Heaven Knows, Mr. Allison

It's always interesting to hear what movie directors think of their own work, and John Huston once made a very insightful comment about this 1957 film which he made for 20th Century Fox:- "Allison is seldom referred to. But I think it was one of the best things I ever made". Huston has hit the nail squarely on the head with this comment. It is - just as he states - a film that has faded into obscurity as the years have passed. It is also paradoxically one of his great works. Perhaps The African Queen, The Red Badge Of Courage, The Asphalt Jungle and Treasure Of The Sierra Madre rank in the director's very top tier of work, but Heaven Knows, Mr. Allison is definitely among the front-runners in the second tier.

The story is extremely simple, but absorbing. American marine Allison (Robert Mitchum) is washed ashore on a Pacific island during WWII. The only other person on the island is a nun named Sister Angela (Deborah Kerr). Although they are totally different types of people - and in other circumstances might well have looked down their noses at each other - they find that their mutual plight draws them together and creates a very close friendship. Their situations worsens, however, when a Japanese force arrives and stations a garrison on the island. Allison and Sister Angela find themselves in genuinely grave danger now. Initially, they were merely shipwrecked.... but the arrival of the Japanese soldiers places them in the very midst of the enemy, with nowhere to run and almost nowhere to hide.

As it was made in 1957, the filming was fraught with difficulties, because at that time the Catholic church imposed strict censorship laws on films dealing with religious situations or characters. In the original Charles Shaw book which provided the inspiration for the film, the marine and the nun fell in love.... but it would have been deemed offensive if that were to happen in a 1957 film, so Huston had to create a revised resolution in which the marine and nun gain strength, hope and determination from each other without ever physically consummating their relationship. The performances are meticulous, with Mitchum showing what depth and sensitivity he could bring to a part when asked to do more than his usual man-of-action thing. Kerr is, if anything, even better and earned a thoroughly worthy Oscar nomination (she was eventually beaten - probably undeservedly - by Joanne Woodward). Oswald Morris shoots the film splendidly, ensuring that it is always pleasing to the eye, while Huston expertly juggles the suspense and the sensitivity. Heaven Knows, Mr. Allison is a really first-rate film and how sad it is that such a likable motion picture has become virtually forgotten.

John Huston virtually remade "The African Queen" as a two-hander but set during the Second World War and on a Pacific island occupied by the Japanese and on which are hiding an American marine, (Robert Mitchum), and a nun, (Deborah Kerr), the only other sole occupants. Dextrously moving between scenes of genuine suspense, (will they be discovered), and real intimacy in which the comic as well as the dramatic potentials of the story are beautifully played out by both actors, Huston creates a film that works on a number of levels and shows real flair for the use of the widescreen imposed on him by 20th Century Fox. Indeed Kerr wears her habit as if to the manor born, (she's a much more relaxed nun than her Sister Clodagh in "Black Narcissus"), while Mitchum, with only Kerr to react to, has probably never been better. In this film he refined his laconic style to a fine art. Although popular with those who have seen it the film has never really acquired much of a reputation even if it is one of Huston's finest and certainly most undervalued films.

One of the great injustices of Hollywood history is the fact that Deborah Kerr was nominated for Best Actress while Robert Mitchum got nary a mention for Best Actor in Heaven Knows, Mr. Allison. Kerr had several nominations, but never came up a winner. Mitchum was nominated once at the beginning of his career in the Best Supporting Actor category in The Story of GI Joe and then never again.

In Mitchum's case I think that some of his irreverent comments offended a few people. Sometimes Bob was a bit too candid about what he thought of the film industry and his chosen profession. Otherwise he might well have gotten nominations for this, Night of the Hunter, Cape Fear, Ryan's Daughter, The Sundowners, The Friends of Eddie Coyle and a few others.

This film is always and rightly compared to The African Queen with a female in the religious missionary profession and a hell-raising outsider thrown together in war time. The African Queen was in World War I and this film is set on a backwater Pacific island in World War II.

Corporal Allison, USMC arrives on a rubber raft after the Japanese opened fire on a submarine he was on. The only other person on the island is a nun who has seen all the others die or flee the island. It's a small island, but apparently strategically located.

The film is about these two mismatched people thrown together and what they have to do to survive. Deborah Kerr is a nun who hasn't yet taken her final vows and being alone on the island with Mitchum is a temptation no doubt.

Mitchum though has his own code. He's a foundling kid who took the name of Allison because that was the street in Milwaukee he was dropped off on. He was a juvenile delinquent until he joined the Marines and they gave his life a meaning. The Marine Corps manual is his Bible as much as the Scripture is Kerr's.

I can identify with that because in fact I had a cousin who was in the Marines who did in fact straighten him out. He was a hell raising kid in his youth and he became if not a solid citizen after his service, at least a respectable one.

John Huston got unforgettable performances out of his credited cast of two. Heaven Knows, Mr. Allison has not dated one single bit since its release.

We all need something to believe in to get us through in this world.

This movie stands out as my favorite WW2 film. It not only explores the nature of honor, but also male female relations and faith in such things. I give it my highest marks with the caveat that it is NOT an action film. This is primarily a drama.

Robert Mitchum and Deborah Kerr give beautiful performances in this touching study of a Marine and a young nun who find themselves stranded on a Pacific island during WWII. Their platonic relationship deepens when the Japanese return to occupy the island, and Cpl. Allison and Sister Angela take refuge in a cave, surviving by his wits, her prayers, and the saving grace of their mutual respect and affection. Mitchum gives one of the finest performances of his career as the proud Marine who finds himself falling in love with his companion, and Deborah Kerr is unaffectedly enchanting as Sister Angela. Quiet moments of compelling character study are interspersed with suspenseful action sequences set amid ruggedly beautiful scenery.