Tribute to a Bad Man

This superb western has been almost totally forgotten despite its excellent credentials. Robert Wise was the director, Miklos Rozsa did the score, it was photographed, beautifully and in Cinemascope, by Robert Surtees and the star was James Cagney at his scenery-chewing best. He plays a powerful and potentially cruel rancher who befriends a young greenhorn, (newcomer Don Dubbins). who has saved Cagney's life after he's been ambushed. Others in the fine cast include Stephen McNally, Vic Morrow and the Greek actress Irene Papas. The story may not be particularly original but the handling is exemplary and anything with Cagney in it is usually worth seeking out.

Robert Wise does a commendable job of keeping a strong cast under control in his western saga about a tough horse rancher (JAMES CAGNEY) who believes in swift justice whenever his horses are stolen or his ranch hands are murdered. He's ready with a hangman's knot and exerts control over everyone around him. Eventually, he's softened by the love of a woman (IRENE PAPAS) who comes to respect him when he spares the lives of three men he's bent on punishing--although he does treat them brutally for what they've done to his horses.

It's an interesting yarn with strong characters, but the plot isn't as strong as the characters who inhabit it. STEPHEN McNALLY is a nasty ranch hand determined to avenge Cagney for firing him and coming between him and Irene Papas. VIC MORROW does a standout job as a nearby rancher's son upon whom Cagney thrusts some strong punishment.

It's photographed in gorgeous Technicolor with its Widescreen lenses capturing magnificent landscapes. Miklos Rozsa's score is often given a muted treatment beneath the more intimate scenes and only occasionally veers into stronger flourishes for the darker moments. In other words, it's not one of his more memorable scores but the main theme has a robust flavor to it.

Cagney and Papas carry most of the weight as far as performances go, but DON DUBBINS (who looks like a Robert Redford clone in a boyishly handsome sort of way), does a standout job as the young ranch hand who saves Cagney's life and is rewarded with a job as a wrangler who comes to detest the brutality of the vigilante justice.

Summing up: A compelling western yarn that benefits from strong performances.

While riding his horse through the Wyoming, the Pennsylvania's youngster Steve Miller (Don Dubbins) saves the tough rancher Jeremy Rodock (James Cagney) from two horse thieves. Rodock offers a job of horse trainer to Steve and brings him to his ranch. Steve meets Jocasta Constantine (Irene papas), a young woman with a dubious past that lives with Rodock and soon he falls in unrequited love for her. Further, he learns that Rodock has a code where horse thieves are hanged by him without any trial.

Jocasta unsuccessfully tries to convince Steve to return to his family in Pennsylvania. Further, she asks Rodock to stop hanging thieves. When Rodock's foreman McNulty (Stephen McNally) flirts with Jocasta, he is fired by Rodock and plots a vengeance with Rodock's enemy, his neighbor Lars Peterson (Vic Morrow). Now the old rancher has to decide whether he will insist on his code of justice and lose Jocasta or whether he will change his behavior.

"Tribute to a Bad Man" is a western with James Cagney in the role of a vigilante in a place with no law. This feature introduces Irene Papas in the role of a woman with dubious past but also with strong personality and self-respect. Don Dubbins is the character that will change James Cagney's one with his naiveness and sense of justice. The result is a great and unknown romantic and dramatic western. My vote is eight.

Title (Brazil): "Honra à um Homem Mau" ("Honor to a Bad Man")

... and how misnamed this film is, as protagonist Jeremy Rodock (James Cagney) is not a bad guy at all.

Young naive wanderer Steve Miller comes across mega-ranch owner Rodock as he is under fire from a couple of horse thieves. Miller joins Rodock in fighting off the horse thieves, who then depart. Apparently Rodock is pretty sure that his old partner, or at least his old partner's son, Lars (Vic Morrow) is behind the thievery. Rodock hires Steve as a ranch hand, who becomes instantly smitten with Rodock's mistress, Jocasta (Irene Pappas). Complications ensue.

I've watched this twice now - the first time a couple of years ago - and decided to give it another chance. I still have the same verdict. Rodock clearly states that there is no law for 200 miles in any direction. Yet Jocasta constantly rebukes Rodock for pursuing all that attempt to steal his horses and hanging them when found - that was the standard punishment for horse thieves in the old West. Rodock is without malice when he does this. It is just something he has to do or else he - and Jocasta for that matter - would be overrun by the lawless and starve to death. Yet Jocasta claims he has "hanging fever".

The only time Rodock gets emotional about dealing with the rustlers is when he sees that they have done something particularly cruel to his horses in order to cover their tracks, and comes up with a punishment that fits the crime and spares them the noose. At the conclusion of the film, I am still on team Rodock, and I'm wondering if Jocasta, if attacked by Indians, would think a couple of choruses of Kumbaya would be an effective defense. She really is that naive.

It really is a shame because Cagney is magnificent as always - he's the only reason I didn't get hopelessly bored by the entire production - and the production values are top notch with great cinematography and a magnificent score by Miklós Rózsa.

A story of a few people in a wide, big country.

Plenty of scenery emphasises the remoteness and isolation of Rodock's valley. 200 miles from anywhere else, Rodock is the law, there being no-one else to police his horse range. Cagney gives a fine portrayal of the stern stony-heart towards those who cross him or steal his horses, who fails to comprehend Steve and Jo, the ones who represent humanitarian conscience, kindness and mercy.

Because it's partly an emblematic morality tale, we get a few too many long significant looks and widescreen shots to make it look big, but there's a good strong plotline to hold it together. It's not a shoot 'em up, just some rustling wars between neighbouring farmers who hate each other's guts, and some jealousy over the woman, but it hangs together decently enough.

The characters aren't exactly complex, but the actors all turn in better than average performances.

It's a very well-made movie, fairly simple ingredients put together by a really good cook, if very slightly ponderously.