Wicked as They Come

Following the success of All About Eve, there were many knock-offs to give other actresses their day in the sun. "I could have been Eve Harrington!" they all cry. If you want to see Arlene Dahl being "as wicked as they come," then check out the aptly titled drama.

Beautiful, and with a sensational figure, Arlene finds out early on that when men are attracted to her, they lose their good judgment. They'll do anything for her, and she learns to take advantage. Starting with her stepfather and his friends when she's young, Arlene gets a warped view of love and romantic relationships. They're nothing but a way for a woman to get ahead, she believes. And she wants to go straight to the top. Along the way, she steps on and over Herbert Marshall, Philip Carey, and a string of other foolish men.

The witty screenplay has lines that will make you chuckle even though the situation is tense. "How much do you love my husband?" Faith Brook asks Arlene, while extracting her checkbook from her purse. Poor Philip Carey falls in love with Arlene and thinks she could be different if she learns to love in return. When she repeatedly disappoints him, he quips, "You could try the want-ads. Wanted: rich husband, preferably someone else's." If you're an Arlene Dahl fan, don't miss this dramatic thriller. It's spicy and fun.

Kiddy warning: Obviously, you have control over your own children. However, since there's a rape scene, I wouldn't let my kids watch this movie.

This film almost gets to the finish line but for it's final minute. The end lacks a master touch but gets to that point with a creative plot. The Camera work is among the very best and drives the story almost flawlessly.

Wicked as they come is the suggestive title of this 1956 British drama, with Arlene Dahl as the protagonist. It is the story of a beautiful woman, who reveals symptoms of misandry from an early age, but ruthlessly uses men as means of social and financial advancement.

The film portrays this life path, with a refusal of emotional involvement, which accumulates enemies and seems destined for a tragic end.

It's an interesting, original, well-paced film, a little melodramatic for some people's tastes, but one that can be enjoyed until the end, as a result of the plot's ongoing developments.

With Philip Carey, Michael Goodliffe and veteran Herbert Marshall, among the actors who embody the suitors passed over by the Machiavellian Kathy.

Fab 50s fashions are the best thing this film has to offer with its story of a woman who works at some shirtwaist dress company who manipulates her way out of the "hoodlum" infested neighborhood in NY she comes from, claiming to be from tonier Boston! Sadly it seems they ran out of a costume budget halfway through, when, in spite of having hooked her biggest fish yet, she starts wearing outfits over again (such as a hideous white stole) - outfits less stylish, strangely, now that she lives in Paris!

The locations/sets are to die for. As is Arlene Dahl - gorgeous - but I kind of find her even more remarkable later in her life on the game show circuit. That's some long lasting glamour she's got! Besides as a young gal she looked too much like Janet Leigh. She married some hotties in her time and offsprang some too. Wow. Lex Barker, Lorenzo Lamas. Mmmm mmm! Not too shabby, tabby!

The film was introduced by a historian reading excerpts from a transcript of a suit brought by AD against the studio over a composite photo made for publicity purposes for which she maintained she never posed (and it certainly isn't in the film) in which someone kisses her nude shoulder. She insisted it was a "wanton" image, while maintaining she was "no prude". The court however found the image "delicate and artistic" or some such... she lost the case. All the same she says this is one of her favorite vehiculars. Well, I haven't seen any of her others but either they were pretty bad or her taste in hotties is better than her taste in pictures!

Anyway, the mitigating finale of the film is kind of a disappointment, as is the general low level of her wickedness throughout. Sure, she's "cheap and horrible" as Mildred Pierce said of Veda, but the whole story is told in more amusing pointed and flat out woman hatingly in some of those Hollywood precode films like "Babyface" with Babs Stanwyck (who never married any hotties). "Wicked" pulling its punches didn't really add much to it. Girl, if this is "wicked as they come" then I guess there are no whores, only (violated and somewhat narcissistic) madonnas!

This priceless British copy of an American crime film comes to you courtesy of rising young director Ken Hughes with a tongue-in-cheek tone set from the outset by shots of fifties London accompanied by a noisy jazz score provided by Malcolm Arnold, with noirish photography by Basil Emmott.

Set in the days when travel by plane was considered the high of glamour, the presence of Sid James as Arlene Dahl's stepfather serves as a visual reminder of Miss Dahl's humble beginnings (early on she's seen wielding a broken bottle) before she rises in the world while wreaking havoc on all the men in the cast,