A woman breaks out of jail before her hanging and a man is hired to bring her back.A woman breaks out of jail before her hanging and a man is hired to bring her back.A woman breaks out of jail before her hanging and a man is hired to bring her back.
Beulah Archuletta
- Indian Squaw
- (uncredited)
Bart Braverman
- Pablo
- (uncredited)
Edgar Dearing
- Sheriff Jenner
- (uncredited)
Joe Haworth
- Haddon
- (uncredited)
Nolan Leary
- Judge Dwight Larson
- (uncredited)
Pierce Lyden
- Culdane - Sheriff of Beldon County
- (uncredited)
Kermit Maynard
- Townsman
- (uncredited)
Dan Riss
- Walt Bodie - Lawyer
- (uncredited)
Featured reviews
If you make it past the first 40 minutes you will find the remainder of the film slightly improved but only slightly.
The highlight comes in the first 10 minutes when the double speed the horse chase and it looks like they forgot to slow it back down lol.
Not much for Rory to work with here and the villains lack any real teeth.
The highlight comes in the first 10 minutes when the double speed the horse chase and it looks like they forgot to slow it back down lol.
Not much for Rory to work with here and the villains lack any real teeth.
Ellen Beldon is about to be hanged in Texas for the cold-blooded murder of her husband. Her uncle's ranch foreman, Judd Farrow, masquerading as a priest busts her out of jail and escorts Ellen to a safe hideout at her uncle's ranch in New Mexico. Her uncle has enough influence to block extradition of Ellen back to Texas.
Her father-in-law, Mace Beldon, determined to avenge the killing of his son, hires gunman Gil McCord for $5,000 to track down Ellen and bring her back to Texas. Gil hires on as a cowhand and then kidnaps Ellen and they head back to Texas. On the way Ellen explains to Gil what really happened.
You don't see many women in westerns sentenced to be hanged, which is a fresh angle in this fast-moving, well-acted western that has some fine cinematography and great locations. It's well made, suspenseful and fairly engaging. In tone and story it reminds me of the Scott-Boeticher western. Calhoun in particular is quite cold and determined to earn his dollars - well, at first. Predictably, he falls for the cute Anne Francis. Her character is quite a strong one. Maybe this film would've benefited from a longer running time so Calhoun's relationship with Francis could've been more developed and his belief in her innocence more gradual.
Her father-in-law, Mace Beldon, determined to avenge the killing of his son, hires gunman Gil McCord for $5,000 to track down Ellen and bring her back to Texas. Gil hires on as a cowhand and then kidnaps Ellen and they head back to Texas. On the way Ellen explains to Gil what really happened.
You don't see many women in westerns sentenced to be hanged, which is a fresh angle in this fast-moving, well-acted western that has some fine cinematography and great locations. It's well made, suspenseful and fairly engaging. In tone and story it reminds me of the Scott-Boeticher western. Calhoun in particular is quite cold and determined to earn his dollars - well, at first. Predictably, he falls for the cute Anne Francis. Her character is quite a strong one. Maybe this film would've benefited from a longer running time so Calhoun's relationship with Francis could've been more developed and his belief in her innocence more gradual.
Ellen Belden (Anne Francis) is set to be hanged for her husband's murder in Texas. Ellen's uncle has one of his ranch hands bust her out of jail and escort across the New Mexico border. The father of the dead man hires a gunman named Gil McCord (Rory Calhoun) to go into New Mexico and bring Ellen back to face her sentence. But is Ellen really guilty or is someone else responsible for the murder?
Overall, I'd call this MGM programmer a bit dull. One of my main issues is that The Hired Gun's plot offers few, if any, surprises. Almost everything is predictable after about 15 minutes. Things like: Is Ellen guilty? Who really killed Ellen's husband? What will happen with Ellen and McCord? It doesn't take a fortune teller to predict the answers to these questions.
In addition, try as it might, The Hired Gun never has an appropriate Western feel to it. The sets don't seem authentic, the wardrobe looks too modern, and Anne Francis is more Honey West than Old West. I know budget constraints probably played a role in this, but the lack of a Western feel really took me out of the movie.
I suppose of all the cast, I enjoyed Chuck Connors as Judd Farrow, the ranch hand, as much as anyone. I felt for the man as time-after-time Ellen rebuffed his advances, yet he kept coming back for more.
4/10
Overall, I'd call this MGM programmer a bit dull. One of my main issues is that The Hired Gun's plot offers few, if any, surprises. Almost everything is predictable after about 15 minutes. Things like: Is Ellen guilty? Who really killed Ellen's husband? What will happen with Ellen and McCord? It doesn't take a fortune teller to predict the answers to these questions.
In addition, try as it might, The Hired Gun never has an appropriate Western feel to it. The sets don't seem authentic, the wardrobe looks too modern, and Anne Francis is more Honey West than Old West. I know budget constraints probably played a role in this, but the lack of a Western feel really took me out of the movie.
I suppose of all the cast, I enjoyed Chuck Connors as Judd Farrow, the ranch hand, as much as anyone. I felt for the man as time-after-time Ellen rebuffed his advances, yet he kept coming back for more.
4/10
I was amazed to see here a Ray Nazarro's film made in LBX and released - not produced, release - by Metro Goldwyn Mayer. I did not believe it. It is a truly interesting plot, very unusual, surprising, where Ann Francis's role steals the film. The directing is above average for a director such a Ray Nazarro, some kind of Lesley Selander prolific western maker. Nazzaro gave his best film during the fifties, his second part of career, after a long while for B westerns starring Charles Starrett. So, yes, this western is very worth the watch, it proves once more than B - 75 or 80 minutes - movies can from time to time good surprises. But if you replace Ann Francis by a man wrongly accused of murder, it would have been forgettable in the second after watching, as a drop of water, on a hot plate, that would evaporate.
Anne Francis is about to hung for the murder of her husband, the son of the local Ponderosa owner John Litel. But her uncle sends Chuck Connors to rescue her and he does, taking her across the Texas state line to New Mexico territory where he, Robert Burton is the local Ponderosa owner. And due to Burton's influence, New Mexico will not honor extradition. What to do, but hire out for The Hired Gun.
In this case it's Rory Calhoun who gets hired for $5000.00 dollars to deliver Francis back to Texas for the sentence to be carried out. He's even deputized to make what is kidnapping have some trapping of legality.
Of course with their time on the trail Calhoun and Francis start getting acquainted. I don't think I have to go any further.
The Hired Gun was almost like watching two different films. A plot line where Francis is being given some unwanted attentions by her rescuer Connors is left dangling. Quite frankly I can't blame Connors for expecting some kind of manifestation of that gratitude. Then when Calhoun and Francis cross the state line, it's like a whole new movie started. I think some writing might have changed midpoint in the film or it was to be a whole bigger type of western when originally conceived.
With stuff like The Hired Gun which Calhoun also produced not being that well received, no wonder Rory Calhoun opted for a TV and he would star in his own television series, The Texan very shortly.
In this case it's Rory Calhoun who gets hired for $5000.00 dollars to deliver Francis back to Texas for the sentence to be carried out. He's even deputized to make what is kidnapping have some trapping of legality.
Of course with their time on the trail Calhoun and Francis start getting acquainted. I don't think I have to go any further.
The Hired Gun was almost like watching two different films. A plot line where Francis is being given some unwanted attentions by her rescuer Connors is left dangling. Quite frankly I can't blame Connors for expecting some kind of manifestation of that gratitude. Then when Calhoun and Francis cross the state line, it's like a whole new movie started. I think some writing might have changed midpoint in the film or it was to be a whole bigger type of western when originally conceived.
With stuff like The Hired Gun which Calhoun also produced not being that well received, no wonder Rory Calhoun opted for a TV and he would star in his own television series, The Texan very shortly.
Did you know
- TriviaThe Hired Gun (1957) was the first film produced by Rory Calhoun and Victor M. Orsatti's production company, Calhoun-Orsatti Enterprises, Inc. The film also contained the statement "Rorvic Productions," a combination of the producers' first names.
- GoofsA clear moving shadow of the camera is visible on the floor of the gallows as it cranes up following Ellen and Judd as the drive away to the jail.
- ConnectionsReferenced in The Red Cockatoo (2006)
Details
Box office
- Budget
- $323,000 (estimated)
- Runtime
- 1h 3m(63 min)
- Color
- Aspect ratio
- 2.35 : 1
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