The Girl Can't Help It

I saw this film when it was released in 1956. It was the first production for mainstream audiences to feature top R&B and R&R acts in color. My contemporaries were particularly delighted to see Little Richard, Fats Domino and The Platters on screen in color for the first time. I made a VHS copy from a cable TV screening, but later purchased a legal VHS release, only to find that the cable screening used a better copy, both audio and video wise.

The only complaint I have about the film is that every one of the musical acts is interrupted by dialog.

Despite that, especially for nostalgia buffs, it's still well-worth getting.

...with some rock n' roll thrown in for good measure. Tom Ewell does his exact same performance from The Seven Year Itch with Edmond O'Brian doing a Broderick Crawford impression, I liked that Jayne- who was obviously intended to be a foil for Monroe at her home studio of Fox - didn't try to act like Marilyn.

She came across as very natural and her "own self"- someone secure with who she was. There was a scene where she had to break down in tears and, well, I bought it.

However, the real star of the film was the music- from the awesome title track by Little Richard to Ray Anthony to Gene Vincent to a strange meta-cameo by Julie London (I had forgotten what a wonderful voice she had).

Anyone curious about the lighter side of the Eisenhower years needs to catch this candy-box confection. Yes indeed, it's classic R&R with a number of star crowd-pleasers at their peak—The Platters, Gene Vincent & His Bluecaps, Fats Domino, Eddie Cochran, plus the one and only Little Richard. And for the lounge lizard crowd, it's a sultry Julie London crying her trademark river. And, of course, no 50's look-back is complete without a busty blonde. Here it's a cartoonish Jayne Mansfield defying the laws of gravity with her twin gunboats.

And it's all put together by sight gag specialist Frank Tashlin showing why his years as a Disney cartoonist were not misspent. Okay, the 100-minutes gets a little plot-heavy toward the end, plus watching the glamorous Mansfield get all ga-ga over a nerdy Tom Ewell is itself a cartoon. Still, there's a usually dour Eddie O'Brien mugging it up in hilarious fashion, along with a deliciously deadpan Henry Jones trailing behind. I can't believe TCM gave the results only an average rating. Someone over there was asleep. On the contrary, this is one of the most lively and entertaining documents from that cold war decade. Thank you, Frank Tashlin and Twentieth Century Fox.

Kids these days are not familiar with the problem we had in the fifties. We heard singers but to see them was rare- Little Richard didn't make it onto American Bandstand. So the big thrill of this film then was to actually see Little Richard, Fats Domino , Gene Vincent doing their gigs! the storyline was farcical and little more than a cover for the music but planting the music scenes in the movie was ingenious. Jayne Mansfield was luscious, even doing a caricature of a vamp. What else can one say? The new release DVD captures the wonderful color of the fifties- mauves and pink pastels everywhere. And Eddy Cochrane does his Elvis imitation and showing why Elvis was the King (and Little Richard the Queen) of Rock and Roll. Worth it for the history lesson- 1950's anthropology.

Wanna see when Little Richard(She's Got It-Ready-Teddy & Girl Can't Help It), Gene Vincent(BeBop A Lula),The Platters(You'll Never Know), and Fats Domino(Blue Monday)perform their hits live as the actually sang them in 1956? Wanna see campy Jayne Mansfied at her sexiest, wittiest best? Paradoies, sight gags and clever writing make the rocker musical an even better comedy, which has stood the test of time. Jayne bubbles over, while Tom(Ewell) bubbles under and somehow in the end they both bubble up to the surface and find happiness, kids.......... If this isn't enough Calander Girl Julie London does a sultry. teasing version of her hit Cry Me A River that will drive any man to drink. Check the cars out, I once owned one of those. See this movie twice to fully appreciate the music and catch all the gags, clever lines and parodies.