Satellite in the Sky

When I was a child of about 4-5, the local Los Angeles station where we lived broadcast The Million Dollar Movie each weeknight. It was usually the same movie, night after night. On occasion, even though it was past my bedtime (much!), my mom would let me watch a movie if she felt it would hold my interest. THIS ONE DID, as I recall, and I specifically remember being able to talk her into letting me see it several times (a record, never again achieved!).

Other reviewers have given the plotline and it seems accurate, to the best of my recollection. However, regardless of how "talky" the film was, the dialog and visuals definitely made their impact, even on my fledgling brain. I have, more or less, remembered the story for 40 years. I'd like to write a script or make a film that someone else would find so memorable!

Maybe it was just that I was so young, but I remember loving this film and I would absolutely love to see it again. Maybe I'd be disappointed, maybe I'd smile at my young self, maybe I'd really like it. Who knows?

This was the first 1950's British science fiction intended to be a major item. The film is in color and cinemascope, has decent special effects and production values and the film takes its subject matter seriously; space travel and nuclear testing. When this film was released in the United States by Warner Brothers in 1956, it was marketed as a major item with a big ad campaign. However, most reviews at the time were not favorable, and the film did not do as well at the box office as Warner Brothers had anticipated. The film rarely turned up on television and remains largely unknown to all but 1950's science fiction completests.

It is no wonder really. Despite good production values, a good budget, some interesting art direction and a serious attitude taken by the films makers, SATELLITE IN THE SKY is mostly too talky and static to interest most mainstream movie viewers. The film is overall not bad, but it fails to generate little more than mild interest and at best moderate enthusiasm.

Note: When this film first came out, several reviewers remarked favorably about the films color process and use of cinemascope. I missed this film when it used turn up occasionally on late night T.V. back in seventies. I only recently saw this film for the first time on video, and wouldn't you know it, all video copies are in black and white and in incorrect aspect ratio!! I would really would like to see a color and letter boxed video version.

The British are sending the world's first manned mission, Stardust, into orbit. At the last minute, the scientists are surprised to be carrying a new type of nuclear bomb from the Americans to be tested in space. They find stowaway reporter Kim Hamilton.

The best part is watching the old delta wing plane fly. All the back stories are boring. It's a lot of '50s white middle age men in stuffy suits and proper ladies in dresses. Non of the characters are compelling or memorable. I couldn't name any of them. There are space sets and interesting miniatures. In the end, it's too boring.

This little seen film is definitely worth seeking out for fans of 50's sci-fi that concerns space travel. It has very nice production values, something along the lines of KRONOS, and is equally entertaining.

Good acting, intelligent script, nice matte paintings and some pretty good effects using miniatures make this one an interesting watch throughout. Recommended mostly for fans of good, lost 50's sci-fi!

Note:

Satellite in the Sky was originally filmed in 2:35 widescreen, however the collectors copy in circulation is unfortunately a horrendous pan and scan version. Whoever put together this sloppy and choppy pan and scan transfer should be shot into space without a satellite...

This is a moderately entertaining but rather dry and slow-moving British Cold War sci-fi adventure/parable in color and CinemaScope, released in the U. S. by Warner Bros. It's about an experimental new space project whose participants find out at the last minute was financed by military funds so a new super-bomb could be tested in space.

A woman reporter (a young Lois Maxwell) who doesn't think any space exploration is worth the money stows away on board. When the bomb is ready to be released there is a malfunction and it sticks to the rocket ship, so the ground crew and rocket crew have to decide what to do next. It's okay as a sci-fi drama but more interesting as a symptom of 1950s nuclear war paranoia.