The Fastest Gun Alive

The Fastest Gun Alive is directed by Russell Rouse and is adapted by Rouse and Frank D. Gilroy from a Gilroy story titled The Last Notch. It stars Glenn Ford, Jeanne Crain, Broderick Crawford, Russ Tamblyn, Allyn Joslyn, Leif Erickson, John Dehner and Noah Beery Junior. A black and white production out of MGM, it's photographed by George J. Folsey and features music by André Previn.

The town of Cross Creek is home to a very mild man named George Temple (Ford), there he runs the local store and lives in peaceful harmony with his wife Dora (Crain). Then one day the town hears news of how outlaw Vinnie Harold (Crawford) has gunned down Clint Fallon, the once thought of fastest gunman alive. It's not long before the talk of other fast guns dominates discussion, with George becoming increasingly agitated at how the town people view him as meek and mild. With his pride hurt, George sets about dispelling some myths about fast gunmen and his own current persona. With that comes trouble, big trouble for everyone in Cross Creek when Vinnie Harold rolls into town.

By the time of The Fastest Gun Alive's release, the psychological Western was in full flow. Anthony Mann had blazed the trail with his genre defining run of Western's that he made with James Stewart, the last of which would be in 1955 with The Man From Laramie. From there the torch would be picked up with some aplomb by the pairing of Budd Boetticher and Randolph Scott, who began with Seven Men From Now in this same year as The Fastest Gun Alive. Away from those genre legends, many directors were turning their hands to more adult/serious Western's, some successful, some not so and some which have been forgotten, rightly or wrongly, for various reasons, when the subject of psychological Western's arises. Probably on account of it's lower tier director, The Fastest Gun Alive is the latter.

The title actually doesn't help the film, it immediately conjures up images of a man creating death with his whippy pistols. Suffice to say it isn't that sort of film, and those that have previously been lured in by the title, have no doubt felt a little short changed. Rouse's movie is more concerned with mood and the psychology of the principal players in Gilroy's story. Both Ford and Crawford's characters are driven by motives, that although different, inevitably means a collision is unavoidable. But the story isn't just about these two men, it takes time to involve loved ones and the people of the town, all are involved and as it turns out, all are key elements as to why the film is a character driven little gem. While what action there is is competently handled by the director, notably the finale that also comes with an unbearable precursor of tension.

What problems there are in the picture are thankfully only minor. Crawford is just a touch too much one note, but such is his hulking frame he looks the part of a brutish bully and he gets away with it. Tamblyn is seriously out of place, almost as much as his dance number is! It's skillful and delightful: if only it were in the right movie. For it shifts the tone of the film downwards and you have to wonder who made the ridiculous decision to include it in the film. But away from those issues it's all good. Crain looks stunning and plays emotive worry with ease, while Dehner does a nice line in shifty side-kick. But it's Ford who takes the honours, either playing it as a tortured soul who's emotionally conflicted, or as a man who is genuinely scared, Ford convinces and draws the audience into the unfolding drama.

Forget any notion of a stereotype suggested by the film's title and enjoy the atypical way in which the movie deals with its characters. This is a good un, very much so. 8/10

"The Fastest Gun Alive" is not one of those that come easily to your mind when you think about westerns. No one could say this a classic or even a great movie in the genre.

However, if you analyze this film you can't find major flaws or weaknesses in it. In fact, "The Fast Gun Alive" has an original plot with more than one real good moments, an acceptable direction and development, interesting characters, a very good casting and a tense surprising and much original ending.

Glenn Ford is most convincing as the man of the title that has to face a dangerous situation that his own search for respect and insecurity brings against him. Broderick Crawford renders a real good performance as the gunfighter who has to constantly prove to himself that he is the best and second to no one. Jeanne Crain plays Ford's wife, the woman that suffers because of his husband's insatisfactions with his life. Noah Beery, Jr. and John Dennher credit the supporting cast as Crawford's sidekicks.

I have to say I found this film interesting and enjoyable; most recommendable for western fans.

I am not a fan of Westerns in general. Many have the old predictable clichéd plots and are amazingly dull to me. That's why when I find a really unusual and well-made Western, I try to mention it on IMDb. Although this is not my favorite one (that would go to The Big Country), it is one of the better ones I've seen. So, what makes it so watchable? First, this is no macho shoot 'em up picture--there are lots of quiet moments as well. Secondly, the movie isn't easy to predict and the ending is AMAZING. Third, you can tell that the writers really tried hard to do something DIFFERENT.

By the way, if you like this movie about a fast gunslinger, I also highly recommend The Gunfighter (with Gregory Peck). They have a lot of similarities but are different enough that I recommend you see both.

To his friends and neighbors George Temple (Glenn Ford) is a mild-mannered store keeper. But, unknown to all but his wife, George is obsessed with guns because in his youth he lacked the courage to go up against his lawman father's killer. Through years of secret practice George has become the fastest draw in the west, but he is still afraid of drawing against a man. When a ruthless gunman (Broderick Crawford) comes to town and threatens to burn it down Temple is forced to overcome his fears and try to stop him. This finely-crafted western deserves more recognition than it has received. If you like westerns, try to catch this one.

Stand-out Western marvelously performed by an all-star-cast and stunningly directed . Whenever it becomes known how good he is with guns, ex-gunfighter George (Glenn Ford) and his wife Dora (Jeanne Crain) must flee the Cross Creek little town in fear of all the gunslingers who might want to challenge him , but villagers swear to hide his secret and support him . Some bandits (Broderick Crawford, John Dehner , Noah Beery Jr.) pass through and decide to spend that day . Citizens ask the unexperienced storekeeper to rid the little town of bandits when a vicious gang of freebooters arrives in town . George carries out protecting people who ran like rabbits when the going got roguish . He has to take a stand when a gang of nasty outlaws takes over his town . Meanwhile , the outlaws are pursued by a motley posse . What happens in the next few minutes makes one of the most dramatic climaxes of any story you've ever seen! .

This excellent , meaty Western contains interesting plot , intrigue , thrills , shootouts and results to be quite entertaining . Outstanding Western balances action , suspense and drama . It's a classical recounting about an unexperienced shopkeeper , general merchandise's owner , a peace-loving who is really an expert shooter and surrounded by cowards and frightening people ; being probably one of the best Western in the fifties and sixties . The highlights of the film are the climatic showdowns , the twisted surprise at church and , of course, the final gundown . The traditional story and exciting screenplay was well written by Frank D. Gilroy though clichés run through-out , the enjoyable tale is enhanced for interesting moments developed among main characters and especially on the relationship between Glenn Ford and his wife Jeanne Crain . Magnificently performed by Glenn Ford and Broderick Crawford , they are awesome experts in the art of conjuring sensational acting , here are reunited in this atypical but thought-provoking western with a lot of reflection , distinguished moments and dramatical attitudes , in addition a multitude of entertaining situations . Top-notch plethora of secondary actors playing vicious, sadistic sociopaths who take advantage of the frightened townspeople such as Broderick Crawford , John Dhener, Noah Beery as well as villagers perfectly performed by Rhys Williams as Tibbs , Virginia Gregg as Rose , Chubby Johnson as Frank , John Doucette as Ben , Leif Erickson as as Lou and special appearance by Russ Tamblyn as Eric playing a spectacular as well as amusing dance number . Atmospheric cinematography in Black and White is superbly caught by cameraman cameraman George Folsey , though being necessary a correct remastering . Thrilling as well as lively musical score by Andre Previn .

This is another superbly powerful Western being compellingly directed by Russell Rouse . He was an expert screenwriter as the classic D.O.A. filmmaking occasionally for cinema all kind of genres as Caper films such as ¨The Caper of the Golden Bulls¨, Dramas as ¨The Oscar¨, Noir cinema such as ¨Wicked Woman¨, ¨New York Confidential¨ , ¨The Well¨ , ¨The thief¨ and another Western titled ¨Thunder in the sun¨. Well worth watching and it will appeal to Glenn Ford fans .