World Without End

Space pioneers are returning to Earth from a trip to Mars when their spaceship is propelled into the future. They land and discover a vastly different Earth than the one they left. All of the elements that went into the 50s scifi genre are here. Space travel, mutant creatures, and life in the far distant future. This film was a better than average film for its time. The effects are poor compared to today but the dialog makes up for it. The color is sharp and clear and there is a good cast to make it enjoyable. Pull up a chair and break out the popcorn. Following the adventures of the newly returned space travelers makes for a good Saturday afternoon viewing.

I recently watched this movie for the first time and found it a cross between Planet of the Apes and The Time Machine, complete with Rod Taylor.

Four astronauts returning from a space mission go through a time warp and end up on earth thousands of years into the future after a nuclear war. They encounter rubber giant spiders, mutant cavemen and hostile survivors who have survived the war and are living underground. At first they don't believe how the astronauts got there but they do eventually and they help them to destroy the mutants and start afresh and live without the fear of these unfriendly cavemen. Two of the astronauts fall in love with two of the local women.

As well as The Time Machine's Rod Taylor, the film also stars Hugh Marlowe (The Day The Earth Stood Still) and Nancy Gates. The acting is good from all.

I found this movie enjoyable and is beautifully shot in colour, despite the low budget. The giant spiders look cheap though. A must for sci-fi fans.

Rating: 4 stars out of 5.

Allied Artists pulls out their wallets and all the stops for this fantastic tale of men and mutants locked together in a time warp. The studio, at the time, had more in common with poverty row stalwarts like Eagle-Lion, Republic and Monogram, than the major studios of the era. But here they mounted a handsome production in "Cinemascope" and Technicolor. The major complaint about the film seems to concern the behavior and attitudes of the astronauts toward the females. I believe sexist and juvenile come to mind. But look a little under the surface and you will find the character of Deena. She breaks the typical space babe mold and develops an independent woman. Check out her courage in disobeying the elders as well as Rod Taylor, when she tags along in order to provide some practical information on the mutant culture. I can't believe I just wrote the words "mutant culture." In addition, I'm also aware that the costume department delivered the same mini-skirts which you might find in similar flicks of the period. But also remember that Star Trek dressed their female crew members in the same fashion--and in the late-sixties, too! I also like the engineer's character who is given feelings of sadness, regret and remorse when confronted with the ramifications of breaking the time barrier--with no means to return to his loved ones. Applause and salutations to the thoughtful screenwriter who delivered these pages.

This is the perhaps the best script from a writer's point of view of any of the 1950s low-budget "B" sci-fi films. Galactic fiction being beyond the capacities of Hollywood writers' imaginations, the best they could do is "futuristics", stories of apocalyptic, invaded, poisoned or plagued Earth. Larger budgets made possible color features such as "War of the Worlds"; and "When Worlds Collide"; others with less backing made "Kronos", "Earth Versus the Flying Saucers" and this gem of the genre. Here four astronauts who return from a mission to Mars are caught in the usual 'time warp'; and so they return to find a devastated Earth of the future--atomic war being the destructive force. The astronauts are led by dependable leading man Hugh Marlowe; the others are young Rod Taylor, Christopher Dark and announcer--voiced nice guy Nelson Leigh. They become involved with The Council, led by Everett Glass and run afoul of fine actor Booth Colman as a man jealous of their potency as political leaders and their genetic potential to please the local female population. Others in the cast include fine character actors Paul Brinegar and Herb Vigran. Borrowing a page from Edgar Rice Burroughs' Opar tales, author and director of the film, Edward Bernds, has introduced beast men, impotent males and gorgeous women who seem seem almost to belong to a different race. The three lovelies are played by capable leading lady Nancy Gates, Lisa Montell and Shawn Smith. What sets this film apart is fine music by Leigh Harline, intelligent sets, enjoyably-revealing costumes for the ladies and its dialogue and interestingly-developed characters. The four astronauts learn about the new society of wrecked Earth, its problems and hopes, as we do, adding to the impact of the story. Dark has a good part as he mourns his lost family; the older Leigh enjoys his status as a sought-after-male and scientist, Taylor is stalwart and promising but battles his Australian accent. Marlowe makes everyone else look better as usual by his intelligence and ability to handle adventure-level dialogue. The action climax sets the four up to be the leaders of a new and perhaps better world, with the beast men at bay and affairs of the heart settled admirably-- and Dark in charge of the children who are the hope of a rebuilt Earth... I cannot recommend this exercise in clever low-budget sci-fi film-making too highly. This is an exciting and interesting narrative.

Yes this movie is a little corny, but most of the sci-fi/horror movies of that time were corny, but still fun to watch. And this movie still has a good underlining story. The astronauts find themselves in another world from the one they left, their families and homes are gone and mutants attack them. Then they find another race like their own. And after fighting the mutants and the others they work together to start to rebuild the Earth. Corny but good.