IMDb RATING
7.5/10
1.8K
YOUR RATING
An unexpected romance occurs for a female Red Army sniper and a White Army officer.An unexpected romance occurs for a female Red Army sniper and a White Army officer.An unexpected romance occurs for a female Red Army sniper and a White Army officer.
- Director
- Writers
- Stars
- Awards
- 1 win & 1 nomination total
Nikolai Dupak
- Soldier Andrei Chupilko
- (as N. Dupak)
Georgi Shapovalov
- Soldier Terentyev
- (as G. Shapovalov)
Lev Kovylin
- Soldier Kovylin
- (as L. Kovylin)
Yuriy Romanov
- Soldier Vyakhir
- (as Yu. Romanov)
Daniil Netrebin
- Soldier Semyannin
- (as D. Netrebin)
Asanbek Umuraliyev
- Soldier Umankul
- (as A. Umuraliev)
Anatoli Kokorin
- Soldier Yegorov
- (as A. Kokorin)
Vadim Sinitsyn
- Wounded soldier
- (as V. Sinitsyn)
Kirey Zharkimbayev
- Timerkul
- (as K. Zharkimbayev)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a very nice story, love and war story. This is a war movie without violence. In all the movie you see only three shoots. A great end for a great movie. It shows that war films can be done without blood everywhere.
wise use of close-up.wonderful images. pure poetry. a special vision about war and love. all of that makes it more than propaganda tool but an impressive expression of profound art. it is a film about values and beauty, choices and ideals. realistic, cruel, full of subtle symbols - the desert, the isle -, mark of a great director and science of nuances from two impressive actors. the story is only basic point for respect the ideological commands. but the skin of this nucleus has the rare virtue to make it more than piece of a period. the final dialog between lovers , the end, the boat in storm and near the isle, each is a precious ingredient for an universal message about duty and choices, far to basic triumphal message of regime.
What a beautiful film. And the music score is unforgettable. I watch the film maybe 25 years ago; rewatched it today. Not only I remembered the plot, I also remembered the music. There are not many films of which I can say the same.
An outstanding piece of work, great color and lighting, straight forward story without the usual Hollywood junket attached proving again the skill of Soviet cinema making; very good ending.
Quite a filmmaker this Chukhrai was. Not much available from him, but I am happy to have seen two of his movies. "The Forty-first" perhaps wasn't as great as the wonderful "Ballad of a Soldier", but this is still quite an interesting film. Both of these films are war films, but contrary to what one might expect these films are told in a rather romantic, light-hearted, Hollywood style. Both films do have tragic elements which present themselves as the films progress, but they are largely rather light and enjoyable, even charming romance pictures of loved ones being torn apart and doomed by war. This story was started here with "The Forty-first" and would be perfected in "Ballad of a Soldier".
The script isn't particularly strong here, but where this film really stands out is in its visuals. An utterly stunning visual work from Chukhrai. I'm not sure I have seen a color film look like this one before! You have to see it to understand. Additionally, it's just constantly a visually dynamic film in Chukhrai's camera-movement and use of close-ups. The film is at the very least continually visually interesting and at its peak just stunning to look at. There's a really rich, dreamy atmosphere that develops by the end of the movie, and it makes for a quite unique viewing experience.
The ending is both quite outlandish but also tragic. Not too sure what to completely make of it. Then again, this was never a film which really strived for any kind of realism, so its over the top nature isn't too jarring with the rest. Actually, the more I think about it, the more I like it.
The script isn't particularly strong here, but where this film really stands out is in its visuals. An utterly stunning visual work from Chukhrai. I'm not sure I have seen a color film look like this one before! You have to see it to understand. Additionally, it's just constantly a visually dynamic film in Chukhrai's camera-movement and use of close-ups. The film is at the very least continually visually interesting and at its peak just stunning to look at. There's a really rich, dreamy atmosphere that develops by the end of the movie, and it makes for a quite unique viewing experience.
The ending is both quite outlandish but also tragic. Not too sure what to completely make of it. Then again, this was never a film which really strived for any kind of realism, so its over the top nature isn't too jarring with the rest. Actually, the more I think about it, the more I like it.
Did you know
- ConnectionsFeatured in Fejezetek a film történetéböl: A szovjet film 1953-1970 (1990)
- How long is The Forty-First?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Der Einundvierzigste
- Filming locations
- Mosfilm Studios, Moscow, Russia(Studio)
- Production company
- See more company credits at IMDbPro
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