The Oklahoman

The Oklahoman is directed by Francis Lyon and written by Daniel Ullman. It stars Joel McCRea, Barbara Hale, Brad Dexter, Gloria Talbott, Michael Pate, Verna Felton and Douglas Dick. Music is by Hans Salter and cinematography by Carl Guthrie.

After his wife dies during childbirth, Doctor John Brighton (McCrea) stops in the small Oklahoma town of Cherokee Wells to bury her. Deciding to stay there and start a practice, he comes to run afoul of the local bad boys fronted by the Dobie brothers (Dexter/Dick).

A CinemaScope/De Luxe Color production, The Oklahoman appears to be one of McCrea's lesser known Westerns. Which is a shame, for although this isn't high on action quotas, it is however rich on characters and beats a solid worthy message heart. It's a typical McCrea characterisation, Doctor Brighton is a peaceable man, a bastion of the community, loved by all but the baddies. As the stench of racism rears its ugly head, and a secret of the land comes to the fore, Brighton is forced to stand up for values that he knows to be right, putting himself into great danger in the process.

The Native American characters are well written, showing them to be hard working and integral parts of the community. This is a town where integration clearly works, it's only when financial gain for the Dobie Brothers surfaces does race become an issue. There's a rather fanciful (sort of) love triangle in the mix, as both the Hale and Talbott (playing a young Indian character) have soft feelings for the much older doctor, but this aspect is no hindrance to the pic since it isn't overtly played. Over on the villain side of things Dexter does a nice line in gurning mistrust, and thankfully he doesn't shift into cartoon caricature.

It's not a very insightful picture, as per the themes ticking away, this is after all a second tier "B" Western. Yet some classy veneers shine bright as our characters move about the comforting surrounds of the Iverson Ranch locales. While of course McCrea is the most reassuring presence of all. 7/10

Widower Dr John Birghton becomes thesubject of local gossip when he takes on Maria, an Indian girl, as his housekeeper. When oil is discovered on land belonging to Maria's family, the doctor turns crusader in order to stop the greedy cattlemen.

The Oklahoman isn't a flashy, gun-toting western, though it has a little gunplay - it has a more stripped down story that covers themes such as racism. Quite an enjoyable watch with a good story and characters. There's a lot of talking but not of the pointless kind that doesn't drive the drama. Joel McCrea plays a humble doctor who settles down in a town with his daughter after losing his wife through childbirth. He isn't a gunslinger and keeps away from trouble in the form of the town bully Brad Dexter, but then he has no choice to stand up to him. Despite coming across pacifistic he still ends up as a heroic character standing up to a racist bully. He has other problems such as when the town goes against him town when he employs a sweet young Indian girl as nanny to his son. Rumour mills start to grind. Brad Dexter is good as the villain. You definitely want him to bite the dust quick.

Ok little story. Good for an afternoon diversion...

Its a shame there isn't a space for these kinds of movies to be made any more. Simple, yet entertaining, boosted by some exploration of equality and racism.

A nice relaxing way to spend some time at the movies.

Doctor Joel McCrea buries his wife dead in childbirth on the road to California, and stays set with his daughter. Five years later, he's moderately well set, with pretty Indian girl Gloria Talbott taking care of his daughter, and in love with him, as is Barbara Hale, who owns and runs the second biggest spread around.

Every woman wants to marry a doctor, just like my grandmother told me. Into this unwalled paradise comes trouble, when Miss Talbott's father, Michael Pate, turns himself in to the sheriff. He has killed Brad Dexter's brother, but it was self-defense. Dexter has the biggest spread around. This means it's time for McCrea to take a moral stand and get into a fistfight with Dexter. But wait! There's more!

Daniel Ullman's script is an anachronistic mishmosh of eras, but it does take a nice moral stance of equal justice for all, and it has the always reliable McCrea, Miss Hale looking beautiful and sensible just before she became Della Street, and the usual assortment of actors for one of Allied Artists' Shaky-A oaters: Ray Teal, Verna Felton, Anthony Caruso, and I Stanford Jolley. It also has a great dance sequence, with Miss Talbott kicking up her heels with an assortment of partners to "Oh Dem Golden Slippers".