that she raises his Texas ire by saying things such as Texas was stolen from Mexico! Taylor's character is already spoken for, but she throws over her intended and she and Benedict marry on a whim.

Adjustment is hard for Leslie. The Benedict ranch is sprawling but devoid of Maryland's natural beauty. Bick's sister Luz runs the house and is not going to give that title up to some delicate East coast beauty. And when she tries to help the Mexican families that live on the ranch, she finds her husband angry with her. Ranch hand Jett Rink (James Dean in his last film role) falls madly in love with Leslie who just doesn't see it. Meanwhile Luz has always loved Jett, and that love later greatly complicates the Benedicts' lives in a very unconventional way.

Like I said, this is no man versus woman film. This is initially east coast liberal civilized values versus the rough and tumble values of what is still the Texas frontier in many ways. And it is the story of a family over 30 years as Texas changes in its values and what is important in its industry. For example, cattle ranching gives way in importance to the petroleum industry. As for changing values, Bick changes from a man who really doesn't see the Hispanics as human beings to somebody who literally takes a beating to defend the honor of one decades later.

Highly recommended as a film and as a showcase for the talents of Rock Hudson, Elizabeth Taylor, and James Dean. Dean had other good showcases for his talent, but I feel Hudson and Taylor - in spite of her two Best Actress Oscars are both remembered too much for their soapy roles and not enough for their acting skills. Highly recommended.

In 1920s, a wealthy Texan cattle rancher (Rock Hudson) travels to East Coast in order to buy a prize horse. There he meets a woman (Elizabeth Taylor), the daughter of his soon-to-be business partner, who he ends up marrying after a quick romance. The movie follows their lives down in Texas as the seasons change and the old ways begin to give ground to the new century.

Giant is an epic. It covers years and years of time and deals with all the prominent themes and problems of those decades. Things like oil business, racial issues, societal status, responsibility of the rich to the poor, and so many others, make an appearance and are addressed in turn. Taylor's character is the voice of the new age, while Hudson's is the voice of the old and their interactions are the driving voice of the film.

And it works. It is a very interesting film to follow if you know anything about that particular span of history. The film is over three hours long, and can thus cover a lot of ground and give each subject its due time. Though that can be a problem as well. It is a very slow film, with deliberate, calm pacing. Nothing much really happens most of the time, or perhaps it would be more accurate to say that things happen very slowly. Personally I found the film to be perhaps a bit too slow and deliberate, but if old epics are your thing, you'll definitely get what you're looking for.

Giant is to be applauded for its vision. It set out to tell a family saga in its full glory and in that regard it definitely delivers. From modern point of view it can a bit tedious, but I cannot in good faith condemn it for that.

"Giant" is a sometimes forgotten masterpiece which is remembered for its massive budget (becoming the most expensive movie ever made at that time) and of course James Dean's death during the final stages of production. All the sub-stories during the making of this film overshadow the fact that this is easily one of the top ten movies ever made. Definitely in the class with epics like "Gone With the Wind" and "Lawrence of Arabia", "Giant" is a 200-minute symphony of a movie about the life of a Texas cattle rancher (Oscar-nominee Rock Hudson) and his wife from the East Coast (Elizabeth Taylor). Immediately following their marriage, Hudson's older sister (Mercedes McCambridge, Oscar-nominated) dies after falling off the same horse that Hudson had bought from Taylor's father. Disgusted with the fact that Hudson had married Taylor, McCambridge had decided to leave a small part of her land to quiet cow-hand James Dean (in his finest performance, garnering him his second consecutive posthumous Oscar nomination). Hudson is advised to buy the land from Dean, but Dean refuses to sell. Now Dean is trying to strike oil and is ultimately successful. He becomes a huge oil baron and one of the richest and most powerful men in Texas. Hudson continues to make money as well, but eventually has to swallow his pride and become a wild-catter himself. The hate and friction between Hudson and Dean is sure to lead to fireworks for all associated with the two volatile men. Secretly, Dean has always loved Taylor and even goes so far as to try and get with Taylor's youngest daughter (a brilliant turn by Carroll Baker). Dean is trying to substitute Baker for the lover he has always had for Taylor. By this time Dean is well in his 50s (due to heavy makeup), but he is trying to capture the failed dreams of his youth. Ultimately, Dean has everything except the one thing he really wanted. He lacks love in his life and he suffers miserably through as the film progresses. The older twin children of Hudson and Taylor's both grow up to go in very different directions. The daughter (Fran Bennett) marries and wants to run the ranch, to Hudson's approval and Taylor's dismay. However, the son (a very young Dennis Hopper) marries a Hispanic woman (very taboo back in those days) and wants to go north to become a doctor. Of course Hudson is outraged at this development and nearly disowns Hopper all together. Hudson then decides that Bennett's new husband (Earl Holliman) may be the best for the job. Holliman though is immediately drafted into World War II, along with Hispanic laborer Sal Mineo. Hudson worries about change after he passes away, but he eventually learns that most of the things he obsesses about are not as important as other matters. Equality for females and Hispanic Americans are major messages throughout here. Much like novelist Edna Ferber's equally excellent "Cimarron" (which dealt with sexism and racism toward Native- and African-Americans in Oklahoma), "Giant" paints a wonderfully complex picture of humanistic relationships from varying cinematic angles. Overall, "Giant" is a huge motion picture that is so smart, multi-layered and deep-thinking that it requires over three hours to tell the entire story. Everything here is so magnificent. The Oscar-winning direction by George Stevens, the screenplay, the art direction, the editing, the costume design, the makeup, the sound and the original musical score are all superb. Almost every actor does the best work of their respective careers as well. James Dean and Rock Hudson are the best. Mercedes McCambridge (albeit in a very small role) is super. Dennis Hopper and Carroll Baker (Baker even received an Oscar nomination for Best Actress in 1956 for "Baby Doll") both show amazing range at their very young ages. Chill Wills (who plays Hudson's old wise uncle) and Elizabeth Taylor give stellar performances as always. Overlooked in 1956 (the unmemorable "Around the World in 80 Days" won the Best Picture Oscar), "Giant" is easily the best film from that weak year and is ranked as the best movie of that decade in my book. One of the most excellent productions of all time. 5 stars out of 5.

I am a sucker for long, sprawling epics about history or social issues. Ben-Hur, Lawrence of Arabia, and Doctor Zhivago are films I could watch on repeat. Now we can add 1956's Giant to the list. It's one of the only films to tell the story about Texas and how the state transitioned from the old-fashioned cattle/cowboy era to the modern oil industry. I adored every minute of this three-hour and twenty-one minute feature. Yes, it's long but it is a film that has big, ambitious ideas and characters you'll come to know and fall in love with.....just as I did.

The film is based off an Edna Ferber novel. If you are familiar with her work, you'll know that her books capture social injustice issues such as racism. In her book this movie was adapted from, she gave us big ideas to think about along the lines of racism and women's rights. From the 1920's to 1940's, the Mexican Americans on the ranches were treated with contempt and just a tad better than slaves. Also, the idea of a woman coming into an industry dominated by men and speaking her mind freely was something nearly unheard of. Like the book, the movie tackles these ideas and rather successfully. After all, the early-to-mid 1900's were changing times for the Lonestar State. I think the screenplay, written by Ivan Moffat and Henry Ginsberg, captured the tone and spirt of her vast epic.

The film was directed by George Stevens. If that name sounds familiar to you, maybe you have seen 1951's A Place in the Sun or the lovely 1936 film, Swing Time. Stevens handsomely directed the film and put together a very worthy cast. In his long career creating tons of good movies, it's hard to believe that he only won one Academy Award. That was for this movie and he deserved it. This is one of those movies that stand the test of time.

Giant tells the story than spans over two decades. It tells the story of poverty versus wealth, along with racial discrimination and deep feelings such as prejudice. All of this is centered around one Texas ranch- The Reata. The Reata is ran by his cattle baron Jordan Benedict (Rock Hudson) and his sister, Luz (Mercedes McCambridge). They run a tight ship and treat the Mexican Americans on their farm with disdain. When Benedict travels to Maryland to buy a beautiful stallion, he meets the even more beautiful Leslie (Elizabeth Taylor). The two get married and Leslie moves to the ranch where she makes it a life goal to institute social changes. Then there is the ranch hand, Jett Rink (James Dean) who is jealous of Jordan's success. When he strikes oil, he instantly becomes a billionaire. Not just these central characters, but how will the entire family take in all of these changes?

I loved the performances in the film. This film garnished Rock Hudson his only Academy Award nomination. He has always been an undervalued actor, but I loved his performance. There was a sequence towards the end, a fistfight at the cause of social injustice, and that shows his capability. Elizabeth Taylor previously worked with George Stevens in 1951's A Place in the Sun and showed how talented she was. Even though she was not Stevens's first choice for this picture, she once again rose to elite level. Then we have James Dean. Dean had his career cut extremely short due to his untimely death toward the end of this film's production. Stevens had another guy come in to dub the actor's lines which may have been why the film took more than a year in post-production. He captured the distrust of Jett Rink very well and easily showed that money cannot guarantee happiness. You may recognize other faces here. Dennis Hopper as Jordan's son, Carroll Baker as Jordan's daughter, and Rod Taylor as Sir David Karfrey.

The film is so beautiful to look at. Cinematographer William C. Mellor gave the deserts of Texas its own beauty. I felt so alive and even romantic gazing at the Texan landscape. I truly felt transported to another time and place. The music by Dmitri Tiomkin fits the epic format easily with recognizable themes.

Ultimately, I really enjoyed the vast movie that is Giant. It's one of the few early movies that gives it due to social causes like racism and women's rights. It harshly criticized the way of Texan life. I found it ironic that many Texans actually adored the movie when it came out. But based off an Edna Ferber novel, of course these themes will be prevalent. Beautiful landscapes, powerful acting from the lead trio, and great direction are just some of the reasons to see the movie. The movie tackles multiple generations, so be prepared to fall in love....or possibly hate some characters.

My Grade: A

I am of the opinion that it is impossible to make a bad film out of an Edna Ferber book. Her backgrounds are epic and she creates characters who fill the backgrounds that their stories take place.

Such is the case of Giant and the story of Bick Benedict, Leslie Lynnton, and Jett Rink and all the Texans here, native and transplanted. Giant's story begins with Bick Benedict coming to Maryland to buy a prize stallion and in a whirlwind courtship, marrying and bringing back the stallion and it's owner as well who becomes Leslie Lynnton.

Benedict as played by Rock Hudson is co-owner with his sister Mercedes McCambridge of one large piece of Texas real estate named Reata which makes the Ponderosa look like a homestead. 595,000 acres Hudson modestly states to the Lynnton guests at dinner. He's also incurred the jealousy of one of his ranch hands, James Dean as Jett Rink who envies Hudson in all things including his new bride.

Hudson and Dean were both up for Best Actor in 1956 losing to Yul Brynner in The King and I, but I've always felt that this was Elizabeth Taylor's film. Liz showed what she could do in George Stevens's A Place in the Sun and unfortunately she went back to MGM and got a bunch of films that were really beneath her talents. It was George Stevens again who even though he wanted Grace Kelly in the part first, got a great performance out of Elizabeth Taylor. Although she's overawed at first by the Texans and their ways, she warms gradually up to the role of mistress of Reata and brings a touch of compassion and humanity to Reata and its people.

The leading man was also borrowed by Warner Brothers. Rock Hudson got his one and only Oscar nomination for this role. His character of Bick Benedict ages and grows in every way. Maybe because its Rock Hudson playing the part, but I think it's Hudson innate and underrated skill as a player that makes you know there's a latent decency that's eventually going to overcome the bad things he was brought up with.

Of course Giant marks the early tragic farewell of James Dean as player. In one terrible accident that claimed his life James Dean went from rebel actor to eternal legend. Jett Rink was the final piece of his performing career and only a hint of what we could have expected from him. He's a dirt poor ranch hand, as poor as the Mexicans, who mostly work at Reata, but he doesn't identify with them at all. When he strikes it oil rich, he's just put in a position where he can now inflict terrible things on those people he feels superior to.

When film fans talk about Giant they talk about the differences between Hudson and Dean. Hudson starts out rich and prejudiced, Dean is poor and prejudiced. Dean strikes it rich and becomes an oil billionaire, but it's brought him no happiness, just richer surroundings to be miserable in. The difference is that Hudson had Taylor and the children they both had. Their lives together, Taylor's love and devotion and his children's respectful rebellion made him see things differently and grow as a person. If Dean had an Elizabeth Taylor, things might have worked out better for him in a personal sense.

George Stevens won the only Oscar that Giant got that year, for Best Director. The all-star extravaganza Around the World in 80 Days won for Best Picture, though I think Giant has stood the test of time a lot better. Then again Stevens had an Edna Ferber epic story to work from and as I said before, you can't ever go wrong with one of her stories.