Safari

In 1956, future James Bond franchise director Terence Young had Victor Mature playing a charming kind of scoundrel, twice... in ZARAK his title character's an Arab bandit, and in SAFARI he's a kind of AFRICAN QUEEN Humphrey Bogart had he been in a revenge-driven b-adventure flick...

As the worst parts occur before he's hired to be a lion-hunting guide for old rich jerk Roland Culver, engaged to one of the most gorgeous actresses of all time, looking possibly her most gorgeous here...

As classy climber Janet Leigh's anti-chemistry with the rugged Mature is more intriguing than mostly superimposed jungle sequences, where our cranky hero combines his guide gig with an attempt to find and kill the Mau Mau gang leader who killed his son (with one of the most annoying dubbed voices ever recorded)...

Throw in a bit of CASABLANCA as her fiance's handsome younger British sidekick John Justin is reminiscent of Paul Henried, who Leigh should logically marry... but with so much semi-sizzle between swarthy Mature leading to a ZULU-foreboding gunfight finale, SAFARI makes for a nifty time-filling combination of adventure and romance - but without being altogether adventurously romantic.

"In the jungle, the quiet jungle, the lion sleeps tonight." That was a rock 'n' roll hit in the late 1950s. Where did an American recording group get the idea to do such a single? From this movie, in which the African characters, while marching on safari, sing it - an authentic African folk song that easily translated to a rhythm 'n' blues beat. Here is a fine example of what they used to call a 'program picture' - not a B movie in the early-indie junk-movie sense, or an A studio production either. Just before TV ruled, the major studios used to make minor films (though not B movies, mind you - something beyond that but below a B feature) and called them programmers. That way, they could make use of the actors, writers, directors, etc. who were on a regular payroll, a concept that would die early during the next decade. After all, if you were going to pay all of those people a weekly salary, might as well knock out modest movies that, when you think about it, cost them little but the price of raw film stock. They could be marketed on double bills, then sent over to the Drive-Ins, and finally put into a package that went to local TV channels in those days before the networks got hooked on full-length films (fall of 61). So here were Victor Mature and Janet Leigh as an older man and younger woman who find themselves together on a safari that her father arranges. Mature has ulterior motives - his family was destroyed in a mau-mau attacks some years earlier and he wants revenge, thinking this may be the way to get it. The mau-mau attacks are very well staged by Terence Young, who would go on to do several Bond films. Crisp color and a strong soundtrack qualify this as precisely what it was meant to be - far from a memorable movie, but a time killer that doesn't leave you feeling that you've wasted you're time when it's over.

Safari is directed by Terence Young and adapted to screenplay by Robert Buckner from a story by Anthony Veiller. It stars Victor Mature, Janet Leigh, John Justin, Roland Culver, Earl Cameron and Juma. A Technicolor/CinemaScope production out of Columbia Pictures, music is scored by William Alwyn and cinematography by John Wilcox. Plot finds Mature as a hunter Ken Duffield, who returns home from a trip to his Kenyan homestead to find his son as been murdered by a Mau Mau general who was hiding in disguise as the Duffield's house servant. Initially stripped of his thirst for revenge by the local authorities, Duffield gets his chance when he is hired by wealthy and powerful Sir Vincent Brampton (Culver) and his trophy fiancée Linda Latham (Leigh)lead them on a jungle hunt to kill as lion.

Be on your guard against Mau Mau terrorists.

Colourful, entertaining and often picturesque in scope, Safari manages to rise above its standard plotting to reveal a decent jungle adventure. Shot on location in Kenya and using the Mau Mau uprising as a backdrop, film was daring back in the day, that the likes of Mature and Leigh were talked into making a picture in Kenya at this time is impressive since the Mau Mau uprising was still in effect. What transpires as the film unfolds sees the stars put through their paces by Terence Young, a future James Bond director and a dab hand at action scenes. There's some inevitable cheapness in the production, with back screen projections and the odd dummy flung about, but action rushes and human peril is within and Wilcox's scope photography of the Kenyan landscapes is most pleasing. 6.5/10

A real big-screen picture, but I can only imagine... Even on my ancient Beta videocassette taped circa 1983, the Technicolor treatment amazes! Yes, there is a lot of stock footage there, but what scenery! The chase scenes, including elephants, tribal Kikuyu warriors, and the entire main cast, are so well put together as to make the transitions transparent. Much of 'Safari' has the feel of a spaghetti western, but its authenticity is never in doubt.

My only complaint is that of historical inaccuracy, since the Mau-Mau revolt (and characterization) is only viewed from the side of the Brits. If you can get past that issue enough to treat this purely as an action film.

Though Safari is hardly in the same league with such location jungle dramas as The African Queen or King Solomon's Mines, it has one thing going for it that I find amazing. It was actually shot in Kenya colony before Kenya became a nation and the Mau Mau rebellion as part of the plot while it was going on.

Director Terrance Young and his principal cast of mostly Caucasian players were taking their lives in their hands just being there. A year after Safari was released to theaters, Ghana became the first African nation granted independence from its European colonizers. That paved the way for about 40 regime changes in Africa. Kenya in fact was one of the last in that group to be granted independence, a lot having to do with the Mau Mau Rebellion.

The story is a standard one, Victor Mature is an Safari guide who takes on a job to guide Roland Culver and his party which consists of among others Janet Leigh and John Justin. Culver is after a rogue lion and Mature wants an excuse to get into the country where the Mau Maus are operating so he can get the guy who killed his son. Culver's got both a drinking and jealousy problem.

I think anyone who's seen a couple of these films knows exactly where this one is going. Safari is a standard routine story, not worthy of the location cinematography or the events of the time. Still give these people a medal for filming in Kenya at that time.