Where There's a Will

Adapted by R.F.Delderfield from his own stage farce and directed without much enthusiasm by Vernon Sewell. Despite quite a few shots of a wintry-looking Devon it still manages to feel studio-bound.

Full of vaguely naughty references to things like illegitimacy, chamber pots and the 'News of the World'. Interest is provided amidst a cast of veterans by two newcomers in their twenties: Edward Woodward (leaner and with a a higher hairline than he had twenty years later) repeating his stage role, and a caustic young Thelma Ruby, now at 95 the final surviving member of the cast.

Cole's Flash Harry (of St Trinian's) is often seen as the forerunner for his iconic Arfur Daley character, but his role here seems even more like him; the quick banter, the sly penny-pinching with a wink etc.

Generally, the film feels like a stage play. Once the 'townies go rural' joke has been established (rocky ride to the farm, sleep on straw beds etc) the rest of it mainly concerns who owns the right to the place. It's 3 against 1 in the family as they all want to sell it and Leslie Dwyer wants to stay there, farm and escape life in the big smoke. It's a good central role for him and a sweet bit of romance with long-term housekeeper Kathleen Harrison. Dandy Nichols is reliably enjoyable and watch for a young Edward Woodward - i actually didn't realise it was him until the end credits!

Overall, it's no classic Ealing satire or Will Hay romp and despite characters being perhaps a little obvious and the script over-wordy - it is still quite a cosy kind of film.

This Britsih B film from the 50s has a fantastic cast.Firstly there is Kathleen Harrison.She always plays the same part,a soft hearted put upon and often self sacrificing woman.Then Edward Woodward in his film debut.There are 3 actors who would become famous in years to come on TV.Leslie Dwyer(Hi De Hi),Dandy Nichols(the silly moo in Till Death Us Do Part)and Geoorge Cole ,here in his "Flash Harry" guise but of course most famous for Arthur Daly.In the supporting cast there is Sam Kydd and Bill Shine.The film itself is one of those films where the plot surrounds a missing will.It is eventually found in the most unlikely place you could think of.So whilst the film is rather unoriginal much pleasure is gained by watching all these familiar faces at work.

When the farm owner gets blown up without a will, his lower-class London relatives show up for their share of the loot. Most of them want to sell out for some quick money, but Leslie Dwyer wants to turn farmer.

My mother was fond of Delderfield's novels, judging by their presence in her bedroom. I found this movie version harsh on the rather stereotyped Cockneys, except for Leslie Dwyer, who longs to get away from working in a Turkish bath and become a farmer, and niece Ann Hanslip, who wants to get away from her horror of a mother and dull city routine. Edward Woodward is competent but unrecognizable as the juvenile lead in his first screen appearance.

I found after a brisk opening -- I thought I was looking at a Monty Python skit when it opens with the old man getting blown up by a land mine. It's certainly a way of getting a movie off with a bang --t hat it sagged a bit in the middle, with Dwyer's horrid relations trying to play both ends against the middle, while Dwyer tries to figure out how to honorably keep the farm. But the pace picks up again to result in the foreordained happy ending.

Storyline: Cockney extended family decamp to the countryside, after inheriting ramshackle farm in Devon to try their hand at farming. Leslie Dwyer, stalwart character actor of British films, George Cole, with permanent fag in the mouth, plays a 'spiv' - a sort of Flash Harry, a role he reprised in several later films and the irrepressible Kathleen Harrison of 'Meet the Huggetts' fame are all a joy to watch. Leslie Dwyer, who plays middle aged Alfie Brewer, enthuses about taking up farming as a way of life, as he can't wait to see the back of London and 'Turkish baths' where he was gainfully employed, but the rest of the 'family' are distinctively underwhelmed with 'working on the soil,' and would rather sell the place. However, Dwyer finds an ally in his dreams of running a farm by striking up a very friendly relationship with the deceased farmer's housekeeper, played by the delightful Kathleen Harrison, a spirited and canny woman, who encourages him to pursue his rural dreams with her. There's only one 'fly in the ointment' which is the housekeeper sees herself as being a lot more than a housekeeper/companion to Dwyer! My problem with the film is there are too many stereotypical characters and a storyline overburdened with too much dialogue about the interminable problems of the mortgage, which after a while became a total bore! On hindsight, this light hearted comedy would have been better and more interesting as a TV series of six episodes as a way of developing the writer's (R. F. Delderfield) characters. Nevertheless, the film is a pleasure to watch as it features so many talented character actors, who went on to appear in countless films over the decades.