Seven Days from Now

This was my first viewing of the film and in my humble opinion Ty Power was terrific as a dramatic actor. It really opened my eyes to his capabilities. He had what it takes to project the reality across to us, the viewers. Although I wouldn't want to be in his situation, of deciding on the fate of survivors in a lifeboat, still I felt his decisions were the best that could be done in such an extreme and dire situation. I'm sure no one would want to be in his shoes at that time.

Each actor contributed in their minor roles, - nice to see Stephen Boyd in an earlier role - Lloyd Nolan seen rather briefly, and Mai Zetterling as the nurse who was supportive throughout.

Who can say what each and everyone would be willing to decide on if confronted with the inevitable decision of life and death, or basic survival as in this case. It's certainly something to think about in quiet moments.

I found this film riveting throughout as the dialogue progressed and decisions were made, rightly or wrongly, on people's lives.

It's a remarkably realistic revelation of human nature at its best and worse. A "must see" for those interested in drama, and particularly in Ty Power's development as a serious performer. Well recommended.

Once seen, never forgotten. Very few films have ever moved into Hitchcock's territory and beaten him, but Seven Waves Away / Abandon Ship is one: ultimately it's a much superior film to Hitchcock's similar Lifeboat. Seven Waves Away was made with impressive conviction and passion by writer-director Richard Sale, who was very active in the 1950s but didn't get another opportunity to direct a feature after this one, despite living 36 more years (what's up with that?). Working with production designer Wilfred Shingleton and art director Raymond Simm and filming almost entirely in a large tank (except perhaps for a few long shots), Sale created an unforgettably immediate atmosphere for a completely harrowing and uncompromising tale of survival at sea under the worst imaginable physical and ethical circumstances.

The cast performed admirably under very trying circumstances (imagine being wet all day, every day); in fact, the miseries of the filming process influenced the acting in a quasi-documentary manner that benefits the picture enormously. Even seen on television, Seven Waves Away is an intensely experiential movie; I can only imagine what it felt like on the large screen.

This was practically Tyrone Power's last hurrah; in his early forties when the movie was filmed, he died of a heart attack on a project shortly thereafter (as his actor-father Tyrone Power Sr. had before him). Power acts with tremendous force and tension as the "captain" here; the dramatic arc of the story is contained entirely within his decision-making process, and for a first-time viewer his key decision (which I will not reveal) will always register as startling because it runs so counter-intuitively to our received sense of ethics. But that is part of what gives Seven Waves Away its wallop.

Abandon Ship (1957)

*** 1/2 (out of 4)

Extremely difficult to watch but masterfully made is the best way to sum up this drama that will have your on the edge of your seat from start to finish. A luxury liner strikes a derailed land mine, explodes and sinks in seven seconds. Twenty-seven people survive with Officer Holmes (Tyrone Power) given orders to take control of the lifeboat and see to it that as many people survive as possible. The boat is 1500 miles from land with a major storm coming and the lifeboat is holding at least twelve people too many so Holmes must pick and choose which ones can stay on the top and which must go overboard. This film, based on a true story, is rather hard to watch and I'm sure many people will find it too unpleasant and will eventually turn it off. The film takes place in the water from start to finish and the shaky camera-work and constant throbbing in the water will get some sea sick but those who stick to the movie will find a lot of other things to be disgusted by. I'd say I'm an expert at watching some ugly stuff but even my stomach was turning due to the subject matter here, which is handled in a very raw and realistic way. Having one man play God and pick who gets to live and die is a soul searching cause and will really have you thinking. The movie starts off as your typical disaster pic but instead of action we get thoughts of what we would do in that situation. You'll ask yourself if you could throw a woman overboard to die and if everyone should die or if a select group should have the right to live. A movie fan really has to ask themselves if a masterfully directed movie with great performances is worth watching when the subject matter itself is too ugly. I'm sure many will stay away from the film and I'm really not sure if I'd want to sit through it again but there's no doubt at how well made the thing is. I've always been hit and miss on Power but after seeing his performance here I've turned into an instant fan. He's completely believable in the role and extremely strong in putting his character's thoughts right up there for us to see without having to say a single word. Mai Zetterling, Stephen Boyd, Lloyd Nolan and the rest of the cast are great as well but there's no question as to whose film it is. It's rather amazing that this film isn't better known as many disaster movies remain quite popular today. I'm going to guess the reason this one here has been forgotten is simply because many watching it won't want to recommend it to anyone. I can only imagine how a film like this hit people when it was first released because as movie viewers today we've become quite jaded to violence. There's no real violence here but there's no question that the film and its subject matter are a lot more brutal to watch than any slasher or violence packed action film.

AKA Abandon Ship! A luxury cruise liner hits a mine and sinks in the shark infested south Atlantic. Survivors gather around an overcrowded lifeboat. Alec Holmes (Tyrone Power) takes command after the captain's death. With dwindling supplies and rescue unlikely, he faces an impossible choice with greater and greater urgency.

They probably filmed most of this in a giant water tank but it looks like it's the open ocean. The boat always looks dangerously close to sinking and the waters get really rough. This is actually a very harrowing tale. The high stress situation is great for pulling out the characters. There is something basic about their predicament. It is primal. The story is very compelling.

I haven't seen this film in many years, but I have never forgotten it. It proves you can make a harrowing high-seas adventure with life-and-death philosophical overtones on a tiny budget in a tiny set without going overboard (pun intended) like the bloated "Titanic." In some ways, I prefer this gritty, direct film more than Alfred Hitchcock's very similar "Lifeboat." This film has fewer glamorous eccentricities and gets down to the painful, shocking task of sacrificing lives. Tyrone Power might seem miscast as the captain, but this is not a glamor-boy role and as I recall he handles it quite well. If you're in the mood for hard-hitting, serious drama, this is the picture for you.