Four Girls in Town

This Hollywood drama begins with a world-wide search for an actress to play the title role in an upcoming epic "The Story of Esther", since Manning Studios is having issues with their temperamental star Rita Holloway (Helene Stanton). Four are finally chosen: an Austrian (Marianne Cook (Koch)), an Italian (Elsa Martinelli), a Frenchwoman (Gia Scala) and an American (Julie Adams), all brunette beauties. There's some fascinating backstage, back-lot sequences, all shot on the Universal-International sets. Some of the women find love after some trials and tribulations. The men include George Nader, John Gavin, Sydney Chaplin, Grant Williams, Maurice Marsac. There's also an unexpected denouement at the end. The story receives tremendous boost by being photographed in color and Cinemascope (although I haven't seen it in widescreen). The day and night beach scenes are striking, the music by Alex North is fascinating, costumes by Rosemary Odell beautiful. The supporting cast is filled with familiar faces, all excellent, with Mabel Albertson in particular a standout as Adams' pushy stage mother.

Put this bland Universal-International trifle on and get to work on those dust bunnies. "Four Girls in Town" has absolutely nothing you haven't seen (or heard) before, but it is an amusing time capsule with four beautiful B-movie starlets and a handful of 50s Hollywood hunks, among them Grant Williams ("The Incredible Shrinking Man" and the underrated George Nader.

Nader, a truly spectacular physical specimen (yes there is a welcome beach scene) is actually quite good here, playing the director of the would-be movie stars' screen tests. He has an appealing laid-back manner and manages to convincingly recite some truly banal dialogue (as does everyone here).

There are movies meant to be background noise. And as nicely made as this is, "Four Girls in Town" will likely be remembered as the perfect movie to put on from YouTube if you want a spotless kitchen in just under two hours.

If only the life of a starlet in the 50s was this bland. No Hollywood wolves, no casting couch, etc.

The film is still boring with a plot stretched thin. There are no good lines. This film is so dull it doesn't even have camp value.

It does give jobs to Universal contract players. It got Julie Adams out of the Black Lagoon. It was a start for John Gavin who went on to become Universal's male beauty for the next seven years. Grant Williams was soon dropped after this picture.

Others along for this sleepwalk are the three European actresses and body builder turned wooden actor George Nader.

YouTube saved this film from total oblivion.

Actor Judson Pratt IS credited.

Art Direction by Alexander Golitzen and "Haworth". It can be assumed this is Ted Haworth.

Music Supervision by Joseph Gershenson; "Rhapsody for Four Girls" composed by Alex North

Assistant Director: Dick Maybery (one "r")

CinemaScope/Technicolor.

Credits above are from the film print itself.

Also, I have tried MANY times to get this credit added - to no avail: Jose Ferrer appears UNCREDITED as a movie director in this film.

Hollywood never seemed to have the knack of looking at itself with a reasonable eye,preferring to show the public what the public itself perceived as Hollywood. Still,this is an entertaining little epic with attractive stars and reasonably entertaining story.Nice color and pretty costumes with four lovely leading ladies to wear them.The drama is a bit glossed over but still makes a good movie as an example of the fifties type of movie.