The Aztec Mummy

This Mexican version of The Mummy (1932) cant even compare to the original, its absurd, boring, dull and predictable. For being the first film in a series its not really all that memorable, the monster doesn't make an appearance until like an hour in, this movie is 80 minutes, this leaves us with about 20 minutes of the most boring mummy action I have seen (maybe Curse of Bigfoot has the worst) but otherwise its a fairly decent film with decent acting, decent camera work and its decently written.

The plot is really just the same thing as the Universal film, but with a few minor (and forced) changes, none of that made this any more interesting or attractive. My biggest problem is that it takes too long to get anywhere and becomes very tedious really fast.

Not too bad but its not good either.

The plot of this vintage Mexican horror film revolves around a scientist who develops a technique to help people recall their past lives.

Using his daughter as a guinea pig to test his hypothesis, he undertakes the procedure, and she recalls being an Aztec woman who get's sacrificed to the Gods, for having an illicit affair with a warrior.

Not only is she killed- wearing a golden bracelet and breastplate- he is sentenced to be buried alive alongside her, to protect the secrets that surround their ritual deaths.

In order to prove to his theory to his peers, the scientist follows his daughter's directions, to retrieve the golden breastplate, which he plans to use as evidence that his claims are sound.

But, upon doing so, he awakens the mummy sworn to protect it...and initiated it's curse.

A subplot, meanwhile, plays out alongside this, concerning a local villain named the bat, who follows the scientist's every move, with plans to use him to track down a lost Aztec treasure...so he can steal it.

But it plays out rather awkwardly...and seems almost unnecessary...other than to lengthen the runtime a bit.

That aside, it's a pretty decent film, with a message similar to that of The Vampire Bat, which clearly had an influence on this film.

Hence The Bat character as a representation of the Bat God of the Aztecs (itself derived from the Mayan God of the Popul Vuh).

The film conveys a very similar message- as does that film- spun together with the story about Tutankhamun's curse.

The most standout portion of this film, is definitely the great scenery.

Having been shot on location at temples in Mexico City.

And the mummy is pretty cool, as well..with a demeanour similar to that of the monsters from the Blind Dead series.

In the end, it's actually a pretty decent little film, even if it does repackage and repurpose previously established storylines.

And it would go on to spawn it's own trilogy...though...the latter films did not garner the same praise as this one did.

4 out of 10.

This is the find of the year (2006), a film that was on EVERYBODY'S lost list. One story even had Jerry Warren hacking up the original negative for one of his edit bay epics. Now you can buy it for bargain prices. THE AZTEC MUMMY looks really great on the new three disc set THE AZTEC MUMMY COLLECTION (BCI),and the remastering is nearly perfect. The exterior parts with the mummy are done on real Mexican ruins and look sensational. You get a feel for the SIZE of the buildings, their age. The flashbacks star a native dance troupe, and the way that THEY recreated their heritage as of the 50's. Some of them are so proud to be in a REAL MOVIE that they grin right into the camera. I like that.

Tastes have moved on since then, and what they regarded as totally authentic seem dated now, but don't be too fast to throw it over. The group worked long and hard to get the routines down, and are on par with a lot of the dance troupes that you see on Ed Sullivan reruns. This is also how Mexicans saw their own culture, and as such should not be taken too lightly. And the background instrumental grows on you in a world music sort of way. The plot has something to do with returning a beautiful lady (Rosita Arenas) by hypnosis to her past to locate an Aztec breastplate proving the existence of previous lives. There's a masked super villain who wants the breastplate for his own nefarious ends, a cowardly second banana, car chases, gun battles, you know: something for the whole family. You also get the essential plot of Apocalypto stripped down to less then one reel and without the blood and guts that would give the kiddies nightmares..and APOCALYPTO doesn't have an evil masked doctor in it, or policemen with machine guns. When the Aztec Mummy finally decides to get up and get moving, the scenes are on par with anything Universal came up with in later Mummy movies. Very effective. A lost movie saved from the ashes

The horror and terror of the Aztec Mummy is shown in this classic Mexi-horror film! This is the first and most profound movie in the "Aztec Mummy" trilogy of the late 50s as we see the Mummy in all his bandaged and bulky horror.

The Mummy is the cursed spirit of a warrior named Popoca who was buried alive for loving a maiden and cursed to always protect her remains and the valuable bracelet and breastplate left with her that reveals the location of a vast cache of Aztec gold. Soon, the wounded warrior is awakened and sets off to find the stolen items and Flora, the reincarnation of his deceased love. But Flora's boyfriend, Dr. Almada who was responsible for bringing the Mummy to life is out to stop him and save his fiance. Almada also has the trouble of the nefarious Bat, a masked wreslter who also is a major player in the criminal underworld who seeks the Aztec treasure. Will Flora be saved? Can Almada overcome his foes? Will the Bat steal the treasure? Will poor Popoca find eternal rest?

Definately worth checking out and better than the two Aztec Mummy movies that followed!

I give it 7/10!

When I first saw this I was 6 years old and it scared the hell out of me! Even though the trilogy ended a few months later (in 1958) I remember I was disappointed with the "human robot" ending of the Aztec mummy trilogy. I still think that this mummy could have been better exploited in films, but I guess that even for the producers it was such a discovery that when they realized what they had in hand, they had already blown it apart, with the lowest budgets and the retelling with minimum variations of the same story in parts 2 and 3 ("The Curse of the Aztec Mummy", and the awful "The Aztec Mummy Against the Humanoid Robot"). Maybe the reason is that its main writer, Alfredo Salazar (brother of producer-actor Abel Salazar, the man behind Fernando Méndez' 1957 classic "The Vampire") was marginally interested in horror films. Even if he also has to his credited the original script for Benito Alazraki's "Devil Doll Men" (1961), most of the movies Alfredo wrote were about wrestling stars, fighting the occasional monster. As frequent in Mexican horror films, there is also a mystery here: nobody seems to know the name of the little girl who played Dr. Almada's daughter.