The Great Man

I fully agree with the reviewers who call this film a neglected or overlooked gem. I was drawn to watch it by the excellent cast - Jose Ferrer, Dean Jagger, Jim Backus, and assorted character actors who do outstanding work. And of course the Wynns, both father and son, in what is probably one of the few - if only - films they made together. Another draw was the rumor that Arthur Godfrey may have been the "great man" on which the story is built. Regardless of that, it's a superb portrayal of the cynicism of the entertainment world. As is made clear, selling product is the be-all and end-all, and a star's good or bad personal qualities are irrelevant. As many reviewers have said, Ed Wynn's brief appearance is a reminder of how great an actor he was. I think his son Keenan acquits himself also, and Dean Jagger is always good. I applaud Jose Ferrer's scriptwriting and direction, but I think his performance is a bit stiff and dry. The only reason I gave 7 stars and not 8 is that I thought the conclusion was a bit abrupt. However it is a very good, well acted story that is well worth watching.

Josè Ferrer both directed and starred for the first time in this movie that is a bit reminiscent of CITIZEN KANE about the true story of a famous journalist. Despite is not a classic like KANE, it's still pretty good.

Radio reporter Herb Fuller is killed in an car accident and this causes crisis in the ABC radio station. Joe Harris (Ferrer), his replacement, has to do as first assignment a one hour show discussing the life and career of the deceased journalist. As he interviews fans and the people that knew him, Harris discovers that the man hasn't really a nice reputation as it seemed. How he will discuss its life? See the film by yourself.

Josè Ferrer directs nicely and his performance is what lifts the movie. As always he has lots of charisma and no-nonsense lilt. He is surrounded by various supporting actors of those years: Edward Platt, Keenan Wynn, Jim Backus, Lyle Talbot and even gorgeous Julie London as one of Fuller's former girlfriends. However, while not a classic, it's still a very good movie in its own way and worth seeing as well.

I've often been chastised for posting obits in which I have been less than flattering about the person who has passed on; not nasty by any means, merely truthful about their shortcomings. In "The Great Man" that is the dilemma facing Jose Ferrer; should he sing the praises of the 'Great Man' of the title, a recently deceased and much loved, at least by the people who only saw his public face, radio and television personality or should he tell the truth and expose him for the monster he was.

Ferrer's film came out around the same time as Elia Kazan's "A Face in the Crowd" and while Kazan's film, which plays out in much the same ballpark, has gone on to become a classic, Ferrer's remains virtually unseen; personally I think it's a great picture, a testament to Ferrer's often undervalued talent. There are no great cinematic flourishes here, as there are in "Citizen Kane", another film that Ferrer's has often been compared to. This is a simple, literary piece, almost a series of talking heads as Ferrer, who also stars, interviews those who knew 'the great man', including his mistress, an excellent Julie London, and best of all, Ed Wynn as the man who first discovered him. Wynn's magnificent here, (he was nominated for both the Golden Globe and a BAFTA), and Ferrer is canny enough to give him his dues. As Wynn describes his feelings Ferrer allows his camera to slowly creep up on him. He only has this one scene but it's one of the great performances by an actor in a supporting role. His son Keenan is also superb as another executive out for what he can get. As I've said, this movie is almost impossible to see, at least here in the UK, but if you get the chance take it; it's one of the best American films of the fifties.

Just as Charlie Kane was based on William Randolph Hearst, great man Herb Fuller was based on TV and radio icon Arthur Godfrey. I believe several of the story lines in Great Man paralleled events in Godfrey's life. The one that stands out involved a `boy singer' that was fired by Herb Fuller. In real life Arthur Godfrey fired `boy singer' Julius LaRosa. I have heard that Godfrey – the `old redhead' was none too pleased with Jose Ferrer's film.

There is a brilliant scene in the film where the hard-boiled, cynical reporter Joe Harris (Jose Ferrer) meets a former employer of great man Herb Fuller, the guy who gave Fuller his start in broadcasting. Harris and his secretary make fun of Paul Beaseley (veteran actor Ed Wynn, who only has this one scene), a doddering old bumpkin who owns a small radio station in New England. Beaseley tells a story that reveals the two sides of Herb Fuller – a folksy, down-to- earth radio personality that people love on the one hand and a mean-spirited, drunken rat bastard on the other. At the end of the scene Beaseley says something like, `I know that some people find me ridiculous' and Harris, no longer mocking Beaseley, replies, `Mr. Beaseley, I don't find you ridiculous at all'. This is one of my favorite movie scenes of all time.

Jose Ferrer stars and directs in this film that follows a Citizen Kane path in search of the man behind the famous public figure. Sans Welles' towering command of film language it is benefited by its stripped down expeditious telling as Ferrer peels back the past of the "great" man.

Popular radio reporter Herb Fuller is killed in an automobile accident sending execs at ABC (Amalgamated Broadcast Company) into a panic. Joe Harris (Ferrer) a candidate to replace Fuller is assigned to do a show on the life and career of the beloved on air personality. As he interviews fans and especially intimates, the true nature of the man is far from flattering.

The Great Man wisely keeps the subject of the film from appearing anywhere in it. He is fleshed out through people in his past and when Harris is faced with giving a puff piece or delivering the truth it drags his integrity into the fray which may threaten his rosy looking future with the company.

Banal visually the film is comprised of a series of mostly apartment interiors where Harris and his cumbersome portable tape recorder collect the ugly truth. As Harris, Ferrer remains mostly poker faced throughout fighting his own internal struggle as well as crossing the line as a reporter with his interviewees. Ed Wynn as a small station owner offers up a touching and wonderfully dignified performance while his son Keenan playing Harris' cynical agent chews some scenery in an overall strong offering. Singer Julie London surprises as a used up boozed out side piece to Fuller. Dean Jagger as ABCs cool, wheels always turning CEO turns out to be the most fascinating character of all as he calmly weighs option and wheels power over underlings from sniveling yes men to the eager Harris. It is Network 56 without the rancor and absurdist notion with Ferrer's stoic Harris replacing Peter Finch's ranting Howard Beale. It also lacks the fireworks and outstanding Chayefsky script but it does make its point about corporate power, the media and the way it manipulates the public with hardly ever raising its voice.