Sugarfoot

"Sugarfoot" was one of 4 westerns that shared a time slot on the same night. The other shows were "Maverick", "Cheyenne",and "Bronco Lane". So you only got to see each of them once a month. Each had it's own song, and unfortunately, I remember them. They were all different but strangely alike. Sugarfoot was a blond,blue-eyed young man who really went against the "cowboy/hero" type. He was an "aw shucks," type and didn't use his gun as much as other western heroes. Maverick was a smooth talking gambler and was usually funny. Bronco Lane was from Texas and as far as I remember, was his best attribute. Cheyenne was an absolute hunk with broad shoulders, really big chest, and a small waist. Each one of them seemed to just roam around, getting into trouble, rescuing people, and solving crimes. Boy, could we use them nowadays.

It's been mentioned over and over, the Tom Brewster character called "Sugarfoot" in this series was an "unlikely hero." Sugarfoot is much like "Monk" in that, he has a handicap - he is apprehensive and often unsure of himself. He wants to solve crimes in the Old West but is often thrust into scenarios in which he feels uncomfortable. His character is much like Jimmy Stewart in "Destry Rides Again," or perhaps, Gary Cooper in "Along Came Jones." Then again, perhaps there is a hint of "Jim Rockford" in this character.

Will Hutchins was obviously chosen for his appeal to young ladies as a surfer-looking blond with a good haircut. Seems like he would have fit a little better in a "Hawaiian Eye" style show. He has a bit of an "Owen Wilson" appeal, although, definitely campier.

All of this considered, I enjoyed "Sugarfoot" as a tongue-in-cheek Western series.

Thanks to the folks at my cable provider, I am able, once again, to see a few of the shows that emanated from the Warner Brothers Television 'boilerplate', namely, 77 Sunset Strip, Hawaiian Eye, Maverick, and, Sugarfoot. Watching them was a fond memory for me, and THIS is the type of television that I will always remember. An attractive ensemble cast for each program, and the songs by Mack David and Jerry Livingston (the former-named is the brother of Hal David of that 'other' songwriting ampersand), and the opening and closing artwork (the opening was in lowercase letters, the closing had initial capital letters, at which time the respective theme songs were sung by a fine group of studio singers).

What a pleasure to see these shows again. Let's get THESE on DVD.

In some ways the weakest hero on the WB stable, Tom Brewster roamed the West with an "aw shucks" young Jimmy Stewart attitude "and a rifle and a volume of the law". As a youngster, he was my least favoured Western hero, perhaps because he seemed too much the boy next door, too much like a weakling. Will Hutchins did an excellent job in the role, and often the writing was a notch above the other WB Westerns, but there was nothing heroic about the nice guy Tom. There was little heroic about Bret Maverick either but that was a very different matter. And that leads to the problem: Sugarfoot was just too young. Nick Adams may have been young but he was "The Rebel". Tom Brewster: too young, too neutered. Too bad. Not a bad theme song though.

I'm sure WB's writers were attempting to create a unique, if unlikely hero. The clean-cut boyish good looks were exactly what they were looking for. There were plenty of tough guys-Paladin, Bronco Lane,Rowdy Yates, etc. There were a couple of clever and slightly cowardly con men: Bart and Bret Maverick. What there was not was a nice, clean-cut kid to stand against evil-until Sugarfoot sauntered onto the scene, that is. The challenge, of course, was for this young kid to defend us from evil once a week for four years. It was the classic "Clark Kent/ Superman" formula except that there were no phone booths in the Old West !