Wile E. Coyote, tired of eating mud, chases after the Road Runner instead.Wile E. Coyote, tired of eating mud, chases after the Road Runner instead.Wile E. Coyote, tired of eating mud, chases after the Road Runner instead.
- Director
- Writer
- Star
Paul Julian
- Road Runner
- (archive sound)
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Michael Maltese must have liked to start a number of these cartoons showing just how starved poor Wile E. Coyote is, that he will do anything to feed his empty stomach. Here, he bakes mud in his oven, pretending it's a chicken. Once it bites into it, he discovers the sad truth and "Famishius Fantasticus" dumps it into his trash bin. The rude Road Runner (Dig- Outius Tid-Bittius) races by, knocking down Wile and making the trash can land on top of his head....and smugly sticking out his tongue while racing away. (Just once I'd like to see poor Wile give the RR what's coming to him!)
In addition, before the chase starts and Wile's wild ploys to catch the bird, he has to desperately search for water because his butt's on fire.
The spring-loaded gun sequence was excellent and really laughed at Wile's little umbrella trying to protect him falling boulders. Otherwise, overall it just a "fair" Road Runner cartoon. Not bad, but not memorable, either.
In addition, before the chase starts and Wile's wild ploys to catch the bird, he has to desperately search for water because his butt's on fire.
The spring-loaded gun sequence was excellent and really laughed at Wile's little umbrella trying to protect him falling boulders. Otherwise, overall it just a "fair" Road Runner cartoon. Not bad, but not memorable, either.
Chuck Jones's 'There They Go-Go-Go', the ninth Road Runner cartoon, is the inevitable moment when this excellent series finally hits a snag. Having managed to sustain genuine brilliance across the last four cartoons, 'There They Go-Go-Go' feels like a very tired entry into the series. Even the title seems to indicate a dearth of ideas. Many people, when they think of the Road Runner shorts imagine a repetitive and not especially funny set of predictable gags. If they wanted proof to back up this argument then 'There They Go-Go-Go' would be the ideal candidate. Set against the more stylised backgrounds introduced in the previous cartoon, 'Gee Whiz-z-z', 'There They Go-Go-Go' fails to offer enough funny gags to distract attention away from the less sumptuous scenery and the impression I am left with is that of an unattractive and unamusing cartoon. There's a couple of chuckles but that can be said of practically any Road Runner cartoon (bar the dire later ones). All in all, 'There They Go-Go-Go' is a disappointment but is easily excused as an inevitable hiccup in a series that managed to sustain the same premise for an astonishing amount of time.
The Roadrunner and Wile E. Coyote cartoons are generally very enjoyable, and Coyote is one of Chuck Jones' best overall characters. Sure, some of the later cartoons are duds, where the series got tired and repetitive as well as somewhat cheap. There They Go-Go-Go! is towards the better half of the series, a touch formulaic in terms of how the samey premise is structured but there is very little problematic here.
With the animation, the backgrounds are more stylised and abstract than usual but not to an ugly or over-sparse extent, and the rest of the animation is simply but smoothly drawn and colourful, with the fourth wall use of camera and expressions as ever inspired. It may not be the best-looking Roadrunner/Coyote cartoon, but it is a long way from looking as cheap as some of the later cartoons of theirs. With Carl Stalling and the music, this viewer has always associated Stalling with writing consistently good to outstanding music scores for the Looney Tunes cartoons and they are nearly always one of the highlights. That is precisely the case with his scoring for There They Go-Go-Go! (particularly in the spiked balls gag, which was a great marriage of visuals, action, humour and music), the orchestration is lush and clever, it's lively and characterful rhythmically and it matches with everything seamlessly and even adds to the enjoyment.
It doesn't forget to entertain either, the loaded gun and ending gags (elevated by Coyote's hysterical and very truthful laugh out loud moment) are absolutely hilarious and it was nice to see much more of Coyote's own inventions. There They Go-Go-Go! is not completely formulaic either, sure it's the same premise as the rest of the series, but especially with the beginning and the inventions it does do things differently as well which stops it from getting repetitive and tired. It's nicely and efficiently paced too, and the conflict between Roadrunner and Coyote is done well. Roadrunner is one-dimensional but still memorable and amusing, but, ever the much funnier and more interesting character, Coyote steals the show. Not only is he a cunning and often funny to hilarious character but one that one does feel sorry for (very like Sylvester), and not in a way that feels forced (one of the easiest Looney Tunes characters to root for in fact).
All in all, great fun and tries to do different too. While not one of the absolute best of the Roadrunner/Coyote cartoons it's in the top half. 9/10 Bethany Cox
With the animation, the backgrounds are more stylised and abstract than usual but not to an ugly or over-sparse extent, and the rest of the animation is simply but smoothly drawn and colourful, with the fourth wall use of camera and expressions as ever inspired. It may not be the best-looking Roadrunner/Coyote cartoon, but it is a long way from looking as cheap as some of the later cartoons of theirs. With Carl Stalling and the music, this viewer has always associated Stalling with writing consistently good to outstanding music scores for the Looney Tunes cartoons and they are nearly always one of the highlights. That is precisely the case with his scoring for There They Go-Go-Go! (particularly in the spiked balls gag, which was a great marriage of visuals, action, humour and music), the orchestration is lush and clever, it's lively and characterful rhythmically and it matches with everything seamlessly and even adds to the enjoyment.
It doesn't forget to entertain either, the loaded gun and ending gags (elevated by Coyote's hysterical and very truthful laugh out loud moment) are absolutely hilarious and it was nice to see much more of Coyote's own inventions. There They Go-Go-Go! is not completely formulaic either, sure it's the same premise as the rest of the series, but especially with the beginning and the inventions it does do things differently as well which stops it from getting repetitive and tired. It's nicely and efficiently paced too, and the conflict between Roadrunner and Coyote is done well. Roadrunner is one-dimensional but still memorable and amusing, but, ever the much funnier and more interesting character, Coyote steals the show. Not only is he a cunning and often funny to hilarious character but one that one does feel sorry for (very like Sylvester), and not in a way that feels forced (one of the easiest Looney Tunes characters to root for in fact).
All in all, great fun and tries to do different too. While not one of the absolute best of the Roadrunner/Coyote cartoons it's in the top half. 9/10 Bethany Cox
. . . would be self-defeating. It would be tantamount to having a "hotfoot" ALL the time! It also would increase local road repair budgets astronomically. Every time a fully-loaded tanker truck with a flammable cargo smashes into a freeway overpass near where I live, it seems to result in years of detours, road closures, bridge-rebuilding and untold millions in repair costs generally passed along to motorists such as myself. If the Road Runner was wreaking as much highway mayhem as depicted during THERE THEY GO-GO-GO!, I'm pretty certain that some citizen would take him out if the proper authorities could not eradicate such a public nuisance first.
This is a very good cartoon featuring the Road Runner and Wile E. Coyote. Instead of starting the chase right away, the Coyote first tries to make a chicken out of mud. After he tastes it, and breaks his teeth on the thing, he also makes a trashcan where he puts the chicken in. At this point the Road Runner enters this cartoon. The Coyote uses a gun, some other things that belong to the army, a broken ladder and some rocks that must fall down.
This is a very good cartoon. The opening sequence that makes it a little different is very nice, the gags work (the Coyote even comments on his own stupid ideas,) and the animation is simple but doesn't distract. A very good cartoon from the Road Runner vs. Coyote series.
This is a very good cartoon. The opening sequence that makes it a little different is very nice, the gags work (the Coyote even comments on his own stupid ideas,) and the animation is simple but doesn't distract. A very good cartoon from the Road Runner vs. Coyote series.
Did you know
- TriviaThe desert backgrounds, fancifully rendered in mid century style, include elements of both the Mojave (yucca, Beavertail cactus) and Sonoran (saguaros) as well as the color country rock formations of northern Arizona and Utah.
- Crazy creditsCoyote (Famishius Fantasticus)
- ConnectionsEdited into The Bugs Bunny/Road-Runner Movie (1979)
- SoundtracksPowerhouse
Music by Raymond Scott
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Steinschlag und Dynamit
- Production company
- See more company credits at IMDbPro
- Runtime
- 7m
- Sound mix
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content