Toward the Unknown

This is an excellent film. Most people know Mervyn Leroy as a great director, but they may not recognize Beirne Lay, Jr. Lay was a B-17 pilot in the 100th Bomb Group, 8th AAF in WW II, and the co-author of the book "12 O'Clock High", from which the academy award movie of the same name was made.

Many aspects of this film are great: its desert scenery, aerial photography and accuracy of detail in regard to flight test during the 1950s are all top notch. The cast ,as played by such great character actors as Lloyd Nolan and an up and coming James Garner (a Korean War infantryman), are sincere and believable.

What impressed me most then and more so now, is the way the film approached the issue of a Korean War POW who had "cracked". Remember, this picture came out more than 10 years before Americans saw the results of North Vietnamese treatment of our downed air crews. In the 1950s POWs were expected to give only name, rank and serial number if captured. Those that failed to stand fast, to what is now recognized as an unattainable standard, were shunned. Brainwashing and emotional torture weren't understood until years later.

But this film used a very strong leading man (Holden) to focus on the sensitive issue of a "broken" pilot who tried to make his way back into American society and regain his dignity in the hardest court of opinion, the ranks of the active Air Force. Everything gels in this movie. It makes a good point many years ahead of its time. Under the same circumstances who knows how he'd survive being a POW? And ultimately we all can fail and redeem ourselves.

I agree, they need to put this one out on DVD or VHS, so we can see it more than just on an occasional late night TV movie.

The one and only film that William Holden produced as well as starred in is this great tribute to the test pilots of the United States Air Force who were breaking all kinds of flying speed records in the Fifties, the new age of jet and rocket propulsion. Toward The Unknown is about as authentic as you can get in a film about flying, being shot at Edwards Air Force Base as it was.

Holden plays an Air Force pilot who was a POW in Korea and was tortured and broke under it. For that reason General Lloyd Nolan is reluctant to give him a chance at test flying the latest jets and even more so with the untried rocket technology of the X-2. Pulling for him is Nolan's second in command at Edwards, Charles McGraw, and Virginia Leith who is Nolan's secretary. In fact Nolan and Holden are both out courting her as well which puts another dimension to the situation.

This film is an absolute must for aviation buffs just like Jet Pilot, the Howard Hughes produced film that starred John Wayne and Janet Leigh. Unlike that film, the story plot is reasonable and coherent in Toward The Unknown.

James Garner has a small part in this film as another test pilot in one of his earliest feature roles. So does Murray Hamilton who has a drinking problem and a real dislike for Holden whom he sees as a rival.

Toward The Unknown, fine product that it was, was the last film that William Holden was involved on the production end with. He found he did not like being involved in all the aspects of production as it were as so many of his other contemporaries enjoyed.

Still as a producer Holden batted 1.000. Toward The Unknown is a fine production and should be required viewing for aviation buffs.

"The Right Stuff" tried hard to capture the feel of Edwards and the 'golden age' of flight testing - but "Toward the Unknown" outdoes the later film in spades. In spite of the cut-n-pasted love story with the wooden Virginia Leith, this film catches the flavor of USAF flight testing with William Holden's credible performance as a previously up-and-coming aviator tries to regain his stature following a tormented experience as a POW during the Korean War. The "pilot speak" is dumbed down just enough for the civilian audience, and the flying sequences are well done - no models here. As a footnote, Holden is a composite of real-life test pilot Pete Everest (with whom Holden developed a fast friendship during filming) and Walker "Bud" Mahurin, whose Korean War POW experiences were woven into the script (although Mahurin never attempted suicide). In fact, there are striking similarities (surely purposeful) in appearance between the leading actors and their real-life counterparts: Stand Holden next to Everest, and Lloyd Nolan next to General Al Boyd, and you'll see what I mean.

I have a VHS copy I had made from a deteriorating 16mm print of the film which I picked up off eBay (the friend who made the tape said the emulsion was chipping off the celluloid as he taped it, it was in such poor condition), so I'll have to live with that until a DVD becomes available - which, according to a credible source, won't happen until the Holden estate reaches an agreement with the production company. I do know a print of the film was furnished to the Edwards AFB theater recently for a showing to celebrate the 50th anniversary of the original premier of "Toward The Unknown."

I think this is one of the best films on the gritty business of flight testing--back in the days before a bad airplane could be tested inside a computer program.

In several respects, it is a film of its time, with a young L.Q. Jones as a bumbling staff officer, a "love interest" and a sub-plot showing the protagonist, played by Bill Holden, as an agonized alumni of a Korean POW camp. In one of several galling items, he has made an attempt on his own life before the action began, but he is accepted as a test pilot anyway--which is absolutely bogus. Aircraft manufacturers are portrayed badly--which, in the main, the relevant history doesn't support. Disregard of orders is treated with unrealistic indulgence by a commander.

Read Scott Crossfield's autobiography for some corrects on this.

On the other hand, some of the action is simply great. A mythical bomber develops a metal fatigue problem in the air, which another pilot cannot duplicate. Several weeks later, the plane's wing once again fails and this time it costs a third pilot his life. (My personal take on this--there's a big difference between "fixing" the blame and fixing the problem.)

At this point and at several others, the film is a worthy complement to the Edwards AFB scenes of "The Right Stuff". The photography is simply stunning.

Toward the Unknown (1956)

In some ways this is fascinating stuff—you get a glimpse of mid-50s American military aeronautics, and a specific mention (and micro-glimpse) of the rocket efforts marking early space technology. William Holden plays a troubled test pilot who leads us through the different planes and testing efforts via his own return and rise through the system. It's not bad.

However.

You can't quite call this a formula film—maybe a genre film if there is a genre called test pilots in trouble—but there is a canned quality to this whole thing that holds it back unreasonably. There is the woman from his past who loves him but also has an affair going with the general (the likable Lloyd Nolan) on the base (Edwards Air Force Base). There are the competing test pilots (all good actors known mostly for television). It makes for a good group that is forced into a thin plot about rivalry and camaraderie.

The really best part of the plot (and the reason I watched the movie at first) is that Holden is a man who was in a Korean War prison camp, where he was abused and tortured and "brainwashed." It's this last thing that was so talked about at the time, and which was used to make some really terrific movies like "The Manchurian Candidate," and I wanted to see where it would go here. Well, a heads up, it goes nowhere. His prison camp experience causes a pivotal scene in the movie on the base, but it doesn't seem to have anything to do with brainwashing.

Too bad on that.

Holden by this point in his career is not the leading man he once was, though this is just five years after his terrific comeback year with "Union Station" and "Sunset Blvd." But he's really good, holding his scenes together with the woman (Virginia Leith) who has the eyes (blue) and lips (red) to pop on the WarnerColor screen, but who can't act very well.

Obviously if you like airplanes and the air force, this is a movie to definitely see. Some great footage of test aircraft in flight (real footage from the military). And of course the whole supersonic flying experiments were a big deal at the time. If all of this seems a bore and too historical for a good movie, you're partly right. It's not a great plot or drama. But it's not a terrible movie by any means. Director Mervyn LeRoy, rightfully a legend by now, and cinematographer Harold Rossen, equally a legend, together made sure that it held water and survives it's own flaws very well.